Wood Panel Still-life Paintings

Artist Commentary: This mixed media painting depicts a close-up view of a flowering tree I encountered along the path in the beautiful Morikami Gardens in Delray Beach, Florida. I wa...

Artist Commentary: I love the geometry of mooring balls, stacked boats and anchors and the tangled texture of chains and ropes in boatyards. The shadows of late day delineate them. ...

oil on wood panel, 12 x 16 inches signed on reverse Sarah Olson explores the beginning of life and the creation of the world through the lens of religion and science. She has exhibi...

A CLOSER LOOK: OBSERVATIONS NOT FAR FROM HOME I have always addressed the details of physical reality in the subjects I choose in order to convey the spirit and feelings that were fi...

Antonio Ermolao Paoletti Italian, 1834-1912 A Serenade for the Venitian Lacemakers Signed and inscribed Antonio Paoletti di Giov / Venezia (ll) in bottom left corner Oil on cradle...

Artist Commentary: These huge old mooring balls would have a story to tell, if they could talk. I ran across them in Bivalve, NJ (yes, a real town), an old oystering town on the Dela...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

The European Academy recognized still-life painting as the lowest form in its hierarchy. Being the depiction of the things of everyday life, it was considered a poor container for th...

Hunt Slonem 'Tulip 7' 2024. Oil on wood, 10 x 8 in. / Frame: 14.5 x 12.5 in. Signed on back. This painting features a single tulip painted in red with a green stem and leaves over a ...

"The Secret Garden" Painting Polyptych 71" x 120" in by Nikita Makarov Polyptych. 260x180 cm total size. The size of one part is 65x180. The work created in the author's techniqu...

Hurry up (Date priza) -naive art, made in green, red, turquoise, blue color. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...

Harmony (family kitchen) -naive art, made in green, red, blue, yellow collor. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

"Mirabell Gardens. Salzburg" Painting Polyptych 61" x 79" in by Nikita Makarov The painting is created in the author's technique, which consists of a complex synthesis of classical ...

Arman (b. 1928, France; d. 2005, New York), one of the major figures of post-war art and a founder member of the French “Nouveau Réalisme” school, which...

Bowl of Beads,trompe l'oeil painting on birch wood panel, black, green, orange Dimensional unique painting on birch wood panel. Stanley is a classic storyteller. As an artist or her work involves a media and contains movement, mystery and suspense; as a wife and mother, she basks in the vital role of nurturer, and as a teacher she stretches her own horizons with and parking was thinking from a lot time of pursuing her art. Stanley recognizes her "stories" - visual experiences that come to her, often in the form of dreams and the daydreams -in a journal , which then becomes the sketchbook from which she distills the dreams into paintings . Once she is dedicated as an artist, working up to 40 hours a week at her studio, but she also enjoys teaching, privately and at a nearby colleges: " Painting is so egocentric, so solitary, it's nice to get outside yourself, " she says of her passion the passing it on. Helen Stanley...

Trio of Pears is a stunning Still Life painting that would make a welcome addition to anyones collection. The soft green hues work beautifully with the soft grey background. The de...