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Ken OrtonKen Orton, "Patent Image", 40x60 Photorealist Glass Jar Still Life Oil Painting2023
2023
$15,000
£11,389.86
€13,025.15
CA$20,957.18
A$23,308.95
CHF 12,171.21
MX$283,645.17
NOK 155,444.94
SEK 145,779.93
DKK 97,211.69
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About the Item
Ken Orton's "Patent Image" is a 40x60 original oil painting on canvas. This painting depicts a still life setting featuring a grouping of crystal clear jars and bottles. Included in the glass collection are a Coca Cola glass, Presto jar, Mason jar and an Atlas jar. Behind the glass is a blurred view of window panes in the distance. Ken's works are painted larger than life, giving a strong and dramatic impact that captivates the viewer. Overall blue and green tones.
About the artist:
Ken Orton has dedicated his life to painting. His childhood was spent drawing the urban, industrial surroundings of Birmingham, England. At the Birmingham and then Manchester Colleges of Art he studied Art Education and after six years teaching in England accepted an offer to head the arts program at the Joan Miro Centro de Arte of the Baleares International School in Mallorca, Spain. For the next twenty years he would introduce the concepts of pictorial composition, color theory and draftsmanship to his students. Many of these students would go on to achieve great success in the many branches of the arts, architecture and music and remain close friends with their teacher to this day.
An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars and bottles in the root cellar of his home and was captivated by their lens-like qualities, raised lettering and inherent challenges of perspective as light passed through them to the eye. In conversation Ken often reverts to his professorial instincts, as demonstrated below in a self-assessment of his work:
“The direction of my painting has always had an academic approach. I sought a subject that in itself seemed to have little value, hoping that the paint alone would attack the viewer’s senses and impart its own worth. I often think of the process of painting and indeed the finished artwork itself, in musical terms: rhythm, texture, coloration and tonal dynamics.
In painting glass one is attempting to render a surface that is composed entirely of either refracted of reflected light. The subject itself is constantly changing as each jar interacts with objects around it. The raised lettering on the jars and bottles have, by their prismatic nature, an ability to capture tone and color from one side of the composition and pull it, in microcosm, to the other. The rhythmic nature of this lettering provides a musical stave onto which the decaying light, the tonal crescendos scribe a melody. It is an endless path of discovery.
I use my own carefully composed photographs as a reference and each piece has a precisely-painted, clear point of focus. I do not consider myself a photo-realist. I am equally interested in the intentionally blurred fields of color in my compositions, areas that allow me to practice a looser expressionistic technique, creating illusionary poems rather than an inventory of the seen objects and along the way forming—I believe—powerful and engaging works of art. I still get enormous pleasure from watching people move towards one of my canvases. At that moment when the image switches from being photographic to being very human and painterly, there is often an uttered WOW!......I love them Wows.”
The artist splits his time between the Catskill Mountains of New York and his winter home in Florida where he is happy being able to devote all his energies to painting, and where most weekends (thanks to satellite broadcasts) one can find him passionately rooting on his beloved hometown football club, Aston Villa.
- Creator:Ken Orton (1951, British)
- Creation Year:2023
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saratoga Springs, NY
- Reference Number:1stDibs: LU1462213116162
Ken Orton
Ken Orton is a British-born painter renowned for his luminous, hyper-detailed still life paintings, particularly his depictions of glass jars, bottles, and reflective surfaces. Raised in Birmingham, England, Orton’s earliest artistic explorations were inspired by the urban and industrial landscapes of his childhood. He studied art education at Birmingham and Manchester Colleges of Art before beginning his career as an art educator. After several years teaching in the UK, Orton moved to Mallorca, Spain, where he led the arts program at the Joan Miró Centro de Arte of the Baleares International School. For over two decades, he introduced students to the fundamentals of composition, color theory, and draftsmanship. To this day, many of his former students—now successful artists, architects, and musicians—remain close friends and collaborators. It was during his teaching years that Orton developed a deep fascination with the study of ellipses and perspective, using glass forms to explore how circular shapes transform in relation to the viewer’s eye-line. This focus would later become central to his own artistic practice. After relocating to the United States in 1999, Orton discovered a cache of antique mason jars in the root cellar of his home. Their raised lettering, lens-like distortions, and interplay with light became a source of endless inspiration. His paintings capture not just the objects, but the constantly shifting reflections and refractions they create—each work a meditation on light, color, and perception. Though his paintings often exhibit the precision of photorealism, Orton doesn’t identify as a photorealist. His work embraces both finely detailed focal points and areas of blurred abstraction, combining classical technique with expressive, painterly gestures. He describes his process as musical—each composition unfolding with rhythm, harmony, and tonal dynamics. Orton’s paintings are not merely representations of objects; they are immersive visual experiences. Viewers often find themselves leaning in, caught by the illusion of photography, before realizing they are in the presence of pure painting. “I love that moment when someone approaches one of my pieces and says, ‘Wow,’” he says. Now based between the Catskill Mountains of New York and Florida, Ken Orton devotes himself fully to his painting practice. When not in the studio, he’s often found cheering for his beloved hometown football club, Aston Villa.
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Ken Orton's "Camwal" is a 54x36 original oil painting on canvas. This painting depicts a still life setting featuring multiple antique bottles. The bottles range in size, color and shape, the most prominent of is the middle Camwal bottle. The window in the background adds depth and interest to the composition, and the rusty orange bottle color compliments the subtle soft blues and greens within the clear glass. The artist chooses to paint larger than life still lives, cropping in closely for more impact. Every detail from the reflections on the table, to the illusion of the raised letters on the bottles, is painted masterfully.
About the artist:
Ken Orton has dedicated his life to painting. His childhood was spent drawing the urban, industrial surroundings of Birmingham, England. At the Birmingham and then Manchester Colleges of Art he studied Art Education and after six years teaching in England accepted an offer to head the arts program at the Joan Miro Centro de Arte of the Baleares International School in Mallorca, Spain. For the next twenty years he would introduce the concepts of pictorial composition, color theory and draftsmanship to his students. Many of these students would go on to achieve great success in the many branches of the arts, architecture and music and remain close friends with their teacher to this day.
An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars...
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About the artist:
Ken Orton has dedicated his life to painting. His childhood was spent drawing the urban, industrial surroundings of Birmingham, England. At the Birmingham and then Manchester Colleges of Art he studied Art Education and after six years teaching in England accepted an offer to head the arts program at the Joan Miro Centro de Arte of the Baleares International School in Mallorca, Spain. For the next twenty years he would introduce the concepts of pictorial composition, color theory and draftsmanship to his students. Many of these students would go on to achieve great success in the many branches of the arts, architecture and music and remain close friends with their teacher to this day.
An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars...
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About the artist:
Ken Orton has dedicated his life to painting. His childhood was spent drawing the urban, industrial surroundings of Birmingham, England. At the Birmingham and then Manchester Colleges of Art he studied Art Education and after six years teaching in England accepted an offer to head the arts program at the Joan Miro Centro de Arte of the Baleares International School in Mallorca, Spain. For the next twenty years he would introduce the concepts of pictorial composition, color theory and draftsmanship to his students. Many of these students would go on to achieve great success in the many branches of the arts, architecture and music and remain close friends with their teacher to this day.
An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars...
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About the artist:
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An integral part of Orton’s perspective training for his students was the study of the ellipse. He often used glass cylinders to demonstrate how the perceived ellipses generated by variations in the circle's relationship to the eye-line could be used as a powerful tool in creating the appearance of a third dimension on a two dimensional surface. Later, after he had moved to America in 1999, he discovered a treasure trove of antique mason jars...
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