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Natasha ZupanEternal Recurrence #21, Mixed-media collage on paper2015
2015
$1,000
£743.83
€870.88
CA$1,395.34
A$1,561.42
CHF 815.30
MX$19,196.08
NOK 10,285.98
SEK 9,679.06
DKK 6,497.43
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About the Item
Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies and transformation. Colleges allow emotions to converge with the material, the juxtaposition of the past and present in an atmosphere of no time. She seeks baroque minimalism. The work is informed by romance, desire, disillusion, torment, ecstasy, dream, and myth. Her best works are erotic displays of mental confusion, particularly concerning relationships. She usually works in series to emphasize repetition and obsession
Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive.
From the Series Eternal Recurrence
Mixed-media photo collage
One of a kind
- Creator:Natasha Zupan (1965, American)
- Creation Year:2015
- Dimensions:Height: 12 in (30.48 cm)Width: 9 in (22.86 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU453310949192
Natasha Zupan
Born in Georgia (USA), Raised in Europe. Combining Renaissance ideals and concepts with borrowed contemporary media images, Natasha Zupan beautifully unites the old and new in her collage work. Yale-educated and internationally renowned artist, Natasha combines the innovation of her highly crafted technique with her wonder for tradition and inspiration from the great Masters. Her clear, bright brush strokes and play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable renaissance quality about then but are reborn into our understanding of contemporary aesthetics. Their classical faces become modern nymph-like when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent yet beguiling. An internationally acclaimed figure in the art world, Natasha shows annually throughout Europe, Asia, and the United States, including a few exhibitions at the Columbus Museum of Art, Georgia . The artist has also been a muse for the famous fashion label Larusmiani, Zang Toi and di Liborio as well as being commissioned by Atelier Swaroski to produce a Crystal Chandelier and Mattel to produce a painting about Barbie, to celebrate her 50th anniversary.
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Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies and transformation. Colleges allow emotions to converge with the material, the juxtaposition of the past and present in an atmosphere of no time. She seeks baroque minimalism. The work is informed by romance, desire, disillusion, torment, ecstasy, dream, and myth. Her best works are erotic displays of mental confusion, particularly concerning relationships. She usually works in series to emphasize repetition and obsession
Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive.
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