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Edward Steichen
Martha Graham #4, NY

1931

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item

These selenium toned silver gelatin prints are the photographs of Edward Steichen, printed by the renowned photographer George Tice. Tice was the last person to print for Steichen in his lifetime. These prints not only remind us of Steichen's genius but also highlight the formidable quality of printing that George Tice has been known for throughout his career. The 20 year old George Tice came to Steichen's attention after Tice's dramatic photograph of an explosion aboard U.S.S. Wasp was featured on the front page of the New York Times and was acquired for the collection at MoMA. Tice continued to work on Steichen's projects after his death in 1973, and printed the photographs for "Steichen's Legacy" a retrospective memoir which was released with Whitney Museum's Steichen retrospective in 2000. Gallery 270 represents distinguished photographers of the 20th Century and the emergent photographers of the 21st Century from around the world. We place particular emphasis on modern emerging photographers employing traditional processes such as platinum/palladium, cyanotype, and gum bichromate, where the hand of the artist is much more intimately engaged.
  • Creator:
    Edward Steichen (1879-1973, American)
  • Creation Year:
    1931
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 8 in (20.32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Selenium Toned Silver Gelatin Print.
  • Gallery Location:
    Westwood, NJ
  • Reference Number:
    1stDibs: LU486997993

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“It takes the passage of time before an image of a commonplace subject can be assessed. The great difficulty of what I attempt is seeing beyond the moment; the everydayness of life gets in the way of the eternal.” --George Tice GEORGE TICE was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self taught photographer. Two years later, when his picture of an alleyway was commended by a pro photographer critiquing club members' work, Tice was off and running with what would become his life’s work.. Tice studied commercial photography for a short time at Newark Vocational and Technical High School then decided to join the Navy. After, he worked as a traveling portrait photographer for almost 10 years. In 1959, Edward Steichen, then director of photography at MOMA acquired Tice's photo of an explosion aboard the USS Wasp for the museum. Later he aided Lee Witkin in establishing the seminal Witkin Gallery in NYC. His work was included in the opening group show in 1969 and the first of many solo shows there began the following April. George’s change to larger format cameras in the 60’s furthered his ability to craft carefully toned and detailed prints. He portrayed traditional Amish and Shaker communities, as well as the hard lives of fishermen in Maine. In the 1970s, Tice began explore his native NJ and began to document the vestiges of American culture on the verge of extinction, the work he is best known for. Whether it is the rural people who reside in small communities or suburban buildings and neighborhoods in decline, his great talent is finding deep meaning and emotional content in the most mundane subjects. In 1972, Tice was the subject of a one-man show at the Metropolitan Museum of Art. A fellow of the Guggenheim Foundation and the National Endowment for the Arts, George Tice’s work is included in more than 80 major museum collections including the Museum of Modern Art (MoMA) in New York and the J. Paul Getty Museum in Los Angeles, as well as countless private collections. Some of his iconic New Jersey images form the scenic backdrop...
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