Oversized Figurative Photography

Cute kids gaze out into the rain. Observed in primary colors, these primary schoolers are framed by the bold yellow and purple of a streetcar window. Mitchell Funk brings the comp...

'Hugh Hefner' American publisher Hugh Hefner, founder of 'Playboy' magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 60 x 40" inch...

`Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I hav...

"Emulsion 23" Photography 48'x48' inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM23 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limited edition...

Fragmented-Untitled 3, 2021 by Ying Chen From the Fragmented series Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed This series' title is “Fragme...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition 7 126 cm. x 170 cm. Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Frog Water Lily X-Ray Photography Lambda Print on Dibond Nature Still Life - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

Miles ALDRIDGE (*1964, Great Britain) A Precious Glam #2, 2011 Chromogenic print Image 152.4 x 114.9 cm (60 x 45 1/4 in.) Sheet 164.5 x 127 cm (64 3/4 x 50 in.) Edition of 6, plus 2 ...

Slim Aarons Estate Print - Leisure In Antibes 1969 A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Rivi...

'Farewell' (Haley and the Birds) - 2013 125x160cm, Edition of 5, analog C-Print, hand-printed by the artist on Crystal Fuji Archive Paper, based on the Polaroid. Signature label ...

Set of 2 Photographs, by Michael James O’Brien Color fiber paper Overall size: Paper size: 24 H x 40 W inches. Frame size: 33.5 H x 49 W x 1 D inches. Individual size: Image size: 2...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An ed...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

"Panther Play" Photography 47" x 47" inch Ed. of 15 by Yevgeniy Repiashenko "Panther Play" by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size: He...

JOHN Yuyi (*1991, Taiwan) People on the beach 2, 2019 Archival Pigment Print Sheet 120 x 90 cm (48 x 36 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 ...

Meeting in front of Church (Sidewinder) - 2007 Edition 2/5, each 30x37cm, installed 30x160cm. 4 analog C-Prints, hand-printed by the artist, based on the 4 oirginal Polaroids. Ce...

Manicomio, Montelupo, Fiorentino, 2019 C print 100 x 120 cm, edition of 5 120 x 150 cm, edition of 5 180 x 225 cm, edition of 5 The photographer is based in Florence, and is fascina...

Miles ALDRIDGE (*1964, Great Britain) Him (after Cattelan), 2016 Chromogenic print Image 152.5 x 116.5 cm (60 x 45 3/4 in.) Sheet 164.4 x 128.4 cm (64 3/4 x 50 1/2 in.) Edition of 6,...

Beautiful white horse against white background. Diasec. Face mounted on acrylic. About the Artist: Known for his large format prints of equestrian portraits - commissioned by R...

Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history ...

JUN AHN (*1981, South Korea) Self Portrait 2021 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Image 101,6 x 134,6 cm (40 x 53 i...

Palm Trees on Wilcox (Stranger than Paradise) - 1999 148x146cm, Edition of 10, Archival C-Print based on the Polaroid. Certificate and signature label, artist inventory number: 39...

Daisy and Austin in front of Trailer (Till Death Do Us Part) - 2005 128x126cm, Edition of 5, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the origina...

No title (No 40) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 40) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

No title (No 5) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 5) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size: ...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the beauty of the mundane finds a world-in-waiting as he journeys across the American West. “The greatest part of a road trip is not the arriving but all the crazy stuff that happens along the way”. – A larger format bespoke edition is also available on request. This custom edition of 3 pieces is produced to a client’s specifications. Typically this is for pieces greater than 150cm and up to 230cm on the longest side. Please contact us for further details. Edition of 10 Presentation: Photographic print...

Two participants in the event mug it up in style during the LGBTQ FETISH Folsom Street Fair. BDSM Leather . Signed dated and numbered 3/15 lower right rec...

'Circle of Magic' (Circle of Magic) from the 29 Palms, CA series - 2009, 125x156cm, Edition 3/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #2, 2007 Chromogenic print Image 152.5 x 118.1 cm (60 x 46 1/2 in.) Sheet 164.4 x 130.1 cm (64 3/4 x 51 1/4 in.) Edition of 3, plus 2 ...

"Rise" Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko "Rise" by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size: Height: 47" inch W...

A hip young black woman in Central Park pauses for a moment of reflection after her roller skate dance. Street photographer, Mithcell Funk, captures her in an off moment of introspe...

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

"Jeune Nuit" Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko "Jeune Nuit" by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size: Height...

No title (No 24) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 24) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

No title (No 21) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 21) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

No title (No 60) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 60) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

Jayne Mansfield Casino 1955 by Frank Worth This action shot features bombshell star Jayne Mansfield playing roulette in Las Vegas circa 1955 Captured by celebrity photographer Fr...

No title (No 39) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 39) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

Slim Aarons Estate Print - Villa Del Balbianello Italian mountain climber and explorer Guido Monzino (1928-1988) and four people relaxing on th...

No title (No 31) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 31) by Yevgeniy Repiashenko Year photo was taken: 2018 Limited Edition of 18 Picture size...

No title (No 57) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 57) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 18 Picture size...

LETTER E by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

Embrace Color Archival Pigment print Size 40" x 60" Ed of 6 + 2AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fau...

Army Of Caine by B A T I K Pop art work featuring multiples of Michael Caine in Get Carter mode - possibly his most iconic movie role. Archival pigment pop art print signed & limi...

No title (No 92) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 92) by Yevgeniy Repiashenko Year photo was taken: 2022 Limited Edition of 18 Picture size...

MILES ALDRIDGE (*1964, Great Britain) Chromo Thriller #2 2012 Chromogenic print Image 141 x 190.5 cm (55 1/2 x 75 in.) Sheet 157 x 206.5 cm (461 3/4 x 81 1/4 in.) Edition of 6, plus...

Super Giant Oversize - C3PO Star Wars Archival Pigment Print 1977 by Geoff Wilkinson / Mirror Trinity Group Archive size : 71 x 45.5" inches / 180 x 116 cm paper size print type ...

from a series of works observing the intricate details of the iconic star's stage wardrobe, an epic scale photograph of mesmerizing texture details Liberace III by Christian Stoll ...

Meeting in front of Church (Sidewinder) - 2007 Edition 2/5, each 30x37cm, installed 30x160cm. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroids. Certificate...

"Botanica I" is an unframed original work in mixed media on board by Anke, depicting a portrait in three-quarter profile with collaged organic elements. The combination of black and white portraiture...

JOHN Yuyi (*1991, Taiwan) People on the beach 4, 2019 Archival Pigment Print Sheet 90 x 120 cm (36 x 48 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 ...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #4, 2007 Chromogenic print Image 102.5 x 152.5 cm (40 1/2 x 60 in.) Sheet 114.8 x 164.4 cm (45 1/4 x 64 3/4 in.) Edition of 6, plus 2 ...

The body, in opposition to this language system and ironically living it, speaks through organs, plays with images, sounds, smells, textures, mixtures, everything reacts, absorbs and...

Rod Stewart – Beverly Hills, Los Angeles, 1976 Born in London in 1945, rock musician Rod Stewart always dreamt of being a professional football player, until he began touring with ...

'Cherry Tree Blossoms' (Till Death do us Part), 2006, 50x50cm each, installed 50x110cm, Edition 1/10, digital C-Prints, based on the 2 Polaroids, Certificate and Signature label, ...

Isabelle van Zeijl is recognized for her mastery in creating striking self-portraits. She produces her images autonomously, taking on the roles of model, creator, object and subject ...