Kusbudiyanto

Indonesian Contemporary Art by Kusbudiyanto - Tsunami

2019

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia.

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia. In this painting, the painter wants to tell about time when the painter was still small...

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia.

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia. This painting tells woman that try to find true love. As we get older a woman will fall...

Gabriel Mendoza Untitled, 1997 Oil on paper 13.70 x 19.50 inches This one-of-a-kind painting on paper comes unframed and is signed and dated by the artist. Years ago, while mournin...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Having been nurtured by a Yoruba father who happens to be a twin was a major inspiration for creating this painting. In Yoruba culture, twins are considered a special blessing from God. They are mostly called ‘ibeji’ which means twins. In Yoruba society, twins are given special names, such as Taiwo (meaning “first to taste the world“) and Kehinde (meaning “second to taste the world”). It is mostly believed that twins have special privileges and are accompanied by several fortunes. About Artist Oluwatobiloba Amusan...

Born in Beirut in 1973, Yedalian is a Lebanese-Armenian painter and sculptor. He studied Etching at the Academie Libanaise des Beaux-Arts “ALBA”, and Fine Arts at the Academy of Fine...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...