M. Peiffer

1940s French Fauvist Modernist Still Life Flowers on Table Interior Oil Painting

1946

Artist/ School: Robert Sales, French School second half 20th century, signed Title: Still life with lemons. Medium: oil painting on canvas, unframed Size: painting: 23.75 x 28.75...

Artist/ School: French School, mid 20th century, signed Title: Still Life Medium: oil painting on canvas, unframed Size: painting: 21.25 x 25.75 inches Provenance: France Condi...

Artist/ School: French School, 20th century, signed lower corner Title: Still Life of Red, Green and Yellow Peppers Medium: oil painting on canvas, framed Size: frame: 18 x 21...

The Favourite Hat by S. Lenormand (French 20th century) signed to the front and back, titled and dated 1992 oil painting on canvas, framed canvas: 25.5 x 31.75 inches framed: 31.75 x 38 inches Painted with beautifully deep and rich colors, this vibrant French oil painting captures this kitchen table interior scene Fresh flowers and fruit sit on the surface whilst a favourite hat is casually perched on the old wooden chair...

Marc Mouclier (1866-1947) Le Drapeau à la fenêtre, 1942 (The Flag in the window) signed and dated lower right oil on cardboard panel 41 x 32,8 cm framed 62 x 54 cm This magnificent...

Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

French Mid Century oil on board still life by Charles Imbert. The painting is signed bottom left. A colourful kitchen scene of bright red peppers in a dish on a table top waiting to be char grilled and prepared. The skillet pan is visible in the background as is a Kilner jar all ready to store the cooked vegetables. Imbert has cleverly used the touches of red in the tea cloth, the pan handle and an onion to echo the colour of the peppers. This carries our eye around the painting. The folds of the cloth are beautifully handled and add to the feeling of perspective and depth in the painting. The whole composition and the tilting of the table plane is very reminiscent of the still life paintings of Cezanne...