Items Similar to Vintage Silver Gelatin Magnum Press Photo Eve Arnold Marilyn Monroe Photograph
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Eve ArnoldVintage Silver Gelatin Magnum Press Photo Eve Arnold Marilyn Monroe Photograph1962
1962
$2,200
£1,682.02
€1,937.34
CA$3,082.87
A$3,441.74
CHF 1,803.42
MX$42,130.27
NOK 22,903.45
SEK 21,595.04
DKK 14,458.60
About the Item
Marilyn Monroe
Vintage press photo. Photographer Eve Arnold for Magnum Photos. 1962 printed later. (I believe in the early 80's)
Eve Arnold, OBE, Hon. FRPS 1912 – 2012 was an American photojournalist. She joined Magnum Photos agency in 1951, and became a full member in 1957.
Eve Arnold was born Eve Cohen in Philadelphia, Pennsylvania, the middle of nine children born to immigrant Russian-Jewish parents, William Cohen (born Velvel Sklarski), a rabbi, and his wife, Bessie (Bosya Laschinger). Her interest in photography began in 1946 while working for Kodak in their Fair Lawn NJ photo-finishing plant. Over six weeks in 1948, she learned photographic skills from Harper's Bazaar art director Alexey Brodovitch at the New School for Social Research in Manhattan. She married Arnold Schmitz (later Arnold Arnold) in 1941.
Eve Arnold photographed many of the iconic figures who shaped the second half of the twentieth century, yet she was equally comfortable documenting the lives of the poor and dispossessed, “migrant workers, civil-rights protests of apartheid in South Africa, disabled Vietnam war veterans and Mongolian herdsmen.” Her joyful picture of a Cuban couple with their child was selected in 1955 for the world-touring Museum of Modern Art exhibition The Family of Man and seen by 9 million visitors. Arnold's images of Marilyn Monroe on the set of The Misfits (1961) were perhaps her most memorable, but she had taken many photos of Monroe from 1951 onwards. Her previously unseen photos of Monroe were shown at a Halcyon Gallery exhibition in London during May 2005. She also photographed Queen Elizabeth II, Malcolm X, Marlene Dietrich, and Joan Crawford, and traveled around the world, photographing in China, Russia, South Africa and Afghanistan. Arnold left the United States and moved permanently to England in the early 1970s with her son, Francis Arnold. While working for the London Sunday Times, she began to make serious use of color photography.
Marilyn Monroe (born Norma Jeane Mortenson; June 1, 1926 – August 4, 1962) was an American actress, model, and singer. Famous for playing comic "blonde bombshell" characters, she became one of the most popular sex symbols of the 1950s and early 1960s and was emblematic of the era's changing attitudes towards sexuality. More than half a century later, she continues to be a major popular culture icon.
By 1953, Monroe was one of the most marketable Hollywood stars; she had leading roles in the noir film Niagara, which focused on her sex appeal, and the comedies Gentlemen Prefer Blondes and How to Marry a Millionaire, which established her star image as a "dumb blonde". The same year, her images were used as the centerfold and on the cover of the first issue of the men's magazine Playboy. Although she played a significant role in the creation and management of her public image throughout her career, she was disappointed when she was typecast and underpaid by the studio. She was briefly suspended in early 1954 for refusing a film project but returned to star in one of the biggest box office successes of her career, The Seven Year Itch (1955).
Monroe won a Golden Globe for Best Actress for her work in Some Like It Hot (1959), a critical and commercial success. Her last completed film was the drama The Misfits (1961).
Monroe's troubled private life received much attention. She struggled with substance abuse, depression, and anxiety. Her second and third marriages, to retired baseball star Joe DiMaggio and playwright Arthur Miller, were highly publicized and both ended in divorce. On August 4, 1962, she died at age 36 from an overdose of barbiturates at her home in Los Angeles. Although Monroe's death was ruled a probable suicide, several conspiracy theories have been proposed in the decades following her death.
- Creator:Eve Arnold (1913-2012, American)
- Creation Year:1962
- Dimensions:Height: 9.45 in (24.01 cm)Width: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. slightly toned edges.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214506602
Eve Arnold
Eve Arnold, OBE (Hon.), FRPS was an American photojournalist. She joined the Magnum Photos agency in 1951 and became a full member in 1957.
Arnold was born Eve Cohen in Philadelphia, Pennsylvania, the middle of nine children born to immigrant Russian-Jewish parents, William Cohen (born Velvel Sklarski), a rabbi, and his wife, Bessie (Bosya Laschinger). Her interest in photography began in 1946 while working for Kodak in their photo-finishing plant in Fair Garden, New Jersey.
Over six weeks in 1948, Arnold learned photographic skills from Harper’s Bazaar art director Alexey Brodovitch at the New School for Social Research in Manhattan. She married Arnold Schmitz (later Arnold Arnold) in 1941.
Arnold photographed many of the iconic figures who shaped the second half of the 20th century, yet she was equally comfortable documenting the lives of the poor and dispossessed, “migrant workers, civil rights protests of apartheid in South Africa, disabled Vietnam war veterans and Mongolian herdsmen.” Her joyful picture of a Cuban couple with their child was selected in 1955 for the world-touring Museum of Modern Art exhibition, “The Family of Man,” and seen by 9 million visitors.
Arnold’s images of Marilyn Monroe on the set of The Misfits (1961) were perhaps her most memorable, but she had taken many photos of the actress from 1951 onward. Her previously unseen photos of Monroe were shown at a Halcyon Gallery exhibition in London in May of 2005. She also photographed Queen Elizabeth II, Malcolm X, Marlene Dietrich, and Joan Crawford, and traveled around the world, photographing in China, Russia, South Africa and Afghanistan.
Arnold left the United States and moved permanently to England in the early 1970s with her son, Francis Arnold. While working for the London Sunday Times, she began to make serious use of color photography.
Find original Eve Arnold photography on 1stDibs.
(Biography provided by Lions Gallery)
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,786 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllVintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998)
Vintage gelatin silver print
Lifting Hand (Scot) Chez Moi
A surrealist image of a hand with a light study
Hand signed, titled and dated 1986-1988 verso
image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches
Provenance: From the collection of AGFA Graphics Corporation
David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow.
Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model.
Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category
1980s American Modern Figurative Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Signed Photograph Edward Steichen, MoMA Photo
By Fred McDarrah
Located in Surfside, FL
Edward Steichen, John Durniak, Monroe Wheeler and Edward D. Museum of modern art on Feb 10, 1962
Photographer Fred McDarrah
Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests.
Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office.
Not just a social chronicler, McDarrah was a great photo-journalist.
For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto."
An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.”
artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections.
Edward Jean Steichen (March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter, and art gallery and museum curator. Steichen's were the photographs that most frequently appeared in Alfred Stieglitz's groundbreaking magazine Camera Work during its publication from 1903 to 1917. Together Stieglitz and Steichen opened the Little Galleries of the Photo-Secession, which eventually became known as '291', after its address.
Steichen laid claim to his photos of gowns for the magazine Art et Décoration in 1911 being the first modern fashion photographs ever published. From 1923 to 1938, Steichen was a photographer for the Condé Nast magazines Vogue and Vanity Fair while also working for many advertising agencies including J. Walter Thompson. During these years, Steichen was regarded as the best known and highest paid photographer in the world. In 1944, he directed the war documentary The Fighting Lady, which won the 1945 Academy Award for Best Documentary.
From 1947 to 1961, Steichen served as Director of the Department of Photography at New York's Museum of Modern Art. While at MoMA, he curated and assembled exhibits including The Family of Man, which was seen by nine million people. In 1904, Steichen began experimenting with color photography. He was one of the earliest in the United States to use the Autochrome Lumière process. In 1905, Stieglitz and Steichen created the Little Galleries of the Photo-Secession, which eventually became known as 291 after its address. It presented some of the first American exhibitions of Henri Matisse, Auguste Rodin, Paul Cézanne, Pablo Picasso, and Constantin Brâncuși.
He worked with Robert Frank even before his The Americans was published, exhibited the early work of Harry Callahan and Aaron Siskind, and purchased two Rauschenberg prints...
Category
1960s American Modern Black and White Photography
Materials
Silver Gelatin
Vintage Street Photography Bruce Cratsley Photo Silver Gelatin Print Photograph
By Bruce Cratsley
Located in Surfside, FL
Bruce Cratsley, American (1944-1998)
Vintage gelatin silver print
Street Art
A surrealist image of a man walking over a Sandro Botticelli chalk drawing in a NYC park
Hand signed, titled and dated 1989 verso
image (each): 15 1/4 x 15 1/4 inches, matted to 24 X 20 inches
Provenance: From the collection of AGFA Graphics Corporation
David Bruce Cratsley (1944 - 1998) was an American photographer specialized in still lifes, portraits of friends, and life in New York City. He had a reputation of master of light and shadow.
Bruce Cratsley attended Swarthmore College, graduating in 1966, and then, in the early 1970s, The New School for Social Research, studying under Lisette Model.
Cratsley worked for many years as a gallerist at Marlborough Gallery before quitting in 1986 to become a full-time photographer. As "Bruce Cratsley", he exhibited in various New York galleries, like: Laurence Miller Gallery, Howard Greenberg Gallery and Witkin Gallery. Cratsley was represented by Yancey Richardson Gallery, a dealer of fine art photography based in SoHo. He was photographed by Elsa Dorfman...
Category
1980s American Modern Figurative Photography
Materials
Silver Gelatin
Photo Of Pedro Friedeberg Hand Chair Vintage Silver Gelatin Photograph
By Naomi Savage
Located in Surfside, FL
This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers.
It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso.
Naomi Siegler Savage (1927 – 2005) was an American woman photographer.
A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years.
During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died.
Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication.
Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface.
Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment.
Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication.
Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints.
Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution.
She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama, and Alma Woodsey Thomas...
Category
1980s Modern Black and White Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photograph Surrealist Doll Art Photo, Jazz Photographer
Located in Surfside, FL
These were from a show of her work. Influenced by Surrealism and Dada Photographs
these are images of old children's dolls in various states of decay. These bear the influence of Ha...
Category
20th Century Surrealist Black and White Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Print Photograph Marcus Leatherdale Shrouded Figure Photo
Located in Surfside, FL
Marcus Leatherdale (1952 - 2022)
Silver gelatin print with copper leaf mount
1987
Titled: High Priest. From the Demigod series.
Hand signed and dated and bears artist studio stamp verso.
Provenance: Greathouse Gallery (with label & information verso)
Edition: 1 of 10.
Dimensions mage measures 12" x 5", total measurements are 24" x 13"
Marcus Leatherdale was a Canadian portrait photographer.
Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute.
Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street.
Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left.
Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York,
He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other.
Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press.
This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors.
In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base.
Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography.
In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers.
During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021
Major exhibitions
1980 Urban Women, Club 57, NYC
1980 Danceteria, NYC
1981 Stilvende, NYC
1982 The Clock Tower, PS1, NYC
1982 544 Natoma Gallery, San Francisco
1982 Eiko And Koma, Stilvende, NYC
1983 Form And Function Gallery, Atlanta
1983 Galerie in der GGK Wien, Vienna, Austria
1983 The Ring, Vienna (organized by Molotov)
1983 London Regional Art Gallery, London, Ontario, Canada
1984 Performance, Greathouse Gallery, NYC
1984 Social Segments, Grey Art Gallery, NYU
1984 Rheinisches Landesmuseum, Bonn
1985 Ritual, Greathouse Gallery, NYC
1985 Artinzer, Munich
1985 Leatherdale/Noguchi, Gallery 291, Atlanta
1985 Paul Cava Gallery, Philadelphia
1986 Poison Ivy, Greathouse Gallery, NYC
1986 Wessel O’Connor Gallery, Rome
1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC
1987 Demigods, Greathouse Gallery, NYC
1987 Collier Gallery, Scottsdale, Arizona
1987 Tunnel Gallery, NYC
1988 Claus Runkel Fine Art Ltd., London, UK
1988 Madison Art Center, Madison
1989 Wessel-O’Connor Gallery, NYC
1989 Summer Night Festival, Onikoube, Sendai
1990 Bent Sikkema Fine Art, NYC
1990 Fahey-Klein Gallery, Los Angeles
1990 Faye Gold Gallery, Atlanta
1990 Mayan Theatre, Los Angeles
1991 Runkel Hue-Williams Gallery, London
1991 Galerie Michael Neumann, Düsseldorf
1991 Arthur Rogers Gallery, New Orleans
1992 Arthur Rogers, NYC
1992 Galerie Del Conte, Milwaukee
1993 Galerie Bardamu, NYC
1996 Fayf Gold Gallery, Atlanta
1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC
1998 Rai Krishna Das...
Category
1980s 85 New Wave Black and White Photography
Materials
Silver Gelatin
You May Also Like
Eve Arnold - Marylin Monroe, Photography 1960, Printed After
By Eve Arnold
Located in Greenwich, CT
Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960.
All available sizes and editions:
24" x 20", Edition of 25 + 3 Artist Proofs
34" x 24", Edition of 25 + 3 Artist Proo...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
Eve Arnold - Marylin Monroe, Photography 1960, Printed After
By Eve Arnold
Located in Greenwich, CT
Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960.
All available sizes and editions:
20" x 24", Edition of 25 + 3 Artist Proofs
24" x 34", Edition of 25 + 3 Artist Proo...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
USA. Marilyn MONROE (USA). Actress & singer 1955
By Eve Arnold
Located in Toronto, ON
Archival Pigment Print on Cotton Rag Paper
Including COA
Printed by Eve Arnold's own bespoke printer Danny Pope
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
USA. Marilyn MONROE . Actress & singer 1955
By Eve Arnold
Located in Toronto, ON
Archival Pigment Print on Cotton Rag Paper
Including COA
Printed by Eve Arnold's own bespoke printer Danny Pope
USA. Illinois. Chicago. A washroom in the Chicago Airport, US actress...
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
Marilyn Monroe, Black and White Print, 1988 from Original Negative.
By Edward Feingersh
Located in Cologne, DE
Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot without flash in available light.
The photographs he made of her during the week March 24–30, 1955 as she prepares for two appearances; opening night of Cat on a Hot Tin Roof at the Morosco Theatre and being fitted with a burlesque corset for her ride on a pink elephant at a charity event at Madison Square Garden. (from Wikipedia)
This is a unique silver gelatine print, made in 1988 from the original negative.
Category
1950s Modern Black and White Photography
Materials
Silver Gelatin
USA. Illinois. Bement. US actress Marilyn MONROE 1955
By Eve Arnold
Located in Toronto, ON
Archival Pigment Print on Cotton Rag Paper
Including COA
Printed by Eve Arnold's own bespoke printer Danny Pope
USA. Illinois. Bement. US actress Marilyn MONROE during a public appe...
Category
21st Century and Contemporary Black and White Photography
Materials
Archival Pigment
More Ways To Browse
Hot Vintage Photos
Marilyn Monroe 1962
1960s Marilyn Monroe
Kodak Photo Vintage
William Harper
Russian Civil War
Russian Silver Icon
Elizabeth Miller
Jewish Star Art
Dior Cuban
Poor Box
Queen Elizabeth Photograph
Vintage Bombshell
Vintage Comic Covers
The Misfits
Vintage Playboy
Star Wars Russian
Marilyn Monroe Eve Arnold