Juan Álvarez Cebrián

Telephone and cardo

2018

With these objects I have worked for two years in a short series of still lifes. Treating the perspective inside the painting as a trompe l'oeil seemed to me an interesting idea. in...

With these objects I have worked for two years in a short series of still lifes. Treating the perspective inside the painting as a trompe l'oeil seemed to me an interesting idea. in...

Shelf II is a work that reveals the intimacy of a personal space through the representation of a fragment of a bookshelf in the artist's studio. With a vertical format this oil on board captures the essence of family and personal history through the careful arrangement of everyday objects. The composition of the painting follows a pyramidal design that guides the viewer's gaze to the apex, where a solitary wooden pipe stands as a symbol of culmination. On the three shelves, one finds a variety of items that tell stories. An antique radio evokes times past, while a light bulb suggests the light of thought and inspiration. An antique cardboard box...

With these objects I have worked for two years in a short series of still lifes. Treating the perspective inside the painting as a trompe l'oeil seemed to me an interesting idea. in...

Shan Fannin's (US based) "Cadmium MG Y Type" is an acrylic painting that depicts a Cadmium MG Y Type. Born 1969 in California, artist Shannon “Shan” Fannin brings vehicles to life ...

Artist: Ian Hornak (1944-2002) Title: Still Life with Baroque Cauliflower, Artichokes and Radishes Year: 2002 Medium: Oil on Panel with artist painted frame Size: 42 x 31.5 inches Co...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. His "City Paintings" have a very realistic color palette, very true to life. His colors are...

Photo-realist oil painting of a classic brick building exterior in New York City 28 x 50 inches, oil on canvas painting Wire backing for easy hanging Unframed with white painted sides This contemporary, realistic oil painting of a New York City brick building exterior was painted by Richard Britell in 2019. Employing his mastery of the troupe l'oeil technique, Britell paints the smooth red colored stone building in extreme detail assuming a three-dimensional quality with close attention paid to shadow and perspective. This building is reminiscent of neo-classical architecture, popularized in the mid-late 1800's and the striking red exterior contrasts against the white stone window trim, further accentuating the painting's troupe l'oeil qualities. The painting on canvas is complete with wire on reverse for seamless hanging. About the artist: Richard Britell, a career painter, studied at Pratt Institute with Philip Pearlstein and Walter Erlebacher. His first show in NYC at Staempfli Gallery was sold out, and reviewed in the New York Times. Britell’s new works revolve around large, dreamy cityscapes tending toward abstraction. The artist currently lives in Pittsfield, MA. Born Utica, New York, 1944 Education 1962 – 1964 Pratt Institute, Brooklyn, NY 1964 – 1966 Syracuse University, Syracuse, NY B.F.A. 1970 – 1972 University of Massachusetts, Amherst, MA, M.F.A. Solo Exhibitions 2011 “Measuring the Universe” Lauren Clark Fine Art, Housatonic, MA 2010 “And Now For Some things Completely Different” Lauren Clark Fine Art, Housatonic, MA 2010 “The Figure, The Figure, The Figure and The Figure” Lauren Clark Fine Art, Housatonic, MA 2009 “A nest of robins in her hair” Lauren Clark Fine Art, Housatonic, MA 2007 “NY, NY” Lauren Clark Fine Art, Housatonic, Ma 2003 “Image and Text” Tokonoma Gallery, Housatonic, MA 1999 “From Architecture to Abstraction” Tokonoma Gallery, Housatonic, MA 1998 “New Work” Carrie Haddad Gallery, Hudson, NY 1998 “New Figures” Ute Stebich Gallery, Lenox, MA 1995 “Richard Britell, New Work” Katharina Rich Perlow Gallery, New York, NY 1993 “New Work on Gilded Panel” Phyllis Kind Gallery, New York, NY 1985 “Fresco Panels...