Unknown

Very Large, 16th Century Allegorical Oil Painting

circa 1675

Signed, original, 1994, oil–on-canvas painting, Corps de Ballet by significant American artist, Wolf Kahn (b. 1927). Winner: Fulbright and Guggenheim Fellowships. Award in Art from...

Italian, hand painted, oil on canvas landscape with hand painted border. See other painting in separate listing that creates a pair.

Framed oil on canvas paintings signed on back by Israeli-American artist Miriam Cabessa (b. 1966) and dated 2017. Wired to be hung vertically or horizontally. Cabessa was born i...

Framed oil on canvas paintings signed on back by Israeli-American artist Miriam Cabessa (b. 1966) and dated 2017. Wired to be hung vertically or horizontally. Cabessa was born i...

‘Petrarch’s First Sight of Laura’ early 19th century oil painting by Henry Nelson O’Neil British, c. 1840 Canvas: Height 129cm, width 176cm Frame: Height 165cm, width 207cm, depth 12cm Painted by a renowned Victorian artist, Henry Nelson O’Neil (British, 1817-1880) around 1840, this very fine oil on canvas depicts the first meeting of Petrarch and Laura in a Church in Avignon in 1327. Petrarch (1304-1374) was an Italian Early Renaissance...

Oil Painting of a nude women. Dark neutral painting by Cuban Artist Jesus Nordarse. Oil Painting of a Love and Sacrifice by Cuban Artist Jesus Nor...

Ditlev Martens was a Danish artist who lived from 1795 to 1864, creating a series of impressive paintings that continue to captivate and inspire viewers today. One of his beautiful c...

Provenance: Palazzo Pisani at San Stefano, Venice Mrs. F. Craighead (possibly Mrs. Fay Stinson Craighead, Evansville, Indiana) Sale, Sotheby Parke Bernet, New York, 7 June 1978, lot 310, as Bonifazio Veronese Daniel M. Friedenberg, New York, until 2011; and by descent to: Russell Friedenberg, until 2014 Literature: Giuseppe Pavanello, Gli Inventari di Pietro Edwards nella Biblioteca del Seminario Patriarcale di Venezia, Venice 2006, pp. 132, 140, as no. 10 in Pietro Edwards’ inventory of the Palazzo Pisani: “Giuseppe che fugge dalla moglie di Pitifarre” by Bonifacio Veronese. Philip Cottrell and Peter Humfrey, Bonifacio de’ Pitati, (forthcoming), cat. no. 166h. Antonio Palma is the least well-known member of the illustrious Palma family of Venetian painters of the 16th century. He was the nephew of Jacopo Palma—Palma il Vecchio—and upon his uncle’s death in 1528, he began to work with Palma Vecchio’s principal student and the inheritor of the elder artist’s studio, Bonifazio de’ Pitati (Bonifazio Veronese). Antonio worked with Bonifazio as his principal assistant and right-hand man until Bonifazio’s death in 1553, after which he continued his independent career. He married a niece of his master, and their second son, Jacopo, born in 1648, would achieve fame as Palma il Giovane...