Oversized Figurative Photography

Reinhard Görner Toreno Biblioteca del Senado, Madrid 2017 50 x 59.7 inches ed. of 10 $6,000 60 x 71.7 inches ed. of 7 $9,000 70 x 83.6 inches ed. of 5 $11,000 signed and numbered...

Digital photography from the series Fragile Things. Limited number of 5.

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

The beach club at at the Mill Reef Club on Antigua in the West Indies, 1960. Slim Aarons Antigua Beach Club, 1960 Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Collector will receive the next number in the edition Modern printing from original transparency C-type print on Fuji Crystal Archive Paper, Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface 30 x 20 Inches $3,000 40 x 30 Inches $3,350 60 x 40 inches $3,950 72 x 48 inches $4,500 Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Vintage...

Riggs Library I, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. T...

Walking the Bulldog, 1994 Archival pigment print 30 x 40 inches Signed and numbered edition of 10 Robert Farber (b. 1944) is a renowned photographer whose five-decade career spans b...

There are no rules for luck. I was sure the new girl would need practice and practice - and I was wrong. She was just perfect from the first second. Next month she got married and m...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Party at Romanoff’s A party at Romanoff’s in Beverly Hills, Los Angeles, 1959. Gorgeous print measuring a 60 x 40" inches / 152 x 101 cm paper siz...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

Edition of 3 More sizes on request. A girl with a balloon is flying into the horizon. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Paris Colour from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing and siz...

'Funk In Tuscany' Italian fashion designer, model, and socialite, Marta Marzotto (1931 - 2016), playing a James Brown album on an Italian Brionvega Radiofonograph RR126 stereo syst...

Kate Blonde by BATIK BATIK is an increasingly collectable pop artist currently living and working in London. The artist is purposely elusive with their true identity, sex and age ...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team col...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Haley and the Bird Man (Haley and the Birds) - 2013 105x100cm, Edition of 5, analog C-Print, hand-printed by the artist on Crystal Fuji Archive Paper, matte surface, based on a P...

Memories of Green II, triptych, Edition 1/5 , 2003 each 58x56cm, installed with gaps 58x178cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

"For Dessert" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31...

Hotel Sports Limited Edition Estate Stamped Print (edition size 150 only). 1958: Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. France (Photo by Slim Aarons) 6...

Marbella House Party Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, August 1967. 60x40 inches paper size Estate Sta...

The Royal Ascot Car Park Picnic England 1985 by Homer Sykes oversize 60x40 inches / 152 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Note Other sizes available Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Turbine by Christian Stoll 48 x 57 inches (122 x 145cm) signed edition of 7 34 x 40 inches (86 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered...

An underwater black and white nude photograph of a female dancer performing in a swimming pool. Original gallery quality print signed by the artist. Digital archival pigment print ...

Beach Comber by Erik Pawassar 48 x 71 inches (122 x 180cm) edition of 7 signed 27 x 40 inches (69 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered ...

An underwater photograph of a naked young women diving next to the bright turquoise dress she just took off. Original gallery quality print signed by th...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

The frequencies that make me is a project that aims to find points of contact between dance and performance to generate a space in between, where the body plays with time, explores t...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

South Africa Swimming Pool 1958 - Slim Aarons Estate Edition A luxury house in South Africa with stairs leading to the swimming pool in the garden, 1958. Produced from the origina...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

A beautiful and sophisticated underwater photograph of a young naked woman in the pool. This is a monochrome photograph close to black and white with reach aquatic tint. This is t...

An underwater photograph of a naked young women with dark hair on red background. The pool is built in the garden and you can see bright green trees and blue sky through the water su...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...

The frequencies that make me is a project that aims to find points of contact between dance and performance to generate a space in between, where the body plays with time, explores t...

Bad Luck Gloria (1951) - Silver Gelatin Fibre Print - Limited Estate Stamped (Photo by Slim Aarons/Hulton Archive/Getty Images) 2nd April 1951: American actor Jose Ferrer (1912 - 1...

Riggs Library I, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. T...

An underwater photograph of a young woman wrapped in bright green tulle. Her head is above the water, hidden from the camera. Original gallery quality print signed by the artist. ...

Last Dance 4 - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Michael Schumacher's last appearance in th...

Artwork # 1 on 5 sold in limited edition in perfect condition An impressive flood of the Tiber had already battered the pontoons of the few rowing clubs in the city. The raging wav...

Lori Vrba's "Memoir" is a mixed media work created with encaustic photographs on tile, chain and piano bridge. "My recent foray into assemblage work feels like an organic extension ...

Miles ALDRIDGE (*1964, Great Britain) Untitled (after Cattelan) #1, 2016 Chromogenic print Image 152.5 x 116.5 cm (60 x 45 3/4 in.) Sheet 164.4 x 128.4 cm (64 3/4 x 50 1/2 in.) Editi...

'Desert House Party' A beautiful and classic Slim Aarons C-type photograph, limited edition to 150 only, numbered and stamped by The Slim Aarons Estate on verso. Supplied with cert...

Paris Window Shopping from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Arc...

An underwater nude photograph of a model in floating petals Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with metallic fin...

Reinhard Görner’s Venus and Amor I presents an exquisite close-up of Lucas Cranach the Elder’s 1530 masterpiece, capturing the delicate interplay of sensuality and symbolism characte...

Duke Of Beaufort Hunt Gloucestershire England 1985 by Homer Sykes oversize 60 x 40 inches / 151 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Note Other sizes available Fox hunting, the Duke of Beaufort hunt. In his black silk top hat, and wearing the traditional distinctive Blue and Buff, the colours of the Duke of Beaufort Hunt, a subscribers walks his horse back across the Badminton Park. Huntsmen and Whippers-In wear green. Badminton, Gloucestershire, England circa December 1985. Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Nicely Coiffed A poodle enters a barber shop on a street in Deauville, Normandy, France, 1970. 40 x 60" inches / 101 x 152 cm paper size Estate Stamped Collection Edition to 150...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the...

Beach At Saint Tropez Sunbathers on the beach at St. Tropez, France, 1977. 60x40” / 152 x 101 cm - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pri...

Garden Party. An elegant garden party in Miami, Florida, 1970. Huge oversize 60 x 60" inches / 152 x 152 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aaro...

Artist: Josephine Cardin Medium: Photography Limited edition of 30 “From this new and intimate perspective, she learned a simple, obvious thing she had always known, and everyone k...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Photograph of the Sainte-Geneviève Library by Reinhard Görner. Fine Art Lightjet Print, mounted on aluminum, plexiglass or resin. Two weeks manufacturing time, then shipping in two ...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 36.61" 55.11" x 42.51" 62.99" x 62.99" Born in Istanbul in 1978, Ali Alışır started his g...

'Casa Rosada, Ibiza' Slim Aarons Limited Estate Edition Artist Beth Batlle relaxes in the garden of her home 'Casa Rosada' with her friends Sylvia de Aragon, Mara Polo, and Carmen U...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...