Diana Bloomfield

Girl in Mirror

2013

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, ...

Stefanie Schneider's Window Dreams - Fenstertraumbilder These slides can be used for your personal window or your office door. They give privacy and stil...

Une ondulation, une vague ou un reflet particulier de la lumière, qui donnent vie à des formes abstraites, des visages humains ou des hallucinations... C’est au travers des paréidolies – inclinaison du cerveau humain à rapprocher des formes aléatoires à des formes existantes – que sont fixées la beauté...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Martin Etem is a multidisciplinary artist using drawing, painting, and sculpture to survey modern society’s ideologies and sociology. Influenced by past experiences and imagination, ...

Martin Etem is a multidisciplinary artist using drawing, painting, and sculpture to survey modern society’s ideologies and sociology. Influenced by past experiences and imagination, ...