Casey Williams

"Hawkins Ranch" Dark-Toned Modern Contemporary Colored Landscape Photograph 2/2

1997

Black and white contemporary photograph by Houston, TX artist, Bevin Bering. Photograph features the Harris Country Jail along San Jacinto St. in Downtown...

Modern abstract watercolor drawing of a house by Texas artist Bertha Davis. The work features a loosely rendered neutral-toned depiction of a spacio...

Impressionistic sepia toned pastoral landscape painting by Dan Baker. The work features a sprawling hill country landscape dotted with trees. Signed by artist in front lower right co...

Photography of a landscape with trees. The work is in a deep tone. It is signed in pencil by the artist. The photograph is framed in a black frame with a white matte. Artist Biograp...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

This unique object features a wet plate collodion print framed in a handmade sunken cypress frame lined with gold leaf. Cecilia Montalvo & Charlie McCuller...

Photography by David Urbano made in Barcelona, circa 2017. Shadow I, ordinary life series Analogue photography, giclée print in Hahnemüler Paper. Signed, stamped and numbe...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...