Jack Mitchell

Broadway and Film Dancer/Choreographer Tommy Tune

1974

11 x 14" vintage silver gelatin photograph of Broadway and Film Dancer/choreographer Tommy Tune , 1974. Comes directly from the Jack Mitchell Archives with ...

11 x 14" vintage silver gelatin photograph of Bejart Ballet dancer Jorge Donn, 1979. Signed by Jack Mitchell on the print verso. Comes directly from the Jac...

Jack Mitchell signed vintage mid-20th Century photograph of Broadway and Movie star Tommy Tune. Photo taken in 1974. Highly collectible original vintage silver gelatin print, stamped on back by the photographer "Copyright 1974 JACK MITCHELL 356 East 74, New York City" and signed by Mitchell in 1978. Special Holiday Price. Jack Mitchell (1925 - 2013) was an American photographer of artists, dancers, film and theater performers, musicians and writers. He is hailed as one of the most important dance photographers of the 20th century. His work appeared in major newspapers and on the cover of major magazines, including over 160 covers of Dance Magazine. The Smithsonian called him “the benchmark by which other dance photographers assessed their own work”. Mitchell photographed John Lennon and Yoko Ono, Leonard Bernstein, David Byrne, Truman Capote, Anthony Quinn, Jack Nicholson, Patti LuPone, Keith Haring, Neil Simon, Angela Lansbury, Twyla Tharp, Ned Rorem, Leontyne Price, Alfred Hitchcock, Spalding Gray, Ann Reinking, Andy Warhol, Natalie Wood, and Gloria Swanson. His work appeared in The New York Times, Elle, Harper's Bazaar, Life, Newsweek, People, Rolling Stone, Time, Vanity Fair and Vogue, among others. Tommy Tune, born February 28, 1939, is a six-foot, seven-inch tall Broadway tap dancer, actor, singer, choreographer, and director from Wichita Falls, Texas His father was an oil rig worker, horse trainer, and restaurateur. He moved to New York City and within twenty-four hours landed a role in the road company of Irma La Douce...

Jack Mitchell (September 13, 1925 – November 7, 2013) was an American photographer. He photographed American artists, dancers, film and theatre performers, musicians and writers.[1] His portraiture, lighting skill, and ability to capture dancers in what he termed "moving stills" made him one of the most important dance photographers of the 20th century. He photographed the Alvin Ailey American Dance Theater for three decades, producing a body of work that includes over ten thousand images. He was the official photographer of the American Ballet Theatre for a decade and also photographed dancers for other top ballet companies in the US and Canada. His work appeared in major newspapers and on the cover of major magazines, including over 160 covers of Dance Magazine. Arts Magazine called him the first photographer to treat creative individuals as characters outside of their works. Smithsonian called him the benchmark by which other dance photographers assessed their own work. Early life Mitchell was born in Key West in 1925, and he was raised there and in New Smyrna Beach, Florida, where his family moved in 1931.[2][3] His father worked for the railroad.[2] He became interested in photography, and when he was twelve his parents bought him a Kodak Baby Brownie for $54.[2][3][4] Career By age 15 he had met Florida's licensing standards to obtain a press pass, by age 16 he was working as a commercial photographer,[1][5] and his first published photograph was of Veronica Lake, who was visiting Florida while on a war bonds tour.[2] Mitchell was an Army photographer during World War II, working in Italy.[2] In 1946, after returning home from the army, he set up his first studio in New Smyrna Beach.[1] In 1949, when he was 24, at the invitation of Ted Shawn, he visited Jacob's Pillow Dance and became interested in dance photography, which became a specialty.[2][5] He moved his studio to New York City in 1950.[6] He was the American Ballet Theatre's official photographer.[2] Starting in the 1961 he spent decades photographing the Alvin Ailey American Dance Theater, producing over 10,000 images of the company;[2][5] Ailey's biographer Jennifer Dunning credited Mitchell's work for "help[ing] to sell the company early on".[5] Mitchell also photographed dancers of the Boston Ballet, Les Grands Ballets Canadiens, Pennsylvania Ballet, Houston Ballet, and San Francisco Ballet.[6] Mitchell shot over 160 covers for Dance Magazine;[2] his 168th cover was published in July 2003.[4] His term for what he was attempting to capture with dance photography was "moving stills."[5] He was known as a lighting expert.[2][5] Mitchell also photographed other artists, entertainers, musicians, and writers, including John Lennon and Yoko Ono just a month before Lennon was murdered.[2] Other subjects included Leonard Bernstein, David Byrne, Truman Capote, Anthony Quinn, Jack Nicholson, Patti LuPone, Keith Haring, Neil Simon, Angela Lansbury, Twyla Tharp, Ned Rorem, Leontyne Price, Alfred Hitchcock, Spalding Gray, Ann Reinking, Andy Warhol, and Natalie Wood.[2] He spent a decade photographing Gloria Swanson.[5] His work appeared in The New York Times, Elle, Harper's Bazaar, Life, Newsweek, People, Rolling Stone, Time, Vanity Fair and Vogue, among others.[2][4][6] Mitchell was the subject of a 2006 documentary, My Life is Black and White, directed by Craig Highberger.[2] His books include Icons & Idols (1998), for which Edward Albee wrote the foreword,[2][4] and a book of his Alvin Ailey photography...