Abstract Geometric Paintings

Abstract painting with geometric forms in grey tones with a red background. The work is from the Davis / McClain Gallery. It is titled and dated by the artist. The work is not framed. Artist Biography: The following is from the artist: I started drawing seriously at the age of 14 after attending a summer program at Indian Hill...

This work is born from the visual exploration of the duality that inhabits all forms of existence. Through a vibrant composition, the piece proposes the inevitable coexistence betwee...

Artist: Arthur Boden, American Title: Hotline Year: 1971 Medium: Acrylic on Canvas, signed verso Size: 118 in. x 18 in. (299.72 cm x 45.72 cm) (can be hung vertically as well)

SIGNATURE AND TITLE ON VERSO b. 1968 Elkhart, IN Travis Rice is an artist currently residing in Phoenix, AZ where he teaches within the Fine Arts Department at Phoenix College. Ori...

silver deposit and acrylic on canvas b. 1961 The surfaces of Jimi Gleason’s paintings have always responded to both the light and space of the environment they are in. Working with ...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. ...

Classic abstract artwork from the 1990s East Village scene. Robert Petrick Strip Series #14 57 x 41 inches Acrylic on Canvas New York geometric ges...

Contemporary abstract geometric painting by artist Mark Byckowski. The piece features horizontal lines with a variety of vivid colors of blue, pink and purple painted against a bright white background. Each of Byckowski's work features a bright red line at the bottom right corner. Signed, titled, and dated on reverse. Currently unframed, but options are available. Artist Biography: Mark Byckowski was born March 18, 1957 in Chicago, Illinois. He remained in and out of the Chicago area until moving to Raleigh, North Carolina in 1990. In 2016 moved to Livingston, Texas where he currently resides. At an early age, he began drawing, studying, and creating art which has continued throughout his life. His artwork has changed and evolved through different periods and styles that span for decades. In the early years, he was influenced by traditional representational artists and illustrators, then impressionism, surrealism, and avant-garde of modernism captured his imagination. His artistic talent eventually led him to Northern Illinois University where he received Dean List Honors in Fine Art with an emphasis in the studio painting. As a studio artist he has produced a body of work in various media painting, drawing, sculpture, printmaking, and computer art also known as digital art. While in college the artist began searching for an original idea and style of his own. In 1979 when the first apple personal computers became available in the art department. He immediately knew the technology would eventually influence the direction of fine art in the future. It took time to learn how to program and explore the possibilities of computers as a new tool in the creation of art. Personal computers back then did not have the capabilities they have today and were not user-friendly. There were only two fine artists Mark Pinson and I working with computer technology back then. We worked on our own ideas and after completing the programs and turning them into paintings and drawings we collaborated and mounted a two-man exhibition. My first program was a series of interconnected images entitled “Concatenation” paintings and drawings created from the program were exhibited with Mark Pinson’s work entitled “Random” in a two- man show at The Holmes Center Gallery, Northern Illinois University on November 30, 1980. The second program entitled “Visual Music” the paintings and drawings exhibited in a one man show at The Recital Hall Music Building Gallery, Northern Illinois University on April 26, 1981. Followed by an exhibit sponsored by Illinois Bell, works on paper selected a drawing from the Visual Music series for “A New Generation of Artists” at The Lobby Gallery, 225 West Randolph Street, Chicago, Illinois, May 14 through June 12, 1981. The artist has participated in exhibitions dating back to 1974. The above exhibitions were selected because they marked a new beginning and direction in the artist’s work that continues to the present day. Other positions held in the Fine Art field include: 1984-1985- Austin Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Gallery Director 1982-1984- Atlas Galleries, Michigan Avenue, Chicago, Illinois (Main Gallery) and other locations Fine Art Consultant / Assistant Gallery Director Artist Statement: Subject matter for computer art, painting, and drawing Mark S. Byckowski In 1979 searching for a for an original idea and style of my own I began looking for abstract ideas that I could program with a computer for a new a paintings series. I decided on an idea called “Concatenation” a series beginning from the original image undergoing a transformational change from the previous image connected in a linked series. Example: Image 1 is the original, image 2 changes image 1 by adding a new line, and image 3 changes image 2 by adding an additional new line. Continually changing the previous image by adding an additional line etc. In 1980 I began working on a new abstract idea that I could again program with a computer for a new painting and drawing series. The similarities between music and art intrigued me and began thinking about how I could create a visual representation of musical sound. In music notes are arrangements turned into compositions. In art color is also, arranged into compositions and both seek aesthetic rhythms and harmony. Depending on what notes or colors used can also, affect different emotions and moods. The Artists painting process Step one: Create the computer drawing. For years I have used Microsoft classic paint to create drawings. It allows me to arrange an aesthetic composition and select a color scheme in advance. I can make changes easily until I am satisfied. Step two: I build a custom stretcher frame with support bars and corner braces. Step three: Measure and Stretch the canvas onto the frame pulling the canvas and using a staple gun...

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

David Collins' 2016 move from the bustle of New York City to Long Island influenced a change in his palette that reflects the peaceful, natural atmosphere of his new surroundings. Hi...

acrylic on linen 53 x 45.25 x 4 inches b. 1964, Arnhem Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are b...

In this painting by Charles Jupiter Hamilton's "Downtown San Francisco," the pulsating heartbeat of the city comes alive in a kaleidoscope of color and form. This acrylic abstract se...

Robert Petrick's paintings create a link between the street culture of the East Village, where he has lived for 31 years, and the power of language, which he has worked with his enti...

Abstract painting. Geometric style. Acrylic & Satin Varnish on Canvas. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

SIGNATURE AND TITLE ON VERSO b. 1968 Elkhart, IN Travis Rice is an artist currently residing in Phoenix, AZ where he teaches within the Fine Arts Department at Phoenix College. Ori...

Gerald Campbell’s abstract composition, signed on the reverse and dated 1989 and 1992, is a refined exploration of form, texture, and color. The work is divided into angular, geometr...

Susan Kiefer Bricolage En Rond Oil on Canvas Year: 2021 Size: 48x48x1.35in Signed by hand COA provided Ref.: 924802-1053 Though born and raised in Kans...

Diamond II 2018 Geometric Abstract Oil Painting Artist signed verso, oil on canvas 48x48 JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at school the most. Almost every drawing and panting were on display in his classroom. During his college years, in Vienna Austria, studying to become mechanical engineer, he continued to study art. His technical drafting education became later a major factor and influence in his GEOMETRIC ABSTRACTION (Non-Objective) paintings. He immigrated in 1957 to the USA, New York , where he finished his first small oil painting. Since then JARO painted on and off, until he opened his own studio in 1965 on East 4th Street in the Village. Here he created a series of well designed palette knife paintings in the style of abstract expressionism. JARO stretched off shaped canvases, making him one of the first artists working with these unique shapes. At the time JARO owned his own studio, he studied at the Art Students League 57th Street, New York.  Later in 1969, he studied in Woodstock for several years with John Pike, one of the foremost watercolorists in America, as well as, with Robert Angeloch...

Untitled (Festival Hall), Oil on Canvas Painting by Jon Probert B. 1966 Additional information: Medium: Oil on canvas Dimensions: 40 1/8 x 60 1/4 in 102 x 153 cm Signed verso Havin...

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

A graduate of The Art Center College of Design and The Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern Ca...

Dusk, 2017, Oil on Found Wood 5 x 54 x 1.5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery in Boston. Jean F...

Artist: Jack Graves III (American, 1988-) Title: "Victory" Series: Abstract *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 36" x 48" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves Jr., who founded 'The Collector's Exchange' in St. Augustine, FL in 1978, (today Graves International Art...

Chicago-based artist Jan Pieter Fokkens uses his work as a means of processing the incomprehensible. Navigating the relationship between algorithmic abstraction and the tangible qualities of pattern and color, Fokkens meditates on how reality is mediated by digital image. Entitled "NGC-3201," this vibrant drawing offers a representation of the globular cluster NGC-3201. Using an image taken by the NASA/ESA Hubble Space Telescope...

Acrylic paint on raw canvas, 2015. Ready to hang. It comes directly from the studio of the artist. Height 62.99 in ( 160 cm ), Width 82.68 in ( 120 cm ) Matrix In Creation belongs to...

"FAST_01" Abstract Acrylic Painting 48" x 36" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

Artist: Daniel K. Teis, American (1925 - 2002) Title: Abstract with Checker Pattern Medium: Oil on Canvas signed l.r. Size: 54 x 72 in. (137.16 x 182.88 cm)

The Future Is Now explores geometry and colour, highlighting a split composition that plays with balance, tension, and contrast. On the left side, a deep black backdrop houses a stri...

Cut Space No. 76 measures 72 x 90 x 1 inches is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

oil and acrylic on canvas In the Diamond Sūtra, existence and emptiness are fundamental Buddhist notions. Buddha states that, “All conditioned phenomena are like a dream, an illusio...

Post Dogmatist Painting #653 paper and acrylic on panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and ...

Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel...

My Eye Candy II, 2016, Oil on Found Wood 3 x 89 x 2 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery in Bosto...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes the recognizable to create something unfamiliar. Each work begins with a colorized photo captured by a deep-space...

LI L2 – light installation art. Mixed media, LED technology. 48″X48″. 2021. This art is installation of plexiglass sheet on the deep 48"X48"X4" frame. The sides of the frame are mirr...

b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color field...

Signed & dated Verso. 1965 Paul Reed in 1970. He favored “staining” untreated canvas. Paul Reed, the last surviving member of the Washington Color School, who explored the complexities of color and form in vibrant bio-morphic and hard-edge abstract paintings, died on Sept. 26 at his home in Phoenix. He was 96. His death was confirmed by his daughter, Jean Reed Roberts. Mr. Reed acquired his public identity as an artist when he was included, along with Gene Davis, Kenneth Noland, Morris Louis, Thomas Downing and Howard Mehring, in “The Washington Color Painters,” a landmark traveling exhibition that began at the Washington Gallery of Modern Art in 1965. All of the other painters had been shown, the year before, in “Post-Painterly Abstraction,” a 31-artist exhibition at the Los Angeles County Museum of Art organized by the critic Clement Greenberg in an effort to write a new chapter in the historic march of abstract art. Like his fellow Washington artists, Mr. Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that methodically explored formal issues, he created luminous fields of color by letting the paint bleed into, or stain, untreated canvas. “I have a saying: Pollock dripped, Frankenthaler poured,” he told The Washington Post in 2011, referring to the artist Helen Frankenthaler. “Morris Louis poured. Howard Mehring sprinkled. I blot.” In his first stained series, “Mandala,” color radiated from a circular central image. The nearly 100 paintings in his “Disk” series, which he called “a matrix for exploiting color,” consisted of a central circle and two triangles positioned at the corners of the canvas. Over the next decade he moved to hard-edge geometric zigzags and stripes in the vertical “Upstart” series, color grids and shaped canvases that allowed for more complex experiments in form and color relations. He also made welded steel sculptures and, in the “Quad” series of the 1980s, collaged photographs. “Reed was, in a sense, the ‘little master’ of that first batch of Washington colorists,” the critic Benjamin Forgey wrote in The Washington Post in 1997. “He was a latecomer — he didn’t turn seriously to painting until he was in his mid-30s — but he never considered becoming anything other than an abstract painter. And when he was ready to show, in his early 40s, he was a very good abstract painter indeed.” Mr. Reed gave himself a more modest assessment in an interview with NPR last year. “I’m sort of low man on the totem pole of that group of six,” he said. Paul Allen...

Batik technique on cotton

Batik technique on cotton

Acrylic paint on raw canvas, 2018. Ready to hang. It comes directly from the studio of the artist. Height 66.93 in ( 170 cm ), Width 90.55 in ( 230 cm ), Depth 1.56 in ( 4 cm ) Matr...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Dynamics For Osculating Circle is a complex integration of mathematical elements through collinear intersects completing a geometric picture with vivid colors.

Acrylic painting on canvas, 2021. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Dimensions: Height 52.4 in ( 133,1 cm ), ...

Quotations in Green, 2017, Oil on Found Wood 5 x 49.5 x 1.5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery ...

Signed & dated 2020 lower right. His father nearly sold 5-year- old Erik Johnsen in 1965 for $600. What followed was a chaotic journey into beatings, sexual abuse and groundlessness...

Signed lower left. About the artist: Rolph Scarlett was a painter of geometric abstraction during the American avant-garde movement of the 1930s and 1940s. Born in Guelph, Ontario,...

Abstract Ink Painting-Landscape Mountain Xixia No,5 Chinese ink on Handmade Paper 177 x 45 cm 2018 Artist Biography Tian Wei was born in 1973 in Beijing, China. He presently lives and works in Beijng. He is a contemporary ink artist engaged by China National Academy of Painting. Since 2018, Tian has been an visiting professor of the Comprehensive painting language of Central Academy of Fine Arts . In recent years, Tian devoted himself to the study of meditation of Zen. By “emptying his mind” of all extraneous thoughts during the process of painting, Tian nds the ideal mental state and becomes liberated from reality. He works in water-based media, By permeating with layer of ink stains and lines over and over, tian has developed his unique distinctive visual language and style. His experimental and expressive Chinese ink characterized by symmetricity, simplicity that expresse the rythme of the Nature and wisdom of Buddhism. You can say halos are shining among his work.It is a representation of visualized the existence of abstract, also a set of drawing...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Yvette Cohen makes art that transforms space. Her oil paintings of geometric masses of color on shaped canvas look sculptural, but mount flat on the wall. Paintings become objects ...

Cosmical landscapes, the paintings - always powerful - are witnesses of the artist’s emotions felt during his fictional intergalactic travels. Instant shot filled with serenity whic...

LI-M5 This art is installation of plexiglass sheet on the deep 36"X36"X3" frame. The sides of the frame are mirror gold plexiglass. The front sheet is made of plexiglass and is orig...

"PRESSURE DROPS I" is a big works with acrylics and canvases overlapped; the work has a kind of "twin" canvas, "PRESSURE DROPS II".