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David HallidayAfter the French (Contemporary Archival Pigment Print, Sepia Tone Landscape)2002
2002
About the Item
Sepia toned archival pigment print, edition 4 of 25
Item size: 24 x 20 inches, 100% cotton rag paper
Image size: 22 x 17 inches
This modern, sepia toned landscape print was made by artist, David Halliday in 2000. The serene country landscape features a sunlit forest path. Detailed branches and heavy brush blanket the forest ground while leaves provide shadow and depth to the composition. The print is unframed.
About the work:
Whether traveling to a foreign land, wandering through a neighborhood market to shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surrounds him. An artful documenter of life, Halliday uses his camera as a tool for recording the multitudinous special moments that capture his attention. Once in the darkroom, he editorializes his finds, subtly embellishing each image until it somehow evokes the sensation that led him to photograph a subject in the first place.
With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments in time.
Concurrent with his preoccupation with objects and still life arrangements, Hallidayhas photographed a considerable range of landscape settings, having travelled notonly to Tonga, but also to such varied locales as Portugal, Iceland, Indonesia, andIreland. Additionally, the Louisiana countryside not far from his home in New Orleansand the beaches of Massachusetts, where he has friends and family, have providedhim with endless stimuli for his camera's lens.
Establishing intimate connections with his subjects has always been important for Halliday, whether photographing the exotic residents of Tonga or youthful high school bands preparing for the annual Mardi Gras in New Orleans. As with objects or places,he photographs the inhabitants of the planet with unbridled reverence for the beauty and value of life. And lest time pass too quickly, Halliday will continue to use his camera to slow it down ever so much…just enough to freeze it for eternity.
(excerpt from an essay by David S. Rubin for the catalog of the exhibition When Time Stands Still. The Photographs of David Halliday at the Contemporary Art Center,New Orleans, July 13 - September 15, 2002
About the artist:
David Halliday first gained renown for his sepia-toned silver prints of elegant, meticulously-composed still lifes. His more recent color work maintains the same intimate and simple beauty but also creates a visceral connection for the viewer. Like a painter, he emphasizes volumes, balances, texture and areas of subtle shading.
Born in Glen Cove, New York in 1958, Halliday attended Syracuse University and pursued further studies under the tutelage of Arnold Newman. He has exhibited widely in solo and group exhibitions throughout the United States and Europe. In 2002, the Contemporary Arts Center in New Orleans exhibited a retrospective of his work and in 2012, he exhibited at the Ogden Museum of Southern Art, New Orleans. Halliday’s work is included in numerous public and private collections including the New Orleans Museum of Art; the Museum of Fine Arts, Houston, and the New Britain Museum of Art.
- Creator:David Halliday (1958, American)
- Creation Year:2002
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2272156713
David Halliday
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
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