Jack Goetz

'Still Life of Onions', California, Post Impressionist Oil, Santa Monica College

Circa 1995

A substantial, Post-Impressionist oil still-life showing a view of various objects including fruit, a glass bottle and a sea-shell assembled on a draped table-top. A dynamic and vibr...

'Still Life', Carnegie, Biltmore, Mills College, CPLH, LACMA, WPA, CWS, Hollywood Signed, lower right, 'Boris Deutsch' (Lithuanian-American, 1892-1978) and dated 1926. Deutsch bega...

Signed lower right "Sally Mack" (American, 20th century) and painted circa 1975. Painted on Arches paper. A vibrant, Post-Impressionist still-life showing branches of cherry-blossom...

Signed lower right, 'Taylor' for Jonathan Taylor (American, born 1968) and painted circa 2000. This listed California artist first studied art at the College of the Atlantic in Bal ...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

Early substantial, expressionist abstract still life by Lee Lippman (American 1926-2020). Bursting with color and movement titled "Still life with onions" ...

Beautiful still life painting of a table consisting of wine, onions and carrots by California plein air artist Jack Lynn. Unsigned. Unfram...

A rare and charming German mid-century onion still life by Daniel Wohlgemuth (German, 1876-1967). Signed "Wohlgemuth", dated "1964" lower right. Unframed. Image size: 20"H x 28"W. Wohlgemuth, Daniel (1876-1967), a son of Johannes Wohlgemuth of Albisheim an der Pfrim and Katharina (Krehbiel) Wohlgemuth of Weierhof, was born at Albisheim 17 April 1876, but reared by his uncle Johannes Krehbiel of Weierhof, studied art at Frankfurt and Strasbourg, and finally at the Art Academy in Munich under Franz von Stuck. His travels in Italy, Palestine, and Russia contributed to his development. His artistic work was done chiefly in his native Rhenish Hesse and the Palatinate (for a time living at Weierhof, later at Gundersheim near Worms), but also for a time in Munich and Berlin. His chief medium was black and white drawing, including charcoal (often lithographs) but also water colors and oils. His themes were largely landscapes, often of his native land, with a fine series on Palestine. He also did many portraits, including an ex­cellent one of Albert Schweitzer...