Ansel Adams

Aspens, Northern New Mexico

1973-77

A photograph by Andy Warhol. "Self Portrait" is a gelatin silver print by American pop artist Andy Warhol. The artwork is numbered AWL116. Andy Warhol — who famously said that, “In t...

A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...

A photograph by Andy Warhol. "Grace Jones and Steve Rubell" is a Post-War silver gelatin print by American Pop Artist Andy Warhol. The artwork is unsigne...

This black and white portrait of actor Paul Newman was taken by Lawrence Schiller in 1967 on the set of the movie "Cool Hand Luke". A silver gelatin photograph by Post War artist Larry Schiller. This celebrity photograph...

Richard Gordon was born in Chicago in 1945. He studied Political Science at the University of Chicago and did not begin photographing until he worked at a photography studio in 1965. Early in Gordon’s career, Robert Frank critiqued his work and stated that he “loved photography too much.” Gordon frequently makes photographic references in his work and pays homage to the photographers who influenced him: Eugène Atget, Walker Evans, Robert Frank and Helen Levitt. Bookmaking has been an important element of Gordon’s photography from the beginning; he created his own press, Chimaera Press, and published Meta Photographs (Chimaera Press, 1978), One More for the Road: The Autobiography of a Friendship 1966-1996 (Flâneur Bookworks, 1996), American Surveillance: Someone to Watch Over Me (Chimaera Press, 2009), and Notes from the Field (Chimaera Press, 2012), as well as handmade and limited edition books. Richard Gordon’s photographs are represented in many institutional collections including: Art Institute of Chicago; Bibliothéque National, Paris; Centre Nationale de la Photographie, Paris; Corcoran Gallery of Art; J. P. Getty Museum (Wagstaff Collection); Library of Congress; Museum Ludwig, Cologne, Germany; Museum of Fine Arts, Houston; New York Public Library; Oakland Museum of Art; San Francisco Museum of Art; Santa Barbara Museum of Art; Stanford Museum of Art; and University of Colorado, Boulder. From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art, sculpture, graphics, old watches and photographs-lots and lots of photographs. They started collecting them in the 1960s when the medium was still the stepchild of the arts. They kept collecting until they had more than 3,000 prints, 99 of which are in the Art Institute exhibit, ``The Intuitive Eye: Photographs from the Collection of David C. and Sarajean Ruttenberg.`` The show encompasses the entire history of photography with black-and-white and color prints from every genre, It includes street photography by Walker Evans and Garry Winogrand, glamour shots by Edward Steichen and Richard Avedon, nudes by Robert Mapplethorpe and Nicholas Muray...

Genre: Photographic Subject: Music Medium: Photograph, Gelatin Silver Print Surface: Photographic Paper Country: United States Dimensions: 10" x 8" Dimensions w/Frame: 14.75" x 11.75" Fred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson...

14" x 18" sight size. 24.5 x 28 mat size. Ryan Weideman NYC taxi cab driver street photography (the good old fashioned days of yellow cabs pre Uber and Lyft). Ryan Weideman graduated with an MFA from the California College of Arts & Crafts, In 1980 he moved to New York to pursue street photography. Influenced by the other photographers of the period including Lee Friedlander and Mark Cohen...

photo is 9X13.5 (image size), 16X20 is the mat. Mounted to original mat. Vintage photograph. Three young Grange members represent Flora, Ceres and Pamona in Fairfax, 1940. Arthur Rothstein ( 1915 – 1985) was an American photographer. Rothstein is recognized as one of America’s premier photojournalists. During a career that spanned five decades, he provoked, entertained and informed the American people. His photographs ranged from a hometown baseball game to the drama of war, from struggling rural farmers to US Presidents. Rothstein was born in Manhattan, New York City, and he grew up in the Bronx. He was a graduate of Columbia University, where he was a founder of the University Camera Club and photography editor of the Columbian. Following his graduation from Columbia during the Great Depression, Rothstein was invited to Washington DC by one of his professors at Columbia, Roy Stryker. Rothstein had been Stryker's student at Columbia University in the early 1930s. Stryker hired Rothstein to set up the darkroom for Stryker's Photo Unit of the Historical Section of the Resettlement Administration (RA). Perhaps Rothstein's most famous...