Oversized Figurative Photography

`Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I hav...

Miles ALDRIDGE (*1964, Great Britain) Cat Story #5, 2008 Chromogenic print Image 101.5 x 76.5 cm (40 x 30 1/8 in.) Sheet 111.5 x 86.5 cm (43 7/8 x 34 in.) Edition of 10, plus 2 AP's;...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition 7 126 cm. x 170 cm. Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Slim Aarons Estate Print - Leisure In Antibes 1969 A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Rivi...

Terry O'Neill (1938-2019) Raquel Welch on the Cross, Los Angeles 1970 lifetime edition Lambda C-Type print 48 x 48 in. (paper size) edition of 50 signed and numbered printed later Price: £25,200 GBP (inc. 20% UK VAT) Notes: A publicity shot for One Million Years B.C. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

High Wire Motorcycle (1960) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A high-wire act with a man standing on his head on a motorcycle with man a...

Walking the Bulldog, 1994 Archival pigment print 30 x 40 inches Signed and numbered edition of 10 Robert Farber (b. 1944) is a renowned photographer whose five-decade career spans b...

This ethereal underwater fine art photograph captures a figure suspended above submerged pool steps, rendered in soft aquamarine and pearl tones. The crystalline water creates a drea...

Charlotte Rampling 1973 by David Steen Tessa Charlotte Rampling OBE (born 5 February 1946 is an English actress. An icon of the Swinging Sixties, she began her career as a model. Sh...

The reality is that this is an eye-witness account of a male peacock displaying for the attention of a female peahen. It turns out that humans are equally...

Signature: Signed, dated, numbered lower right recto. 3/15 printed later, unframed, other size available

'Breakfast At Tiffanys' Huge Oversize Limited Edition silver gelatin print Belgian-born actor Audrey Hepburn (1929 – 1993), during a shoot for the promotion of her film BREAKFAST...

A striking image of lone Lion set against a dramatic colorful sunset of the animal's domain. Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available, printed...

An underwater photograph of two naked young women in the pool. The minimalistic photograph partially depicts bodies in blue color schema. Original gallery quality print signed by th...

Manicomio, Montelupo, Fiorentino, 2019 C print 100 x 120 cm, edition of 5 120 x 150 cm, edition of 5 180 x 225 cm, edition of 5 The photographer is based in Florence, and is fascina...

"Speed 2" Black & White Photography 39" x 49" in Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. It sh...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the...

An underwater photograph of a two naked young women on neutral black background. Porcelain, aside from being an exquisite material, is the name of an exquisite photo series. The se...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Well-muscled male cat with full mane. He's King of the Jungle even if he's in stone and against a pink background. The contrast of gritty the stone texture against the smooth flat sky is unexpected and somehow makes the image special. Signed, dating and numbered 2/15 recto, unframed, another size available, printed later, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy photography, doll photography...

TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...

Super Giant Oversize - C3PO Star Wars Archival Pigment Print 1977 by Geoff Wilkinson / Mirror Trinity Group Archive size : 71 x 45.5" inches / 180 x 116 cm paper size print type ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ariane Signed by Ian Sanderson lower ri...

Underwater black and white photograph of a naked young woman smiling to the camera from the pool surface. This minimalistic photograph blends well with wide verity of interiors. Or...

With Yves I by Efren Isaza Measures: 70 x 52 inches Framed archival pigment image printed onto canvas intervened with paint, ink and intentionally scratched by...

"Thirst" Black & White Photography 49" x 39" in Edition 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

In 1971, three hundred hippies set off from California in a convoy of 90 trucks and schoolbuses to find a new life. The pregnant women amongst them, out a desire to treat birth as a normal part of proceedings, passed around birth manuals and learnt to deliver each others' babies on the road. It was the memory of the very first woman, calmly and tenderly birthing in the arms of her husband in the back of a bus on a pitstop, that was to change the lives of two watching women...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #2, 2007 Chromogenic print Image 152.5 x 118.1 cm (60 x 46 1/2 in.) Sheet 164.4 x 130.1 cm (64 3/4 x 51 1/4 in.) Edition of 3, plus 2 ...

'Hugh Hefner' American publisher Hugh Hefner, founder of 'Playboy' magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 60 x 40" inch...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Boy Running (Point Dume) - 2000 Sold out Edition of 5, Artist Proof 1/2. 100x133cm. Analog C-Print, hand printed by the artist, based on the original Polaroid. Signature label a...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Set of Castelloland series, by Paloma Castello From The Castelloland Series Overall frame size: 80 H x 23.7 W x 1 D in Individual size: 'James Bond' Castelloland Digital photographs...

Paris Colour Scene from the Paris In Colour Series 1956-61 By Peter Cornelius 40 x 60 inches / 101 x 152 cm paper size Printed 2023 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

A hip young black woman in Central Park pauses for a moment of reflection after her roller skate dance. Street photographer, Mithcell Funk, captures her in an off moment of introspe...

A jetty juts out from the rocky shoreline at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. Slim Aarons 'Porto Ercole' Il Pellicano, Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano, Vintage Glamour, 70s...

This elegant underwater photograph captures a ballet dancer in pointe shoes and flowing white tutu, suspended in deep teal waters. The rich contrast between the pristine white costum...

MILES ALDRIDGE (*1964, Great Britain) A Family Portrait #1 2011 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, ...

"Coney Island, NYC" is a framed photograph on paper by Xan Padron, depicting a compilation of walking figures set against a Coney Island Boardwalk backdrop. Padron's signature techn...

Chris Smith (b.1937) Ali Skipping 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the fol...

Miles ALDRIDGE (*1964, Great Britain) Hell... It's Only Forever from the series 'after Miller', 2017 Screenprint in colours with silver ink printed on 410gsm Somerset Paper 134 x 75 ...

Meeting in front of Church (Sidewinder) - 2007 Edition 2/5, each 30x37cm, installed 30x160cm. 4 analog C-Prints, hand-printed by the artist, based on the 4 oirginal Polaroids. Ce...

Chris Smith (b.1937) Hard at the Gym 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the ...

Sunset II (Till Death do us Part) - 2005 90x112cm, Edition 3/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist Inventory No. 9495.03. Signatu...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (1893 - 1986, centre, standing), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and Helen Dzo Dzo (second from right) Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Palm Springs Party...

Chanel Lunches with Jessica Daves at the Ritz, 1957 -- Chanel in her ever present hat, lunches in a corner of the garden restaurant of the Ritz, with Vogue editor in chief, Jessica D...

Artist: Lawrence Schiller, American (1936 - ) Title:Marilyn Monroe in Something's Got to Give - 7 Year: 1962 (printed 2007) Medium: Gelatin Silver Print, Signed in ink Edition: AP 3/...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

MILES ALDRIDGE (*1964, Great Britain) The Cult of Self #3 2013 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, p...

Chris Smith (b.1937) Everlast silver gelatin fibre based print 30 x 20 in. / 48 x 34.5 in. / 66 x 46 in. signed and numbered printed later This work is available in the following si...

'Hotel Du Cap-Eden-Roc' by Slim Aarons ESTATE EDITION - numbered and emboss stamped on front. (edition size 150 only) Waterskiing from the Hotel Du Cap-Eden-Roc in Cap d'Antibes, ...

Isabelle van Zeijl is recognized for her mastery in creating striking self-portraits. She produces her images autonomously, taking on the roles of model, creator, object and subject ...

Fragmented-Untitled 3, 2021 by Ying Chen From the Fragmented series Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed This series' title is “Fragme...

Artist: Josephine Cardin Medium: Photography Limited edition of 30 “From this new and intimate perspective, she learned a simple, obvious thing she had always known, and everyone k...

Surreal City Scene with Man and his Shadows - Signed and dated on lower right, numbered on verso Edition 3 of 15. Unframed. Other size available, Printed later - Printed on Hahnemühl...

Miles ALDRIDGE (*1964, Great Britain) Mystique #3, 2018 Chromogenic print Image 152,5 x 114,5 cm (60 x 45 1/8 in.) Sheet 164.5 x 126.5 cm (64 3/4 x 49 3/4 in.) Edition of 6, plus 2 A...

Soup can in pop style. Silver Highlight Chromogenic Photograph Face Mounted to Acrylic. About the Artist: My art is a mix of media combining images, textures, vintage memorabilia...