Oversized Abstract Photography

Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers...

Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers...

Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers...

Sukan has set out to identify alternative sites of public display and common space within the banal recesses of the everyday world. Collecting and adopting the sketch pads and papers...

Gravity - Liquid 19 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Breathe # 202206 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available...

Morphogenetic field - Beluga Caviar (Abstract Photography) Chromogenic print. Edition 1/5. In his Morphogenetic fields series, Janiak examines the visi...

"Emulsion 23" Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM23 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limited edition...

"Emulsion 27" Abstract Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM27 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limite...

Color Kinesthesia 4A7 Blue (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 3 + 2Ap Turnaround time 2-3 weeks, printe...

Universals Foldouts 07022012 Blue (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap. Turnaround time 2-3 weeks...

From the series Floating World

Cosmosis Collages 4A57F Comp no 85 Blue black (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround ti...

Universals Foldouts 07022012 Grey (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap. Turnaround time 2-3 weeks...

Cosmosis Collage 4A5.1 – Composition no 210.4 Blue (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaroun...

Cosmosis Collages 4A579E – Composition no 84 - Red and grey (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap ...

Color Kinesthesia 2A9, Purple - pink (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaround time 2-3 wee...

Universals Foldouts 07022012 Pink (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap. Turnaround time 2-3 weeks...

Intersect # 201605 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab women or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

Walk into the lobby of the Chrysler Building, and it does not look like this. To the visitor's eye, it is somewhat dark and has a tight, constrained feel to it. Photographer Mitche...

"Modernismo M28" Photography 48"x48" in Edition of 12 by Giuliano Bekor Title of artwork: M28 Year: 2012 Printed on a high-quality museum-grade archival photo paper. Not framed. Pri...

Architectonic 1 - Limited edition pigment print - Limited Editions of 5 Signed + numbered by artist, with certificate of authenticity This is an Archival Pigment print on fiber ...

Fluidity 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editi...

Chromogenic print. Edition 1/5. In his Magnetic Radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magne...

No.38633 (Abstract Photography) Archival ink print on Hahnemühle Photo Rag - Unframed. Artwork is exclusive to IdeelArt. Image size: 140x105 cm/ 55.1x41.3 inches Available on reques...

Chance/Fall (11), 2010 (Abstract photography) C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with o...

Intersect # 201603 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...

Syd # 33.85S_151.16E (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

SOME PEOPLE OF KUWAIT, 2000, Color iris print, on heavy rag photo paper signed on verso and inscribed "OK to print', from small edition of just 10. images 40 x 26 ¾", full margins; printed by Muse X. This was a series about Kuwaiti, Arab woman or men dressed in Burka's from up close it appears completely abstract from a bit of a distance an image emerges. Jack Butler was a Professor of Art at California State University Los Angeles from 1988 to 2010. He received his Master of Arts degree from California State University Los Angeles in 1972 and earned his Master of Fine Arts degree from UCLA in 1979. He was a dedicated teacher from 1971 to 2010 and taught at numerous educational institutions including California State University Los Angeles, the University of California, Riverside, UCLA Extension, Pasadena City College, East Los Angeles College, Los Angeles Southwest College and was a visiting instructor at the School of the Art Institute in Chicago. He has participated in approximately one hundred exhibitions during that time including sixteen solo exhibitions. His work has been shown at such institutions as the Los Angeles County Museum of Art, Fahey / Klein Gallery, Los Angeles, San Francisco Museum of Art, Gallery Min in Tokyo, Japan, the Museum of Contemporary Art in Osaka, Japan, Photo-Tableau in Paris, France, the Photographers Gallery in London England, the Kansas City Art Institute, The Friends of Photography Ansel Adams Center, the Laguna Beach Art Museum, the Long Beach Museum of Art, Sala Arcs Gallery, Barcelona, Spain, the California Museum of Photography, the Center of Contemporary Art, Santa Fe, New Mexico, the George Eastman House, Rochester, New York, the Corcoran Gallery, Boston Mass., and the Santa Barbara Museum of Art and was represented by the former Sherry Frumkin Gallery. He has been published in numerous books and catalogs. These include publications from such seminal exhibitions as “ Proof: Los Angeles Art and the Photograph 1960-1980”, “Photography and Art: Interactions Since 1946”, “Photography and Language” and “Attitudes: Photography in the Seventies” as well as having a catalog of his work published by Min Gallery in Tokyo, Japan. Recent publications include catalogs from the exhibition "Transfictions" at the Fisher Gallery USC and the exhibition "COLA 2004" at Barnsdall Municipal Art Gallery as well as “The Polaroid Years, Instant Photography and Experimentation”, The Francis Lehman Loeb Art Center, Vassar College 2013. During his career he has been involved in numerous workshops and lectures and has curated numerous exhibitions. He has participated in a Distinguished Artists Forum, 20x24 Polaroid Project in 1989 and was supported the by Polaroid Corporation to work on the 20x24 Polaroid camera in New York Studio in 1990 and again in 1998. Polaroid Corporation was also instrumental in assisting with the production of his project Hot Rod "Kulture / Culture.” He was also a recipient of a SECA Award from the San Francisco Museum of Art in 1980, National Endowment for the Arts Fellowship (major individual grant) in 1981 and received a City of Los Angeles Individual Artists Fellowship (COLA Grant) in 2004. His work is included in such collections as the Los Angeles County Art Museum, San Francisco Museum of Art, California Museum of Photography, Grunwald Center for the Graphic Arts UCLA, La Jolla Museum of Contemporary Art, Georges Pompidou National Center for Art and Culture, Seattle Art Museum, the Kiyosato Museum of Photographic Art, Japan, the Graham and Susan Nash Collection, the Aaron Spelling Collection as well as numerous other private collections. Going back to the 1840s, the earliest days of photography, people like Fox Talbot, Hippolyte Bayard and Oscar Gustave Rejlander were manipulating images and producing work that they referred to as Art or “Light Drawings”. Moving on to the 1920s and 30s we discover people such as Kurt Schwitters, Christian Schad, Hana Hoch, Raoul Haussmann, Man Ray, John Heartfield, Max Ernst, Laszlo Moholy-Nagy, Lucia Moholy, Hans Bellmer, Andre Breton, Herbert Bayer and William...

V: Dogmatic thinking (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Bra...

Gravity - Liquid 83 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Intersect # 201603 (Abstract Photography) Chromogenic Print Face-mounted 4.5mm Plexiglas - Unframed Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangin...

Photon 04 (Abstract Photography) Chromogenic print. Edition 2/5. In his Photon series, Janiak explores the intrinsic duality of light. The photons we interpret as light exist in a ...

Bleed # 202021 (Abstract photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Edition: 1/3. Paul Snell combines tra...

VIII: The Unselfconsciousness Of Eros (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichot...

VII: Istinto Primordiale (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human...

Gravity - Liquid 02 (Large) (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot...

Morphogenetic field - Dandelion (Pissenlit) (Abstract Photography) Chromogenic print. Edition 1/5. In his Morphogenetic fields series, Janiak examines the visible manifestation of ...

Pigment on canvas - Unframed. Edition of 3. The Emanations series is an attempt to express the spiritual potential of the most essential aspect of photography: light. Each work in ...

Triumph of Void (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis brings togeth...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering co...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Ink 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ar...

Magnetic radiation 02 (Abstract Photography) Chromogenic print. Edition 1/5. In his Magnetic radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofl...

Chance/Fall (6) 2010 (Abstract Photography) C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with over...

Gravity - Liquid 58 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Panel A - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Bleed # 202129 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Edition 1/3...

Chromogenic print. Edition 1/5. In his Magnetic Radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magne...

Gravity - Bulle d'air 04 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Bulles d'air series, Janiak creates visual representations of the idea that form can...

IX: Genesi (Abstract photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It w...

Magnetic radiation 02 (Abstract Photography) Chromogenic print. Edition 1/5. In his Magnetic radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magnetized through the introduction of iron particles. Janiak introduced magnetic forces to the ferrofluid, moving the magnets into different configurations to cause the colloidal mixture to assume various forms that reveal the otherwise invisible nature of magnetic activity. The forms reveal ancient forces, those that shaped the universe at its beginning. Seb Janiak is a photographic artist whose work explores conditions in which opposites can co-exist, revealing the visual characteristics of the hidden forces that shape the physical universe. He creates images that blend science with creativity, analytics with the poetic. He lives and works in Paris, France. Janiak began his career as a graphic designer. While freelancing, he engaged with state-of-the-art technology, becoming a pioneer in the field of digital photography. His work gained him global attention, and he expanded into music video directing, fashion photography, and finally into fine art. Since 2009, he has focused on expanding the potential of contemporary analogue photography. Technique Since 2009, Janiak has only used basic photographic tools. He says, “I only allow myself the techniques which have been used in analogue photography since 1850. Namely, making adjustments to contrast and exposure, and using superimposition.” When a special effect is needed in order to achieve a particular shot, he finds a way to achieve it manually rather than through digital manipulation, for example by using refraction...

Psychiatric Observation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis bring...

"Desert Rising" The lone tree in the foreground helps you understand the immense scale of the sand dunes of Sossusvlei. The print series Dunes: Landsc...

Alessandro Puccinelli Mare #331, 2018 Seascape - From the Mare series - Framed 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Edition of 3 Archival Pigme...