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Diana BloomfieldGirl in Mirror2013
2013
$1,050
£793.67
€912.07
CA$1,462.12
A$1,626.55
CHF 852.66
MX$19,876.01
NOK 10,857.51
SEK 10,220.85
DKK 6,808.24
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About the Item
Diana H. Bloomfield
"Figurative" Statement
I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time.
These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember.
I choose to print in 19th century hand-applied printing processes. These antique printing techniques offer me creative freedom and infinite possibilities. They mesh well with my images, which are always interpretive. The repeated layerings and unintended mis-registration of the gum bichromate process, in particular, remove all the hard and clearly defined edges, resulting in softness and ambiguity-- much the way we see and remember . . .
- Creator:
- Creation Year:2013
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13425537532

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- ShippingRetrieving quote...Shipping from: Sante Fe, NM
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By Diana Bloomfield
Located in Sante Fe, NM
Diana H. Bloomfield
"Figurative" Statement
I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time.
These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember.
I choose to print in 19th century hand-applied printing processes. These antique printing...
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