Diana Bloomfield

Veiled Woman

2016

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Stefanie Schneider's Window Dreams - Fenstertraumbilder These slides can be used for your personal window or your office door. They give privacy and stil...

Une ondulation, une vague ou un reflet particulier de la lumière, qui donnent vie à des formes abstraites, des visages humains ou des hallucinations... C’est au travers des paréidolies – inclinaison du cerveau humain à rapprocher des formes aléatoires à des formes existantes – que sont fixées la beauté...

Ce tirage fait partie de la série " American Decorum " American Decorum Le grand rêve de l'Americana, cette culture américaine peuplée de symboles, de fétiches, de clichés auxquels ...

"Photography teaches us the difference between looking for things & looking at them" - J.T. Une ondulation, une vague ou un reflet particulier de la lumière, qui donnent vie à des formes abstraites, des visages humains ou des hallucinations... C’est au travers des paréidolies – inclinaison du cerveau humain à rapprocher des formes aléatoires à des formes existantes – que sont fixées la beauté...

Ce tirage fait partie de l'exposition "Chasing Hallucinations". Il est aussi consultable dans le catalogue "Paréidolie" de La Galerie des Photographes. "Photography teaches us the ...

"Trois coquilles et cuillère" by Thierry Genay, 2018 Printed with pigmentary inks on Fine Art paper, laminated on Dibond, framed. Edition of 6 copies. ...