Cristina Fontsare

A Young Bride Swinging Barefoot - Contemporary, Polaroid, Photograph, abstract

2020

A Young Bride with a Strong Headache - 2020 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative....

An Uncomfortable Bride - 2020 60x50cm, Edition of 10. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not mounted). Signed on back with Certi...

Marrying an Apple Tree (Negative) - 2020 60x50cm, Edition of 10. Giclée Print on Hahnemühle Fine Art Baryta (glossy), based on a Peel Apart Polaroid Film (not mounted). Signed on...

Little Elf - 2020 - 50x60cm, Edition of 10, plus 2 Artist Proofs. Photograph printed Hahnemuhle Fine Art Baryta paper  325 gr, based on a reclaimed Fuji Instant Film Negative (no...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-167 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,7 x 17,8 cm (7 x 7 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

30X26 with Mat. (20X24 inch polaroid) From The New York Times: Dennis Farber abducts children from photographic illustrations in children's books of the 30's. He paints Ku Klux Klan costumes on some toddlers at a birthday party, as if he could see their character and future by the light of the birthday candles...