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Edouard Frederic Wilhelm Richter
Edouard Frederic Wilhelm Richter Oil Painting of a Lady Reading a Letter

1880

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19th Century European Oil Painting of an Old Man and His Dog
Located in Dallas, TX
19th century european painting of a man and his dog in a field. Signed with Crowned monogram MC or CM. Oil on canvas. 19th Century. Framed. The scene represents and man snd his...
Category

19th Century Barbizon School Portrait Paintings

Materials

Canvas

Gustav Klimt Sketch of a Woman Catalogued
By Gustav Klimt
Located in Dallas, TX
Gustav Klimt (Austrian, 1862-1918) Frauenkopf nach rechts, 1916 Pencil on paper Dimensions: 22.5 x 14.75 Inches (57.2 x 37.5 cm) (sheet) Stamped lower right: GUSTAV / KLIMT / NACHLAS...
Category

1910s Aesthetic Movement Portrait Paintings

Materials

Paper

Four Alphonse Mucha Lithographs The Times Of The Day
By Alphonse Mucha
Located in Dallas, TX
Alphonse Mucha (1860-1939) Four lithographs on wove paper For serious collectors and museum collections. A full set of Mucha’s iconic period lithographs representing The Times Of Th...
Category

1890s Art Nouveau Portrait Paintings

Materials

Lithograph

Emile Albert Gruppe Birtches Along The Road
By Emile Albert Gruppe
Located in Dallas, TX
Emile Albert Gruppe Birches Along The Road Signed:. l.r. Emile A. Gruppe; also signed and titled on stretcher Oil On Canvas Dimensions: 30 by 25 inches Framed 34.5 by 29.5 inches Another signature Massachusetts or Vermont birth painting...
Category

1940s Paintings

Materials

Paint

Jacques Martin Ferrieres Le Marche D'Assise, 1927
By Jacques Martin-Ferrières
Located in Dallas, TX
Jacques Martin-Ferrières (French, 1893-1972) Le marché d'Assise, 1927 A warm gathering at the beginning of the last century at a mountain top courtyard in Assisi Italy built just af...
Category

1920s Figurative Paintings

Materials

Paint

Edmond Marie Petitjean French Landscape Painting
By Edmond Marie Petitjean
Located in Dallas, TX
A wonderful and detailed landscape painting signed and inscribed oil on canvas painting by Edmond Petitjean, (French 1844-1925). Condition: Excellent. Looks like it was recently cle...
Category

1880s Barbizon School Landscape Paintings

Materials

Paint

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Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
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Italian 18th Century Oval Religious Oil on Canvas Painting with Saint Dominic
By Francesco de Mura
Located in Firenze, IT
This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...
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Oil on Canvas Painting Portrait of the Italian Noble Family of Zanardi Count
By Lucia Casalini Torelli
Located in Firenze, IT
This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...
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Jin in the parallel world Mohammad Ariyaei 21st Century Iranian outsider art
By Mohammad Ariyaei
Located in Paris, FR
Acrylic paint on paper Signed lower right by the artist
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Connection Mohammad Ariyaei 21st Century Iranian art Outsider art painting
By Mohammad Ariyaei
Located in Paris, FR
Acrylic paint on canvas Signed lower left
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She closed her eyes #7 Zahra Zeinali 21st Century Iranian painting child world
By Zahra Zeinali
Located in Paris, FR
Acrylic paint on canvas Signed on the back Zahra ZEINALI was born in 1975 in Tehran, Iran. From 2001 to 2004, she studied Fine arts at the Art and Architecture University in Tehran. At the same time, she taught visual arts to children during 15 years. Passionate about photography, she trained in photography in 2007 at the House of Photography in Tehran. In 2012, she moved to France. Confronted with her new life, her vision of the world changed. Since 2020, she has resumed training in photography at the EFET School in Paris. Zahra ZEINALI The Doll’s House “What can a true artistic temperament aspire to after a youth spent in Iran today? To flee the hassles, prejudices, restrictions, to open wide a window of freedom rich in potentialities that were believed for a long time inaccessible. Zahra Zeinali became a visual arts teacher for fifteen years. Her pupils are 6 to 12 years old. Drawing, sculpture, painting, model design, she taught them a great diversity of techniques, but above all to think and design freely by themselves, in an atmosphere of joyful creative disorder which, surprisingly, is tolerated by a careful hierarchy. Then she studied four years at the University of Art and Architecture in Tehran. When she arrived in France, after a brief abstract period inspired by the rhythms of nature, it was at the time of the Charlie Hebdo and Bataclan attacks, which marked her deeply, to the point of lastingly darkening the ideal of emancipation and autonomy that she had projected on her stay in Paris. "There is no paradise on earth" she concluded with a melancholy smile. An old doll, bought for 1 euro in a storage room, triggers a click in her. The bitter imprint left by the Iranian confinement, the memory of her fifteen years of teaching visual arts to children, the loneliness of her Parisian exile, all this sentimental nebula found a plastic metaphor in the image of the doll. This is what these delicate earthenware faces evoke, often abused, abandoned, the childish innocence of their ingenuous gazes, a sort of strange absence from the world of the living, as if their attenuated life took place behind the mystery of a theater curtain...
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