Skip to main content

18th Century Portrait Paintings

8
to
56
342
38
308
14
333
28
2
41
46
90
105
98
Overall Height
to
Overall Width
to
172
4
1
325
222
177
139
107
82
66
31
19
18
12
11
7
7
7
5
5
5
4
3
836
1,261
3,531
7,972
109
87
162
214
169
232
250
272
181
276
4
3
3
3
2
365
357
219
219
12
Period: 18th Century
Portrait of Young English aristocrat with Straw Hat. English School circa 1720
Located in Firenze, IT
Portrait of a young aristocratic girl - 18th century English style Oil on canvas. Silvered wood frame. Size with frame cm 85 x 72.5 Size without frame cm 74.5 x 62.5 At the hear...
Category

English School 18th Century Portrait Paintings

Materials

Oil, Canvas, Wood

Portrait of Lady Anne Tipping née Cheke c.1705, English Aristocratic Collection
By Kneller Godfrey
Located in London, GB
Titan Fine Art present this exquisite portrait, that formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Reg...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Madonna and child, Italian school, 18th century
Located in DEVENTER, NL
Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...
Category

18th Century Portrait Paintings

Materials

Canvas, Oil

Portrait Of Horatio Nelson Attributed To Lemuel Abbott
Located in New Orleans, LA
Attributed to Lemuel Abbott 1760-1803 | English Portrait of Horatio Nelson Oil on canvas This previously unknown portrait is an important discovery in British Naval history. In Admiral Lord Nelson's illustrious and well-studied life, there existed a "silent period" spanning 16 years during which no known portraits of Nelson existed. The discovery of this 1790 portrait, rendered just before his reentry into the Navy, is a significant development for Nelson scholars, adding new insight into the leader's life prior to his legendary command as Admiral of the British Navy. Almost certainly painted by Lemuel Abbott, the official portraitist of Admiral Nelson, the rendering depicts the naval titan in casual dress. This is one of the two final depictions of Nelson before he acquired the war-inflicted injuries that marked his later years. In 1790, Britain was at peace, and Lord Nelson found himself residing in Burnham Thorpe with his newlywed wife, Frances. Having served with great distinction in South America and the West Indies, he garnered much local acclaim. Yet, the uncertainty of returning to the sea weighed heavily on his mind. At the age of thirty, he lived the life of a country gentleman managing his estate. Only one other much smaller portrait of Nelson in civilian attire exists, a much smaller rendering from 1800 currently held at the National Portrait Gallery. Compelling and atmospheric, the oil on canvas offers viewers a rare glimpse into the visage of a youthful and resolute Nelson, a man driven by an unwavering desire to forge his reputation in the art of naval warfare. This portrait had long been believed by the Nelson family to portray Edmund Nelson, Horatio Nelson's father. When connoisseur Jeremy Knight acquired this treasure directly from the Nelson family, he postulated that the work actually depicted the famed Admiral and not his father, as it was painted around 1790, and the elder Edmund Nelson would have been 68 years old at that time. Knight then hired the renowned Nelson scholar Martin Downer, the former Sotheby's expert and author of the bestselling books Nelson's Purse and Nelson's Lost Jewel, to confirm his hunch. It has now been confirmed by Martin Downer that this portrait is the missing...
Category

Academic 18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait of an Elegant Lady in a Red Silk Dress, Beautiful Antique Frame c.1720
By Jonathan Richardson the Elder
Located in London, GB
This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady against a plain background wearing a simple red silk dress and transparent headdress hanging down the back. The sitter is not shown with jewellery or any other elements to distract the viewer’s attached, thus highlighting the beauty of the young sitter. This restrained manner achieves a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Fine 18th Century British Portrait of an Aristocratic Lady, Large oil painting
Located in Cirencester, Gloucestershire
Circle of Thomas Hudson (1701-1779) British. 18th Century Bust Portrait of a Lady, Oil on Canvas, Inscribed on a label verso, canvas: 30" x 25" (76.2 x 63.5cm). frame: 30 x 25 in...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

The Tax Collectors Italian 1700's Oil Painting on Copper in Gilt Frame
Located in Cirencester, Gloucestershire
The Tax Collectors Italian School, early 18th century oil on copper panel, framed framed: 14 x 11.5 inches copper panel : 11.5 x 9 inches provenance: private collection, UK conditio...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

Antique Italian painter - 18th-19th century figure painting - Oil on canvas
Located in Varmo, IT
Bolognese painter (18th-19th century) - Maddalena. 70 x 50 cm without frame, 89 x 69 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame. Condition ...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Dipinto Ritratto di Maria Teresa d'Austria, XVIII secolo
Located in Milan, IT
Olio su tela. Ritratto diAustria Maria Teresa d'Asburgo (1717 - 1780), che nel 1740 divenne la prima (nonché unica) donna della Casa d'Austria a ereditare il governo dei vasti possed...
Category

Other Art Style 18th Century Portrait Paintings

Materials

Oil

Portrait Of Ferdinando I De Medici, Grand Duke of Tuscany, Serving Bread
Located in Blackwater, GB
Portrait Of Ferdinando I De Medici, Grand Duke of Tuscany, Serving Bread Italian School - inscribed "Qui Bene Servire Optime Ducker Scit" To Serve Well, Is To Lead Well Large antiq...
Category

18th Century Portrait Paintings

Materials

Oil, Canvas

Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di G. Panealbo
Located in Firenze, IT
Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo. Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...
Category

Rococo 18th Century Portrait Paintings

Materials

Oil, Canvas

Cupid Portrait Parmigianino Paint 17/18th Century Oil on canvas Old master Italy
Located in Riva del Garda, IT
Follower of FRANCESCO MAZZOLA, known as IL PARMIGIANINO (Parma, 1503 - Casalmaggiore, 1540) Cupid Carving His Bow (as the triumph of love and desire over reason and knowledge) Oil o...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

Portrait The Honourable Mrs Elizabeth Tufton (nee Wilbraham)
Located in Blackwater, GB
Portrait The Honourable Mrs Elizabeth Tufton (Wilbraham), circa 1710 Sir Godfrey Kneller (1646-1723) Large circa 1710 portrait of The Honourable Mrs E...
Category

18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait Of 1st Baron Hawkstone, Sir Rowland Hill, Tory MP for Lichfield
Located in Blackwater, GB
Portrait Of 1st Baron Hawkstone, Sir Rowland Hill, Tory MP for Lichfield (1705-1783) by Charles JERVAS (1675-1739) Large 18th Century portrait of Baron Hawkstone, Sir Rowland Hill,...
Category

18th Century Portrait Paintings

Materials

Canvas, Oil

ENOCH SEEMAN (circle of) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY
By Enoch Seeman
Located in York, GB
ENOCH SEEMAN (circle of) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY A very fine 18th century portrait of Sir Francis Seymour as a boy,oil on canvas housed in a gilt frame, circle of En...
Category

Realist 18th Century Portrait Paintings

Materials

Oil

18th century painting of the Dalbiac family in the gardens of a country house
By Charles Philips
Located in Bath, Somerset
The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Susan Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait Cute Young Lady with Dog 18th Century Baroque Oil Painting on Canvas
Located in Stockholm, SE
In this charming painting by an unknown old master depicts beautiful young Lady sitting under the tree in a hidden wooded place with her spaniel friend nearby. It is indistinctly sig...
Category

Baroque 18th Century Portrait Paintings

Materials

Cotton Canvas, Oil, Canvas

Portrait Of The Artists Daughter "Margaret Gainsborough", 18th Century
Located in Blackwater, GB
Portrait Of The Artists Daughter "Margaret Gainsborough", 18th Century Circle of THOMAS GAINSBOROUGH (1727–1788) Large 18th Century portrait of Margaret, daughter of Thomas Gainsb...
Category

18th Century Portrait Paintings

Materials

Canvas, Oil

Huge 18th Century English Oil Aristocratic Portrait of a Gentleman Standing
Located in Cirencester, Gloucestershire
Portrait of an Aristocratic Gentleman British artist, first half 18th century oil on canvas, unframed canvas: 50 x 40 inches provenance: private collection, Dorset, England condition...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Perroneau Portrait Lady Woman Paint Oil on canvas 18th Century Old master French
Located in Riva del Garda, IT
Jean-Baptiste Perroneau (Paris, 1715 – Amsterdam, 1783) Portrait of a lady Oil on oval canvas 60 x 50 cm. - In frame 77 x 66 cm. Work accompanied by expertise: Raffaelle Colace (Cremona), Ferdinando Arisi Reference bibliography: d’Arnoult, Dominique (2014) Jean-Baptiste Perronneau, c 1715-1783, un portraitiste dans l’Europe des Lumières Excerpt from the expertise of Dr. Colace: This refined portrait of a lady is a perfect example of the style of Jean-Baptiste Perroneau, a very talented French painter, whose most beautiful works are located, just like this one, between the fifth and sixth decades of the eighteenth century. "Perroneaeu is more naturally colored than La Tour, the est, in the peinture de poussière colorée, tout plein de tons clairs, frais, presque humides": this is how his brothers wrote about him in La Maison d...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

Horse & Rider in a Landscape - 18th Century French Old Master Portrait Painting
Located in Sevenoaks, GB
A beautiful mid 18th century French Old Master oil on canvas depicting a horse and well dressed rider in a clearing. Excellent quality and condition work, indistinctly inscribed on t...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

French school late 18th Century, Portrait of a young man, oil on metal
Located in Paris, FR
French school late 18th Century Portrait of a young man oil on metal 10.2 x 7.7 cm Framed under glass : 24.4 x 21.8 cm This small portrait painting, quite original in its technique...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

Johann Heinrich Tischbein (Circle), Portrait Of A Lady With Forget-Me-Nots
By Johann Heinrich Tischbein the Elder
Located in Cheltenham, GB
This beautiful late 18th-century portrait depicts a young lady holding forget-me-nots. Exquisitely attired in a lavish pink dress, she’s the personification of elegance. In her righ...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Portrait Of An Elizabethan Gentleman, oil on canvas English School
Located in Blackwater, GB
Portrait Of An Elizabethan Gentleman, oil on canvas English School Large antique portrait of a 16th gentleman from the court of Queen Elizabet...
Category

18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait of an old Man with a Beard, Credit Card Size, Oil on Paper, Late 1700s
Located in Stockholm, SE
Delve into the world of 18th century European art, and you'll find a fascinating miniature portrait we are proud to present. Crafted in the style reminiscent of Christian Wilhelm Ernst Dietrich...
Category

Realist 18th Century Portrait Paintings

Materials

Oil, Paper

Balthasar Denner, Portrait Of Captain Mathias Ibsen Lunding, Oil Painting
Located in Cheltenham, GB
This splendid early 18th-century oil painting by German artist Balthasar Denner (1685-1749) depicts Captain Mathias Ibsen Lunding (1690-1728). At the height of his success, Balthasa...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

18th century Portrait of a young girl, Miss Cator in a landscape, white dress
Located in Woodbury, CT
Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Painting Portrait of Emperor Vitellius 18th century
Located in Milan, IT
Oil on Canvas. Aulus Vitellius Germanicus Augustus is one of the Eleven Roman Emperors who were portrayed in half-length form in a series made by Titian in 1536-40 for Frederick II,...
Category

Other Art Style 18th Century Portrait Paintings

Materials

Oil

Portrait of count Evreux, French, 18th c. studio of Hyacinthe Rigaud, circa 1705
Located in PARIS, FR
Portrait of Henri-Louis de la Tour d'Auvergne, Comte d'Evreux Studio of Hyacinthe Rigaud (1659-1743) Early 18th century French school, circa 1705 Oil on canvas Dimensions: h. 72 cm, ...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Fine Italian Old Master Oil Painting Angel & Saints Appearing to Figures
Located in Cirencester, Gloucestershire
Artist/ School: Italian Old Master, 18th century Title: Angel and Saints appearing to figures, one dressed in a white ruff collar. Medium: oil on canvas...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Manner of Guido Reni (1575-1642) The Prophecy of Simeon Large Antique Painting
Located in Cirencester, Gloucestershire
Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

école Du XVIIIe Siècle Portrait De Gentilhomme
Located in ROUEN, FR
École du XVIIIe siècle Portrait de gentilhomme en uniforme Huile sur panneau ovale 45 x 37 cm (hors cadre) Avec cadre Hauteur 62 cm Largeur 54 cm
Category

French School 18th Century Portrait Paintings

Materials

Oil

Circle of Jean Honore Fragonard (1732–1806) A Painting of Three Putti and Fire
Located in New York, NY
Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...
Category

Rococo 18th Century Portrait Paintings

Materials

Oil, Cotton Canvas

Portrait Of St. Mary Magdalene Baroque Oil Painting 18th By Pietro Rotari
Located in Roma, IT
PIETRO ROTARI (Verona 1707-1762 Saint Petersburg), The Mary Magdalene Meditating On The Crown Of Thorns Oil Painting ,oil on canvas 65x50cm (78x62 cm frame included), This painting ...
Category

Baroque 18th Century Portrait Paintings

Materials

Oil

Large 1700's Italian Oil Painting on Canvas Portrait of a Clerical Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Clerical Gentleman Italian artist, mid 18th century Circle of Giovanni Battista Carboni (1725-1790) oil on canvas, unframed canvas: 26 x 22 inches provenance: private c...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait of a Gentleman - British 18th Century Old Master art oil painting
By Lemuel Francis Abbott
Located in London, GB
This superb British Old Master portrait is by noted artist Lemuel Francis Abbott. Painted circa 1790, the composition is a half-length standing portrait of a gentleman gazing to his ...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

Pastel Portrait of a Young Woman
Located in Milford, NH
A wonderful 18th century French oval pastel on paper of a young woman, unsigned, and housed under glass in its original giltwood foliate gessoed frame. Some frame gesso repairs and t...
Category

18th Century Portrait Paintings

Materials

Pastel, Paper

Antique British Oil Painting Portrait of William Shakespeare Fine Oil on Canvas
Located in Cirencester, Gloucestershire
Portrait of William Shakespeare British artist, 18th century oil on canvas, unframed canvas: 24 x 18 inches provenance: private collection, England condition: very good and sound con...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

18th Century English School Portrait of a handsome young gentleman, half length
Located in Harkstead, GB
A very skilfully captured portrait of a handsome young gentleman. The painter, in the circle of Sir Willliam Beechey, has imparted great character and vitality to the sitter, giving ...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

17th century Old Master painting - Allegory of Justice - truth demons skeleton
Located in Antwerp, BE
Late 17th, early 18th century old master oil painting depicting an allegory of Lady Justice holding demons at bay Our painting, likely a sketch for a much larger work,, conveys a pr...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Portrait Noblewoman Dog Van Loo Paint 18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Louis Michel van Loo (Toulon 1707- Paris 1771) attributable Portrait of a noblewoman with her little dog Oil on canvas (79 x 66 cm. - with frame 92 x 78 cm.) A qualitative portrait depicting an elegant noblewoman of French origin, presumably belonging to the wealthy court of Versailles during the reign of Louis XV; this work fully reflects the pictorial qualities as well as the refinement of the compositional style of the French painter Louis Michel van Loo (1707- 1771), one of the most significant portrait painters of his time, and for this reason in demand at the most noble European courts. The work, taking up the traditional formula for portraits of members of the aristocracy, shows the effigy in a half-length pose, slightly turned to the right and looking directly at the viewer. The woman, with a regal bearing, is here portrayed intent on completing her daily beauty ritual, wearing a cape during her make-up, which must have just been completed as pink powder is visible on her cheeks. This luxurious garment reveals a corset with a daring neckline, made of silk and lace, and a coral-coloured dress ending in wide jabote cuffs. Her hair is styled in the French fashion in a hairstyle that highlights her facial features. Having finished her beauty ritual, the woman is intent on removing her cape with one hand, an elegant gesture that emphasises her noble pose. At her side is her small pet dog, sitting on a blue velvet cushion with gold trim. The canvas may have been made on the occasion of a wedding, elegantly celebrating the role of a member of the aristocracy. The presence of the pet depicted in her arms had in fact a precise meaning: the fidelity that is such a well-known characteristic of the dog, declared at the same time the virtues of the effigy. Louis Michel van Loo (Toulon 1707- Paris 1771) was the son of the painter Jean Baptiste van Loo, with whom he studied in Rome and Turin. He attended the Paris Academy, where he won the first prize for painting in 1726. In 1728 he returned to Rome, where he met Francois Boucher. In 1732, passing through Turin, he returned to Paris. In 1737 van Loo became court painter in Madrid, succeeding Jean Ranc...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

18th Century Portrait, Major Alexander Brown in Military Uniform
By Sir David Wilkie
Located in Cotignac, FR
18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...
Category

Realist 18th Century Portrait Paintings

Materials

Canvas, Oil, Board

John Hervey Portrait on occasion of receiving the Title 1st Earl of Bristol
By (Circle of) Godfrey Kneller
Located in Firenze, IT
Portrait of John Hervey, 1st Earl of Bristol (1665-1751). Early 18th-century near-life-size portrait of a noble man richly dressed in a long wig. Circle of the German-British cour...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait of a Lady with her Hair Adorned with Flowers, 18th Century French
Located in London, GB
Oil on canvas Image size: 21 1/2 x 17 3/4 inches (55 x 45 cm) Original gilt frame In this portrait this young woman is depicted facing forward with her head slightly raised and turned left towards the viewer. She is dressed in a blue satin dress. The low-cut drapery, exposing her décolletage, was not unusual for the time as 18th century women would often wear their dresses off-the-shoulder or fitted with a very open neckline. Her perfectly oval face is enlivened by wide brown eyes, full cheeks and a mouth that sketches a half smile. Her cheeks rose with blush, which was a popular cosmetic style during the Rococo period and contrasts with her ivory skin and powdered hair. Her tied hair is studded with many flowers and the ribbon around the woman's throat accentuates her bare neck. Alexander Roslin Alexander Roslin was one of the most important portrait painters of Europe in the 18th century. He was born in Malmö in Sweden but soon moved into Europe to paint at various royal courts. From 1750 on he worked mainly in Paris. Here he was destined to achieve great success. He had collected letters of recommendation on his journey through Europe, including that of the Duchess of Parma, the sister-in-law of Louis XV. Soon he was admitted to the court and the Royal Academy in Paris and when he married in 1759 he was the most wanted artist in Paris for portraits. He was married to the miniature painter Marie Suzanne Giroust. Although he painted mainly French nobility...
Category

French School 18th Century Portrait Paintings

Materials

Canvas, Oil

Italian Old Master Portrait Painting 18th Century Portrait of a Gentleman
Located in Cirencester, Gloucestershire
A Venetian Gentleman 18th Century Venetian School oil painting on board, framed framed: 7.25 x 6 inches board: 5.25 x 4 inches provenance: private collection, UK condition: some scu...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

18th Century French Portrait of Mysterious Man Oil on Canvas for restoration
Located in Cirencester, Gloucestershire
Portrait of a Gentleman French School, 18th century oil on canvas, unframed canvas : 25 x 20 inches provenance: private collection, France condition: the painting is in sound conditi...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

Rococo painting with frame by 18th-century Venetian school oil on canvas
Located in Florence, IT
The painting (with a Salvador Rosa-style gilded frame 88 x 116 cm) depicts a group of four children who are playing outside on a swinging seesaw; we are probably dealing with a prank...
Category

Rococo 18th Century Portrait Paintings

Materials

Oil, Canvas

Henry Bowles Howard, 12th Earl Of Suffolk And 5th Earl Of Berkshire
Located in New Orleans, LA
Sir Joshua Reynolds 1723-1792 | British Sir Henry Bowles Howard, 12th Earl of Suffolk and 5th Earl of Berkshire Oil on canvas Sir Joshua Reynolds is unequivocally considered the most important English portraitist of the 18th century who was instrumental in adapting the Grand Manner style in the portrait genre. In fact, when the Royal Academy was founded in 1768, Reynolds was elected its first President, setting the precedent of quality for which all other portraitists would strive. Reynolds's portrait of Henry Bowles Howard, 12th Earl of Suffolk, showcases his genius in the genre and mastery over the medium. Reynolds’s portrait of the Earl expertly invokes classical values with strong lighting, rich colors and expert attention to detail to help underscore the prominence and revered echelon of the sitter. Howard was an esteemed British politician and Knight of the Garter. He served as Secretary of State for the Northern Department from 1771 to 1779, and he played a key role in utilizing mercenaries during the American Revolution and safeguarding Sweden's independence. The portrait employs Reynolds's signature style to render Howard rightfully as a gentleman of distinction. Captured seated in a stately library, the Earl appears learned and austere as he places one hand upon a stack of important documents and looks wistfully into the distance. Reynolds makes these compositional choices decisively, as the seated position gives Howard a weighty appearance of importance and the semi-profile turn captures his countenance at an attractive angle that highlights his strong, masculine features. The work draws on the classical conventions of Greek and Roman art and the Italian Renaissance masters, anchoring the nobleman in a history of refinement. Everything from his strong yet welcoming expression to his pale face enlivened by a rush of blood to the cheeks presents the picture of a strong, vital and powerful leader. As the first president of the Royal Academy in London, Reynolds’s commissions raised the status of an artist in Britain during the Romantic period and also established the portrait as an esteemed high art genre that garnered equal import to the history paintings that reigned supreme in decades prior. Today, Reynolds’s works grace the walls of the most important museums in the world, including the Louvre, the Metropolitan Museum of Art, and the National Gallery in London, among others. Circa 1770 Canvas: 50 1/2" high x 40 1/4" wide Framed: 61" high x 52 1/2" wide x 3 1/2" deep Provenance: Sir Henry Howard, 12th Earl of Suffolk and 5th Earl of Berkshire, 1739-1779 His mother, Lady Mary Howard, née Finch, Lady Andover, d. 1803 Acquired by descent to her daughter, Frances, and her husband Richard Bagot (later Howard) Acquired by descent to their daughter, Mary (1784-1877), and her husband Col. Fulke Greville Upton (later Howard), d. 1846 Acquired by descent to Lieutenant Colonel H.R.G. Howard Sale, Christie's, London, March 24, 1961, no. 29 Julius Weitzner, London and New York Sale, Paris, Musée Galliéra, December 7, 1965, no. 165 Newhouse Galleries, New York, NY Mr. and Mrs. F. Howard Walsh, Fort Worth, Texas, 1966 Walsh Family Art Trust Private collection, Oregon M.S. Rau, New Orleans Exhibited: British Institution, London, 1844, no. 130, loaned by the Hon. Fulke Greville Howard. South Kensington, "Second special exhibition of National Portraits," 1867, no. 478, lent by the Hon. Mrs. Greville. Agnew's, London, 1903, no. 17. Literature: Algernon Graves and W. V. Cronin, A History of the Works of Sir Joshua Reynolds, P.R.A., vol. 3 (London, 1899), p. 945. David Mannings...
Category

Other Art Style 18th Century Portrait Paintings

Materials

Oil, Canvas

Large 18th Century French Old Master Oil Painting The Penitent Magdalene
Located in Cirencester, Gloucestershire
The Penitent Magdalene French School, 18th century oil painting on canvas, framed canvas: 30.5 x 25 inches framed: 39 x 33 inches condition: exc...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil, Canvas

Portrait of an Elegant Lady in a Blue Silk Dress, Beautiful Antique Frame c.1720
By Jonathan Richardson the Elder
Located in London, GB
This beautiful portrait was painted circa 1725 and is a fine example of the English eighteenth century portrait style. The artist has chosen to depict the lady in a simple blue silk dress and without jewelry or a background, thus allowing the viewer to concentrate solely on the beauty of the sitter. The effect of this restrained manner creates a sense of understated elegance. The portrait genre was valued particularly highly in English society. Neither landscapes nor allegorical pictures were ever priced so highly at exhibitions and in the trade as depictions of people, from the highest aristocracy to scholars, writers, poets and statesmen. With the rich colouring and lyrical characterisation, these works are representative of the archetypal English portrait and is are very appealing examples of British portraiture...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil, Canvas

The Injured Companion, 19th Century English School
Located in Blackwater, GB
The Injured Companion, 19th Century English School Large 19th Century English School portrait of a young girl holding an injured puppy, oil on canvas. Beautifully painted and ende...
Category

18th Century Portrait Paintings

Materials

Canvas, Oil

Portrait of Major General James Hanson Salmond - British 18thC art oil painting
By Sir Thomas Lawrence
Located in London, GB
This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...
Category

Old Masters 18th Century Portrait Paintings

Materials

Oil

18th Century By Dalla Rosa Portrait of Angela GuggerottiFracastoro Oil on Canvas
Located in Milano, Lombardia
Frame in lacquered and gilded wood. The painting is mentioned in Dizionario Biografico degli Italiani Treccani in the biography of the artist.
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

English Portraits of Lady, Dorothy & Jane Wood c.1750, Remarkable Carved Frames
By John Theodore Heins
Located in London, GB
Portraits of a Lady, Dorothy and Jane Wood c.1750, Fine Carved Frames By John Theodore Heins (1697-1756) Titan Fine Art present these works, which formed part of a collection of family heirlooms of the Wood family who were from Bracon Ash, Norfolk, since the medieval period. Jane’s daughter Ann, was famously married on board the Foudroyant, off Naples, in a lavish ceremony in 1799, with Lord Nelson himself giving away the bride. The paintings descended within the family for around 275 years until recent and are exquisite examples of Georgian portraiture in England and are some of the best works by the artist. The original hand carved and gilded pierced frames are magnificent works of art in their own right. The sitters were two children, out of several, of Thomas Wood (1682-176) and Dorothy Huby (1700-1759). The family is from Norwich, which in 1720 was a city second in importance only to London. Their aunt, Jane Wood (1677-1756), was a Franciscan nun in Bruges. Dorothy Wood (in the blue dress) was baptised 2nd June 1726 and she died unmarried around 1759. Jane (in the pink dress) gave birth to at least six children during her thirty two-year marriage. She was baptised 14 Oct 1727 at Bracon Ash. Jane married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. According to Payne’s Universal Chronicle or Weekly Gazette the marriage took place on 7th July 1758. Knipe was born at his family seat, Tacolneston Hall, to parents George Gobbet, who was Sheriff in 1710, and Ann. The couple bought and lived in a house in Norwich (later known as Gurney’s Bank House) until 1778 before moving to another one at 10 St Stephen’s Street, Norwich. Later, they inherited the family seat of Tacolnestan Hall and lived there for the remainder of their lives. Knipe Gobbet was a prominent individual and in 1779 he gave the corporation of Norwich 100 pounds, to be disposed of as they might think proper, and soon after that he was presented with a handsome field tent, marquee, and camp equipage, in testimony of their esteem for his dedication to the defence and service of this country at a time when threatened by an invasion. Although Jane was baptised a Roman Catholic Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829. Such discrimination probably lies behind the why their children are included in the registers of both the Anglican church in Tacolneston and the Norwich Catholic church in the 1760s. Jane and Knipe had one son, Thomas, who died at the age of four of a small-pox inoculation in 1762 (memorial stones in the Church of All Saints, Tacolneston) and many daughters who were schooled at the Order of the Immaculate Conception of Our Lady, in Paris. Their oldest daughter, Anne (1760-1817) was born at Tacolneston Hall. She came to the convent 30 Sept 1774 and ten days later she went to Dames St Sacrament, Rue St Louis in Paris. Their second daughter, Dorothy (died suddenly of apoplexy 21st Nov 1813), came to the convent 19th July 1777 when she was 16 years old and returned to England 23 March 1779. Frances (baptised 22 Feb 1763) came to the convent 16th April 1772 when she was 9 years old and returned 29th May 1777 – however she returned again to the convent 16th May 1778 and left 15th Oct 1778 to return home again. She later married and her surname became Negri. Another daughter, Jane, is thought to have married Juan Manuel Martinez in 1784. There was also another daughter, Mary. The eldest daughter, Ann, first married Peter Bottalini of London 27 Oct 1783 at Tacolneston Hall. They had one son together. She then married on 9th July 1799, Dr William Compton (1733- Clifton 1824), the Chancellor of Ely and the next collateral male relation to the Earl of Northampton (he had earlier marriages to Caroline and Catherine). William Compton later retired from the Commons and spent many years on the continent acting as Chancellor of Ely by proxy from 1777 for the remainder of his life. The couple were British residents of Posilipo Naples and the marriage was hosted on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself. The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until sold in a sale that raised worldwide interest in 2023, for £20,160. The document is accompanied by a contemporary manuscript account of the wedding, headed 'Paragraph for the papers, sent to Messrs Coutts & Co with request to have it inserted'. Lord Nelson was a household name in Britain due to his many victories, including the Battle of the Nile against the French Navy in August 1798 – which came before the Battle of Trafalgar in 1805. The document states: 'This is to certify that, on board the Foudroyant lying in Naples Bay, on the ninth of July 1799 the marriage between William Compton & Mrs Anne Bottalin, widow, was solemnized by me S. G. Comyn HM. Chaplain to the Right Honble Lord Nelson, H.M.S. Foudroyant, in the presence of'. With the following autograph signatures: Sir William Hamilton (1731-1803), Lady Emma Hamilton (1765-1815), Horatio Nelson, Viscount Nelson (1758-1805); Sir John Thomas Duckworth (1747-1817), Sir Thomas Masterman Hardy (1769-1839), John Rushout, 2nd Baron Northwick (1769-1859), Josiah Nisbet (1780-1830), John Tyson, William Compton and Anne Bottalin, and 2 others” The document sheds light on Nelson's lesser-known side of his character. William Compton ... received "a great many favours and kindnesses" from Nelson, and most especially "the kind interest" taken in sealing his union with a wife who made him "the happiest of mortals". Anne, the aforesaid spouse, said that the admiral's "good heart" had made her "as happy as I can possibly be on this earth" ... Midshipman Parsons remembered those days nostalgically, noting Emma's "graceful form" bending over her harp to bestow "heavenly music" upon the diners on the quarterdeck and the large-decked galley, flush with opera singers, that glided alongside to serenade the sunset of each day'. Tacolneston has an ancient history of which according to the Domesday Book, Edward I granted a weekly market to be held on a Wednesday at the manor of Tacolneston and two annual fairs. The church was rebuilt in 1503 and is dedicated to All Saints. The earliest view of Tacolneston is a print of 1781 when it belonged to Knipe Gobbet Esq. John Theodore Heins (1697-1756) was a painter whose work, at his best, shows detail of an exceptionally high quality. His portraits of Anna Maria Kett nee Phillips and her husband Henry Kett, painted in 1741, are exceptional and evidence that he had the ability to portray a likeness on par with some of the best portraitists in England at the time. Heins appears to have originated in Germany but moved to the UK and settled in Norwich around 1720. From 1720 to his death in 1756, Heins built up a fine reputation as a portrait painter and painted many members of prominent Norfolk families right up to his last year. He was commissioned in 1732 to paint a portrait of the Mayor of Norwich, Francis Arnam and also the previous year's Mayor Robert Marsh...
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil

Portrait Of Theophilia Gwatkin, 18th Century
By Joshua Reynolds
Located in Blackwater, GB
Portrait Of Theophilia Gwatkin, 18th Century studio of Joshua REYNOLDS (1723-1792) Large 18th Century portrait of a young girl Theophilia Gwatkin, oil on canvas. Beautiful portrai...
Category

18th Century Portrait Paintings

Materials

Oil, Canvas

18th century portrait painting of a boy playing with a spinning top on a terrace
Located in Bath, Somerset
Portrait of a young boy, full-length in a blue velvet coat and breeches, standing on a stone terrace in a park landscape, playing with a spinning top....
Category

English School 18th Century Portrait Paintings

Materials

Canvas, Oil

Portrait Of King Philip V (1683-1746) of Spain, 18th Century Spanish School
Located in Blackwater, GB
Portrait Of King Philip V (1683-1746) of Spain, 18th Century Spanish School Large early 18th Century European School portrait King Philip V Of Spain on horseback, oil on canvas. E...
Category

18th Century Portrait Paintings

Materials

Oil, Canvas

17th-18th Century By Benedetto Luti Head of a Girl Oil Pastel on Canvas
Located in Milano, Lombardia
Original "cassetta" frame in carved, gilded wood. Expertise by Prof. Giancarlo Sestieri.
Category

Old Masters 18th Century Portrait Paintings

Materials

Canvas, Oil Pastel

Recently Viewed

View All