Oversized Abstract Photography

This photograph by Tori Gagne features an abstracted landscape composition and a coastal blue and white palette. An edition size of 25, this photograph by Tori Gagne is available as a metal sublimation print with a 1.3” deep silver flush mount frame and white gloss or satin finish. The flush mount frame arrives with necessary mounting hardware included (cleat, drywall screws and bubble level). Metal prints will have the artist’s signature backstamp (on the back) and a Certificate of Authenticity will arrive under separate mailing. To purchase this limited edition print in a different size or unframed on Hahnemuhle 100% cotton museum grade heavy weight paper, please contact us. Please allow 2-3 weeks for printing and production. "I often drive across the country to photograph wild horses, visit family, or simply enjoy the outdoors in my own region,” Gagne says. “These journeys give me ample opportunity to take in incredible landscapes and to create expressive images that reveal the essence and emotion of being immersed in these natural environs. I reframe elements of nature, land, water, trees and other plants into abstract or layered images celebrating the variation of light, weather, seasons, or tides.” Born in Minneapolis, Minnesota, Tori Gagne earned a BFA in Fine Art Photography from the Academy of Art University in San Francisco. Her love of photography began in grade school working with a pinhole camera and developing film in the darkroom in her family home. She was deeply influenced by her mother and brother who were both professional photographers. Tori has a retired off the track thoroughbred, who has led her deeper in to the magical world of horses, and inspiring her to devote much of her work to photographing...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso...

This photograph by Tori Gagne features an abstracted landscape composition and a striking deep blue and pink palette. An edition size of 25, this photograph is available as a metal sublimation print with a 1.3” deep silver flush mount frame and white gloss or satin finish. The flush mount frame arrives with necessary mounting hardware included (cleat, drywall screws and bubble level). Metal prints will have the artist’s signature backstamp (on the back) and a Certificate of Authenticity will arrive under separate mailing. To purchase this limited edition print in a different size or unframed on Hahnemuhle 100% cotton museum grade heavy weight paper, please contact us. Please allow 2-3 weeks for printing and production. "I often drive across the country to photograph wild horses, visit family, or simply enjoy the outdoors in my own region,” Gagne says. “These journeys give me ample opportunity to take in incredible landscapes and to create expressive images that reveal the essence and emotion of being immersed in these natural environs. I reframe elements of nature, land, water, trees and other plants into abstract or layered images celebrating the variation of light, weather, seasons, or tides.” Born in Minneapolis, Minnesota, Tori Gagne earned a BFA in Fine Art Photography from the Academy of Art University in San Francisco. Her love of photography began in grade school working with a pinhole camera and developing film in the darkroom in her family home. She was deeply influenced by her mother and brother who were both professional photographers. Tori has a retired off the track thoroughbred, who has led her deeper in to the magical world of horses, and inspiring her to devote much of her work to photographing...

This photograph by Tori Gagne features an abstracted landscape composition and a striking deep blue and pink palette. An edition size of 25, this photograph is available as a metal s...

This photograph by Tori Gagne features an abstracted landscape composition and a coastal blue and white palette. An edition size of 25, this photograph by Tori Gagne is available as a metal sublimation print with a 1.3” deep silver flush mount frame and white gloss or satin finish. The flush mount frame arrives with necessary mounting hardware included (cleat, drywall screws and bubble level). Metal prints will have the artist’s signature backstamp (on the back) and a Certificate of Authenticity will arrive under separate mailing. To purchase this limited edition print in a different size or unframed on Hahnemuhle 100% cotton museum grade heavy weight paper, please contact us. Please allow 2-3 weeks for printing and production. "I often drive across the country to photograph wild horses, visit family, or simply enjoy the outdoors in my own region,” Gagne says. “These journeys give me ample opportunity to take in incredible landscapes and to create expressive images that reveal the essence and emotion of being immersed in these natural environs. I reframe elements of nature, land, water, trees and other plants into abstract or layered images celebrating the variation of light, weather, seasons, or tides.” Born in Minneapolis, Minnesota, Tori Gagne earned a BFA in Fine Art Photography from the Academy of Art University in San Francisco. Her love of photography began in grade school working with a pinhole camera and developing film in the darkroom in her family home. She was deeply influenced by her mother and brother who were both professional photographers. Tori has a retired off the track thoroughbred, who has led her deeper in to the magical world of horses, and inspiring her to devote much of her work to photographing...

This photograph by Tori Gagne features an abstracted seascape composition and a coastal blue, turquoise, and white palette. An edition size of 25, this photograph is available as a metal sublimation print with a 1.3” deep silver flush mount frame and white gloss or satin finish. The flush mount frame arrives with necessary mounting hardware included (cleat, drywall screws and bubble level). Metal prints will have the artist’s signature backstamp (on the back) and a Certificate of Authenticity will arrive under separate mailing. To purchase this limited edition print in a different size or unframed on Hahnemuhle 100% cotton museum grade heavy weight paper, please contact us. Please allow 2-3 weeks for printing and production. "I often drive across the country to photograph wild horses, visit family, or simply enjoy the outdoors in my own region,” Gagne says. “These journeys give me ample opportunity to take in incredible landscapes and to create expressive images that reveal the essence and emotion of being immersed in these natural environs. I reframe elements of nature, land, water, trees and other plants into abstract or layered images celebrating the variation of light, weather, seasons, or tides.” Born in Minneapolis, Minnesota, Tori Gagne earned a BFA in Fine Art Photography from the Academy of Art University in San Francisco. Her love of photography began in grade school working with a pinhole camera and developing film in the darkroom in her family home. She was deeply influenced by her mother and brother who were both professional photographers. Tori has a retired off the track thoroughbred, who has led her deeper in to the magical world of horses, and inspiring her to devote much of her work to photographing...

This photograph by Tori Gagne features an abstracted seascape composition and a coastal blue, turquoise, and white palette. An edition size of 25, this photograph is available as a metal sublimation print with a 1.3” deep silver flush mount frame and white gloss or satin finish. The flush mount frame arrives with necessary mounting hardware included (cleat, drywall screws and bubble level). Metal prints will have the artist’s signature backstamp (on the back) and a Certificate of Authenticity will arrive under separate mailing. To purchase this limited edition print in a different size or unframed on Hahnemuhle 100% cotton museum grade heavy weight paper, please contact us. Please allow 2-3 weeks for printing and production. "I often drive across the country to photograph wild horses, visit family, or simply enjoy the outdoors in my own region,” Gagne says. “These journeys give me ample opportunity to take in incredible landscapes and to create expressive images that reveal the essence and emotion of being immersed in these natural environs. I reframe elements of nature, land, water, trees and other plants into abstract or layered images celebrating the variation of light, weather, seasons, or tides.” Born in Minneapolis, Minnesota, Tori Gagne earned a BFA in Fine Art Photography from the Academy of Art University in San Francisco. Her love of photography began in grade school working with a pinhole camera and developing film in the darkroom in her family home. She was deeply influenced by her mother and brother who were both professional photographers. Tori has a retired off the track thoroughbred, who has led her deeper in to the magical world of horses, and inspiring her to devote much of her work to photographing...

Brooklyn Bridge (Stay) - 2006 Edition of 5, 100x135cm installed, each piece is 30x29cm, 12 analog C-Prints, printed by the artist on Fuji Archive Crystal Paper, matte surface, b...

"Interconnectivity (part 6)" Photography 40"x50" in Edition of 12 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) Ships in a tube 2018 ABOUT Rob Woodcox Rob Woo...

Ancient Page Angel, Book of Faith, Ancient Page (Triptych), 2017 by Shine Huang From the Series “Carry the Ocean” Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 3...

Street Photography: Literally. At a time when most color photographers were just pointing cameras and snapping images mostly during boring mid-day light, Mitchell Funk was innovatin...

The romantic merges with the classic in Mitchell Funk's 1970s interpretation of the Brooklyn Bridge. With a long lens, Funk incorporates the emotionally joyful colors of out-of-focu...

Large scale photograph of mesmerizing monochromatic emerald surface abstraction, from a series of photographic observances capturing urban textures and color palettes Wallscape VII (Green Door) by Frank Schott 48 x 60 inches / 122cm x 152cm signed edition of 7 32 x 40 inches / 81cm x 102cm signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist: Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...

An aerial view looking down on a Manhattan tennis court is photographed so that it is representational and abstract at the same time. The interplay of large areas of color, pattern...

Flux 1 - Large scale photograph by Michael Banks Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbered by ...

Since 1969, Mitchell Funk has been a Minimalist Photographer. His signature style focuses on reducing pictorial elements to their essentials. In this recent image, shot in 2023, he continues the tradition but takes it to a new level. Funk captures a magic moment of a flock of alternating dark and light-colored pigeons in flight. He frames the shot as if it were a painting by Kenneth Noland...

“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerm...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Interstellar, II and III (Triptych), 2019 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 42 in. H x 126 in. W Individual size: 42 in. H x 42 in. W ...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Eyebeam #2, an edition of 2, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 53" x 30" ...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Gate Taught Version 1991. Large format silver gelatin photo. signed and dated. Zeke Berman’s still lifes are fabrications derived from the material of ordinary and intimate experience, reconstituted to satisfy the demands of improvised play, monocular vision, and the special characteristics of photographic description. They are concerned with the pictorial aspect of sculpture and the provisional nature of realistic indication. In the central tradition of still-life art, they aim to establish an unsuspected order in the congregation of unremarkable things. Since the late 1970's Zeke Berman has been making singular, studio-based photographs. These works reflect his long standing interest in visual cognition, optics and the intersection between sculpture, photography and drawing. The formal range of his work and his sculptural use of materials is varied, original and idiosyncratic. Berman’s work has been collected and exhibited in museums such as The Museum of Modern Art, The Metropolitan, Whitney, Art Institute of Chicago and LA County Museum. His work was featured in the first New Photography Exhibition, 1984, at MoMA. Awards include Guggenheim, NEA and NYFA Arts Fellowships. Berman lives and works in New York City. from MOMA A World of Its Own: Photographic Practices in the Studio examines the ways in which photographers and other artists using photography have worked and experimented within their studios, from photography’s inception to the present. Featuring both new acquisitions and works from the Museum’s collection that have not been on view in recent years, A World of Its Own brings together photographs, films, and videos by artists such as Berenice Abbott, Uta Barth, Zeke Berman, Karl Blossfeldt, Constantin Brancusi, Geta Brătescu, Harry Callahan, Robert Frank, Jan Groover, Barbara Kasten, Man Ray, Bruce Nauman, Paul Outerbridge, Irving Penn, Adrian Piper...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

I am fleeting #7, 2023 by Javier Rey From I am fleeting Series Archival pigment print Image size: 165 cm H x 110 cm W. Edition of 2 + 1AP Unframed Is a project that debates throug...

Street Photography: Literally. From an elevated vantage point, Street Photographer Mitchell Funk shoots down on a busy midtown Manhattan street and composes the image so that it's as...

Throughout 2019 and 2020 I spent much of my time in the trenches of a long form assignment for National Geographic Magazine documenting the Great Lakes of North America. This jewel of the planet contains 20% of the worlds fresh water and is home to an annual 6 trillion dollar economy shared by the United States and Canada. On this this particular day I was positioned on the south west shores of Lake Superior, it was stormy and dully gray, the kind that makes you think twice about being out. Thinking photography was likely a foregone conclusion I had decided to scout the periphery of a section of shore line, the waves were crashing in under threatening skies. As I pushed further in a came upon a small pond covered in beautiful lilies that stopped me in my tracks. The car was a good distance away, with the help of my assistant I decided to hike back to the car and grab the under water housing and lights. As soon as I submerged the camera underwater, I knew the scene was special. The dark skies were selectively letting light in, allowing me to sculpt the scene with external lighting...

Henry and the Jelly Fish (Stay) with Ryan Gosling - 2006 128x125cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original Polaroid. Signature label and certificate. Artist Inventory Number 5501. Not mounted. ------------------------------------------------ A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. She also created the art for several dream sequences and the end credit sequence for the movie. “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” (Marc Forster) Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham...

Street Photography can be beautiful. Bird on a Ledge by street photographer Mitchell Funk is an exceptionally distinctive example of shooting the streets of New York and getting a lo...

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

Orlando Azevedo India series, 2014 Archival Pigment Print 40 x 60 inches Edition of 13 Unframed Ask us for custom framing options

"Autumn Magnolia No. 1" Abstract still life photograph of deep plum Magnolia petals and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused ...

I am fleeting #13, 2023 by Javier Rey From I am fleeting Series Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed Is a project that debates throug...

I am fleeting #12, 2023 by Javier Rey From I am fleeting Series Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed Is a project that debates throug...

I am fleeting #14, 2023 by Javier Rey From I am fleeting Series Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed Is a project that debates throug...

This work contains various photographs of the external view of hundreds of residential buildings in New York.

Bright reds, yellows, blue and green stripes adorn a wall in lower Manhattan. Chairs of the same color scheme line the street and have an older woman with a scarf covering her face. ...

This is an in-camera manipulated photograph from 1970. It depicts soft light caressing trees as they are mirrored in the water. The image is filled with nuanced blue-magenta color. ...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...

American artist and photographer, Sandra Haber, born 1956 Exhibited at MoMA, 1984

Kacper Kowalski began his career as a landscape photographer, far before the preeminence of drones or Google Earth, strapping himself into a gyrocopter and exploring his native Poland through the lens of a film camera. This repeated, almost ritualistic exploration of home became the foundation of his work. Kowalski observes the macro-evolution of the Polish landscape...

I am fleeting #11, 2023 by Javier Rey From I am fleeting Series Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed Is a project that debates throug...

Paolo Consorti Ending G, E, B, 2019 Medium: Painting Oil on canvas Unique 150 x 140 cm Not framed Series “Ending” This artwork includes a certificate of...

Paolo Consorti Ending G, E, B, 2019 Medium: Painting Oil on canvas Unique 150 x 140 cm Not framed Series “Ending” This artwork includes a certificate of...

Bleed # 202198 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Available on request 5-6 week turnaround. Backed with Dibond and C-channel hangi...

I am fleeting #10, 2023 by Javier Rey From I am fleeting Series Archival pigment print Image size: 73 cm H x 110 cm W. Edition of 5 + 1AP Unframed Is a project that debates throug...

This is a new series, largely influenced by the abstract expressionist field paintings of the 40’s and 50’s with a nod to Gerhard Richter’s blurred canvases. Available in large for...