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Massimo ListriBibliotheca Di Admont, blue Baroque Interior, Fine Art Photography 20002000
2000
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Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
Beautiful portrait of the famous Bibliotheca Di Admont with a beautiful blue and golden interior photographed by the Master of Interior Photography Massimo Listri. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certificate of authenticity from the gallery. This is a stunning photograph of what appears to be the Admont Abbey Library in Austria, captured by Massimo Listri in his characteristic architectural photography style. The image showcases the library's magnificent Baroque interior with several notable features: The ceiling is adorned with elaborate frescoes featuring figures floating on clouds against a bright blue sky background. The architectural details include ornate Rococo styling with white and gold decorative elements throughout. The space features a dramatic central corridor flanked by tall bookshelves built into alcoves, each framed by classical columns. The bookshelves appear to be filled with historic volumes, likely dating back several centuries. The floor features a distinctive geometric pattern in a checkerboard design that creates a strong sense of perspective leading down the hall. The natural light streaming in through windows creates an ethereal quality, particularly in how it reflects off the polished floor. Listri's photographic technique is evident in how he's captured the rich architectural details while maintaining perfect symmetry in the composition. The lighting emphasizes the room's depth and draws attention to the intricate ceiling artwork and architectural ornamentation. The cool blue tones that dominate the image are characteristic of his work, creating an almost otherworldly atmosphere in this historic space. This library is considered one of the most beautiful examples of Baroque architecture in the world, and Listri's photograph captures both its grandeur and its intimate details with remarkable clarity. Massimo Listri is an Italian photographer renowned for capturing the most grandiose architecture that man has to offer. His captivating images of palazzos, villas, and libraries, vast and silent, are carved out by symmetry, contrast, and light. Composing images that lead the eye into the framed pictorial space, Listri offers an entry into the majesty of landmarks, such as the Metropolitan in New York, the Vatican Museum, the Museum of Modern Art in Buenos Aires, and the renowned architecture of Niemeyer in Sao Paulo. Frozen in time yet full of history, Listri’s photographs are a commitment to absolute beauty.
- Creator:Massimo Listri (1954, Italian)
- Creation Year:2000
- Dimensions:Height: 40 in (101.6 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Vienna, AT
- Reference Number:1stDibs: LU19315787732
Massimo Listri
Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected.
Listri's landscape photography and large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, Listri brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites.
Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.
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