George Vertue

An elegant set of four framed portrait engravings after the celebrated English engraver George Vertue, beautifully presented in giltwood frames with refined hand-colored matting bene...

Artist: George Vertue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr.

One 1-inch vertical edge tear at the right sheet edge, outside of the image area. A plate from George Vertue's book, Views of St. Martin's Church, Etc., Society of Antiquarties, Lond...

Artist: George Vertue (English, 1684-1756) Title: "King Henry VII" Portfolio: The Heads of the Kings of England, Proper for Mr.

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

George Vertue FSA was an English engraver and antiquary.

Technique: Copperplate engraving Maker: George Vertue (after Lucas de Heere / Hans Eworth), London, 1732

Joseph Skelton (1783 - 1871) after George Vertue (1684 - 1756) Oxford Almanack 1744 Engraving 51 x 44 cm A historic engraving featured in the 1744 Oxford Almanack.

Technique: Copperplate engraving Maker: George Vertue, England, circa 1732–1736 Note: This is an original antique engraving and not a reproduction.

Technique: Copperplate engraving Maker: George Vertue, England, circa 1732–1736 Note: This is an original antique engraving and not a reproduction.

Technique: Copperplate engraving Maker: George Vertue (after Hans Holbein the Younger), England, 1736

Technique: Copperplate engraving Maker: Charles Mosley (after George Vertue), England, circa 1740

Technique: Copperplate engraving Maker: George Vertue, England, circa 1732

Antique print titled 'John Duke of Bedford Regent of France'. John Plantagenet, Duke of Bedford, 1389 - 1435. 3rd son of Henry IV, King of England; Regent of France. Engraved by G. V...

Antique print titled 'Elisabeth Pr. Pal: Queen of Bohemia'. Elizabeth, Queen of Bohemia, 1596-1662. Daughter of James VI and I. Engraved by G. Vertue.

The prints were engraved by George Vertue (G. Vertue, sc.), after designs by Hubert-François Gravelot, and date to around circa 1730.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

Technique: Copperplate engraving Maker: Charles Mosley (after George Vertue), England, circa 1740

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria watermark, 11 x 14 1/4 inches (278 x 361 mm), thread margins. Lettered with the title i...

Bird's eye view of the old buildings in West Cheap (Cheapside) as they appeared in 1585, from Londina Illustrata. London: Robert Wilkinson, 1814 Engraving on buff wove paper, 11 ...

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

The portraits featured in the series, which were engraved by Jacob Houbraken and George Vertue, were originally issued from 1737 onwards in portfolios of four portraits.

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

The print is based on a celebrated Tudor portrait by Hans Holbein the Younger, the foremost court painter of Henry VIII, and was engraved in the mid-18th century in the circle of Geo...

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works.

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

It was at this time that he made his greatest contribution to British painting, introducing and developing the 'extravagant image', a genre derived from Chardin as well as Watteau an...

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

Houbraken He collaborated with the historian Thomas Birch and artist George Vertue, on the project entitled, "Heads of Illustrious Persons of Great Britain", published in parts in Lo...

He was primarily a painter of small portraits and conversation pieces. George Vertue notes that 'in painting small figure portraits & conversations [which] has met with great enc...

After the painter’s death in Leicester Fields, London in May 1723, George Vertue attended the sale of his collection of prints and drawings and reported that D’Agar had been “a good ...

Fellowes paintings were engraved by George Vertue. Art Galleries Manchester City Art Gallery, Portsmouth Museum, Darnley Fine Art and the British Museum.

Working with the historian and artist, George Vertue, Houbraken engraved most of the important representations of Britain's most noted men from the past.

He specialised primarily in painting small portraits and conversation pieces. George Vertue observed that in painting small figure portraits and conversation scenes, Philips gained s...