Oversized Abstract Photography

San Francisco Victorians Painted Ladies explode with color and charm in this graphic depiction. Direction light enhances the ornate details and heightens the color saturation whil...

'Yellow is the Dawning of May' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted po...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

Mirages. The idea of the monumental, utopian and modern city is constantly debated due to its own fragility. The idealization of the city is weak and vulnerable, threatened by the ru...

Limited edition of 5. Printed on Hahnemuhle Fine Art Baryta 325g Archival Paper. Dated and signed with the certificate of authenticity. This vibrant Op Art photograph from 1969 captures the essence of movement and color through its intricate, circular patterns created by three pattern interference. The pulsating gradients of orange, blue, and green add depth and energy, making it a perfect centerpiece for a contemporary interior. Inspired by the 1960s Op Art movement, this work by a pioneering photographer brings a geometric and modern aesthetic to any space, creating a dynamic focal point. Its vibrant composition adds both vibrancy and sophistication to living rooms, offices, or modern interiors. Enzo Ragazzini...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

As a progenitor of special effects photography and experimental photography in the late 1960s and early 1970s, Mitchell Funk employed a variety of non-digital techniques to achieve ...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

Large scale original art photography from a series of dramatic cloud atlas and abstract sky scapes observations above the Pacific Ocean Cloud Study VII by Frank Schott 60 x 48 inc...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Jacquard weaving is at once simple and complex. The language used to set up weave structures is straightforward and binary: the warp is either up or down. With the Jacquard loom, h...

Rodeo Grounds (Till Death do us Part) - 2010, diptych Edition 1/5. 128x150cm and 128x126cm together 126x286cm including a 10 cm space in between both pieces, Analog C-Print print,...

“Surprise” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpieces by Picasso, Dali or Gustav Klimt. In fact REFLECTIONS are straight photographic capturing of the water’s surface from below, with a submerged underwater camera. The photographs freeze natural momentary reflections in water surface - the unique kaleidoscopic fragmentations of human body into nearly unrecognizable forms. It is these bold accents of color, mesmerizing textures, dramatic lines, and distinctive distortions that make Sher’s works unique highly advisable masterpieces. The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s disciplined model in his underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude colors of the skin, the vivacious reds of the garments, and the tranquil blues of the water morph and fuse into one another. Hearkening back to the surrealist paintings of masters...

Is a project that debates through the photographic image, the importance that humans have assigned to ourselves, and proposes a reconciliation with the reality of our own insignifica...

From the dark, she rises. An eerie turquoise glow intermingles with the colors from the nude body of a woman, at least a part of a woman. Her breasts and arms breach the reflection’s...

large scale monochromatic abstract observation of mesmerizing atmospheric color palette, from Raymond Meier's series Renderings Sky (Rendings 04) by Ray...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

Interstellar, II and III (Triptych), 2019 by Shine Huang Archival Pigment Print on Hahnemuhle fine art paper. Overall size: 42 in. H x 126 in. W Individual size: 42 in. H x 42 in. W ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Rough Green Snakes' is a stunning C-Type print by contemporary British photog...

Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist without an environment. There are the visible...

An abstract composition capturing the dramatic interplay between vibrant crimson and stark white elements. The photograph presents a swirling vortex of deep red textures that dominat...

The Art Deco spire of the Chrysler Building rises majestically through the driving snow of a New York City blizzard. Veteran Street Photographer Mitchell Funk, exploits the snow and...

Mitchell Funk photographs a child's Rocking Horse Ride in the snow. The inherent beauty of this moving sculpture for kids is enhanced as flakes of w...

TULLE Tripthych Edition of 3 by Christian Stoll an epic scale photograph of mesmerizing texture details 3 x Single Images in 48 x 36 inches / 122cm x 9...

The metallic crown of the Chrysler Building reflects the golden light of sunset, giving it a jewel-like appearance. It's as if an elegant woman could wear it on her wrist. Horizonta...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Old cars parked in front of vintage Wigwam Motel off U.S. Route 66 in Holbrook, Arizona. This archival color photograph by fine art photographer Mitche...

Katie Hallam Gears Digital photograph Limited Edition Photograph on Alluminium Size: H 60cm x W 95cm x D 1cm Sold Unframed For all the sport enthusiasts out there, this high-en...

Please bear in mind that all prints are produced to order. Lead times between 15-20 days. Edition 5/10 All items are shipped as a print only and come unframed. Tim Flach is a grad...

This image from the imagination of Mitchell Funk was the cover photograph for Popular Photography Magazine, May 1978, It is signed and numbered on lower right, as well as titled ...

Out-of-focus figures in the foreground create basic shapes of color akin to Vuillard and the Nabis painters. Shot with a long lens and set against colorful blooming foliage of New Yo...

“Anesthesia” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as ...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's w...

Signed dated, numbered lower left recto 3/15 , other sizes available, unframed, printed later, Printed on Hahnemühle Fine Art paper Mitchell Funk is a "Color Photographer Pioneer"....

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Edward Burtynsky (b. 1955) is one of Canada’s most acclaimed photographers. He is well-known for his captivating large-scale photographs documenting the ramifications of industrial ...

Streets of Kowloon Gold, part of Richard Heeps series photographing on the streets of Hong Kong in Kowloon in 2016 this stunning abstract piece is so striking in a room. The whole 20...

Signature: Signed and dated on lower right, numbered on verso, 5/15, Unframed, other sizes available

The image is signed dated lower right signed dated and numbered verso 2 /15, Unframed, Other sizes available, printed later

Radiating with mythic sexuality, the mermaid’s topless body becomes fluid, her multiplying naked breasts and her scaly tail swirling into the hips of a real woman form a Möbius Strip...

Edition: 2/3 Work can be hung with either the WallCleat system (support bar supplied) or the screw-eye system if it needs support from wire or above. Available in 4-5 weeks turnaro...

'Wind stretched daydream' 2022 Photographed in Richmond, London using a 4x5 large format camera. 100×130 cm printed on organic linen canvas, limited edition of 5 + 1AP. Photograph...

Temporal Perception 142A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

Mirages. The idea of the monumental, utopian and modern city is constantly debated due to its own fragility. The idealization of the city is weak and vulnerable, threatened by the ru...

Mirages. The idea of the monumental, utopian and modern city is constantly debated due to its own fragility. The idealization of the city is weak and vulnerable, threatened by the ru...

A pool in Flamingo Park, Miami Beach features swimmers that create an stunning abstract pattern. Signed and dated on lower right, numbered 2/15 , other size available, unframed, pr...

Wallscape VI (Il Famoso) by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes in Italy 48 x 60 inches / 122cm x 152cm edi...

This piece titled "casting out, calling in" is an original piece by Cassie Normandy White and is made from fabric monotypes and ink. This piece m...

Large scale original photographic print from the series 'Bushes and Succulents' (2018), Mona Kuhn’s artistic response to the ongoing currents in contemporary feminism. Reminiscent of Georgia O’Keefe’s floral paintings, your eyes wander around the graceful lines, not knowing exactly what you are looking at. The images are a celebration of the female essence...

This photograph was taken in 1970, yet it looks surprisingly contemporary. The giveaway is how underdeveloped the Manhattan skyline looks. Both towers of the World Trade Center are ...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Photographer Mitchell Funk transforms a Miami street scene at night with glowing neon signs into a complex abstract pattern. A recurring element in Funk's iconography is secondary a...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...

Large scale original art photography from a series of dramatic cloud atlas and abstract sky scapes observations above the Pacific Ocean Cloud Study V by Frank Schott 60 x 48 inche...

'Sunday's Tulips (I)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching soft...

'Sunday's Tulips (II)' 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching sof...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

“Private Pool” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of mas...