George Richmond

'Portrait of a Gentleman Reading', Regency Dandy, William Blake, Royal Academy

Circa 1855

Signed lower left, "E. Brown' and dated 'May, 1844'. A fine, mid-nineteenth century portrait of a lady of quality wearing the hairstyle made popular by Queen Victoria in the early years of her reign; the lady shown with a relaxed and informal posture, standing beside a velvet-draped, Neo-Classical column and wearing a satin ball...

A delicately-observed, three-quarter length oil portrait of a young woman in society, fashionably dressed in a pinch-waisted, embroidered chiffon ball-gown and wearing a gold pendant and teardrop earrings with tea roses in her hair; the subject shown gazing towards the viewer with candor and good humor. Displayed in a period, black-walnut frame with period gilt liner. Danish School...

Signed upper left, 'C. J. Turrell' for Charles James Turrell (British-American, 1845-1932) and dated 1876. Framed dimensions: 12 x 1 x 10 inches Charles James Turrell was one of the most talented miniaturists of his age. Born in London, he studied under a Mr. Sargeant, perhaps Frederick Sargeant who exhibited at the Royal Academy, before visiting the United States in 1867 where he painted miniatures at the studio of photographer Napoleon Sarony. During this time, Turrell had distinguished sitters including members of the Vanderbilt, Whitney, and Morgan families. While in America, Turrell married and would go on to maintain successful careers in both New York and London where, in 1869, he opened a studio on Bond Street. Turrell exhibited widely and with success including annually at the Royal Academy (1873-1904), the Society of Miniaturists (1873 – 1932), the Brooklyn Art Association (1868), the Pennsylvania Academy of Art (1901) and at the Paris Salons. His sitters included Queen Victoria, King Edward VII, and Queen Alexandra, when she was Princess of Wales (1884). In 1890, he was appointed official miniature painter to Queen Victoria. Turrell's work is held in the Royal Collection at Buckingham Palace as well as in the permanent collections of New York's Metropolitan Museum of Art, London's Victoria & Albert Museum and the Mount Vernon Collection in Washington D.C., among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 13, page 863; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3354; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 444; The Dictionary of British Artists 1880-1940, J. Johnson and A. Greutzner, 1980 Edition, Antique Collectors’ Club 1976, page 511; Dictionary of British Miniature...

A compelling and period mid-19th century portrait of a young woman with braided hair, wearing a shawl and shown three-quarters on. Signed lower right, "Mary Gunn" (American, 19th cen...

"The Corn Bill" English Artist, circa 1840's, unsigned oil on canvas, framed in antique gilt scrolled and swept frame framed: 45 x 37 inches canvas: 36 x 28 inches provenance: private collection, UK condition: very good and sound condition; please note the frame is very vulnerable and fragile and as such we are happy to include it free of charge with the painting but cannot warranty its condition on arrival. Historically significant portrait of this early Victorian...

Portrait of a Gentleman in pastel and Charcoal by Thomas Price Downes A Beautifully executed piece of an unnamed Gentleman sitting in a chair at his desk The Drawing is in fair cond...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

A wonderful depiction of a dapper Parisian dandy, dating from 1848. I love his air of decadence! It is a work by F de Korff, a mysterious French aristocratic portrait artist who had ...