Road Figurative Photography

Coloured poster from a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographers. Titled at the bottom. Very good conditions. Limited ed...

Ancient views of Tokyo is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1890s. Four images on th...

Ancient views of Tokyo is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and the 1890s. Four images on the fron...

Views of Acapulco is a set of two different albumen print realized in 1880s. Prints in very good condition, applied on a single cardboard. Caption in Italian ink hand-written on ha...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print Paper size: 11 x 14 in. Image size: 7 1/2 x 11 1/2 in. "Fangio is exiting a slow corner and looks ov...

Paris Scooter from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 150 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

USA, SOUTH BRONX, NEW YORK CITY AUGUST 1977. South Bronx teenagers in front of abandoned tenement burnt-out buildings, South Bronx, New York City, US...

Three Figures in Black - Morocco by Paul Greenberg depicts four people walking on a sidewalk. A small child walks with two figures cloaked in black, and carries a white toy attached ...

Detroit I Digital C-Print / Archival Pigment Print Available sizes: 40 x 60 in - Edition of 10 60 x 90 in - Edition of 5 Since its inception, Lusztyk’s Interchanges project has take...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Lunch on Norfolk Street, 1990 From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Print ...

Edition of 25 Signed and numbered in black ink on print margin. Signed, titled, dated, print date and misc. notations in pencil on print verso

MILES ALDRIDGE (*1964, Great Britain) A Family Portrait #1 2011 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, ...

Fifty Cents on Delancey Street, 1985 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Prin...

Signed, titled, and dated in black ink on print margin. Series: Jazz Katz Jimmy Katz, born in New York City in 1957, received his B.A. in political science and studied photography w...

Car Wash (Stranger than Paradise) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. 
 Archival C-Print, based on the original Polaroid. 
 Certificate and Signature label. 
 A...

Bridge Traffic on Delancey Street, 1986 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs P...

Presenze is a print realized by Franco Fontana, in 1981. Offset print. Rondanini Galleria D'arte Contemporanea - Roma. Coloured poster from a photograph by Franco Fontana (Modena, ...

Three Girls VI (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. A...

Corner of Clinton and Stanton Streets, 1989 From a 6cm x 4.5 cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Arti...

Painting of Road-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

Hong Kong – The new face of the Orient is a Vintage b/w Photo realized in the 1960s. Good conditions. Stamped on the rear.

'Green Door, San Francisco' is a dynamic and stylish Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 23" in an edition of 20. Morgan Silk ...

Painting of House-  Vintage Photo is a black and white photograph of the mid-20th century. Good conditions and aged.

Shot from a helicopter. Formula 1 USA Grand Prix, Austin Texas, 2019. All prints are Fujiflex Chromogenic prints with a crystal laminate. Framing is available in white or black a...

St. Giovanni Church- Vintage Photo is a black and white photograph of the early 20th century realized by Anderson. Information is written on the lower in Italian. Good conditions, ...

Palazzo Rufolo, Ravello-  Vintage Photo is a black and white photograph of the early 20th century realized by Alinari. Good conditions, aged with foxing.

'Street Scene In Montmartre' from the Paris In Colour Series 1956-61 By Peter Cornelius Crowds on the street, Rue Norvins, Montmartre, Paris. From the series Paris in Colour, 1956–...

This photograph titled "Steet in Chaouen, Morocco" is a colors cibachrome photograph by noted American photographer Jeffey Becom, b.1953. It is hand signed and numbered 64/75 on the ...

Rio de Janeiro View is a Vintage b/w Photograph, realized in the 1960s. Good conditions. Stamped on the rear.

Historical Photo - Havana is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and political even...

USA, HARLEM, NEW YORK CITY- APRIL 1978. Street in Harlem, New York City, (Photo by Alain Le Garsmeur (Photo by Alain Le Garsmeur) An richly evocative shot - taken in the late 1970...

Rémy Duval, 'Tugboat, River Seine, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives paper; the shee...

Rémy Duval, 'Street Scene, L'ile Saint Louis, Paris', photogravure, 1946. A fine, richly-inked impression in warm black ink, on cream wove B.F.K. Rives pape...

July 17, 1954: Argentinian racer Juan Manuel Fangio (1911 - 1995) chalks up a win for the Mercedes team at the French Grand Prix in Reims. Original Publication: Picture Post - 7209 -...

Last Dance 4 - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Michael Schumacher's last appearance in th...

Angie Jennings Cold Drinks Archival Pigment Print Year: 2024 Visible Size: 10 x 15.125 inches Framed: 14 x 19.75 inches Signed: On Label COA provided *Black frame with standard ple...

Oaxaca by Paola Dávila Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium. Image size: 18.3 cm H x 18.3 cm W. Paper size: 25 cm H x 20 cm W...

Paris Nights II from the Paris In Colour Series 1956-61 By Peter Cornelius 30 x 20 inches / 76 x 51 cm paper size Printed 2022 Archival pigment print Framing and size options avai...

Loading Zone is from Julie Blackmon's ongoing series Domestic Vacations. Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used to...

Parisi Butchers from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Campo dei Fiori, Rome is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, ...

ABOUT THIS ARTIST: Tropico Photo is the collaborative work of Forrest Aguar and Michelle Norris. Forrest loves pairing shapes and lines to create captiva...

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An edition of 10 and an edition of 20, smaller in size, are also available. This photograph is part of J. L. Fievet’s CV series, shot during the early months of 2020, during which New York City was in total lock down because of the Covid-19 emergency. Fievet spent day in and day out roaming the streets, documenting the breathtaking change that transformed the city. Fievet’s iconic photographs tried to seize the stark contrast between the surreal aspect of NYC empty streets with the resiliance of New Yorkers who kept pursuing normalcy within a unique situation. This joyful portrait...

'Hutong' photographed in China in 2013. Richard is well known for capturing places on the brink of change before they disappear and this is a classic example, the modernisation of Be...

Paris Culture Vultures from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 152 x 101 cm / 60 x 40 inches paper size Printed 202...

Edition of 5 in format 50x80 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 50x80 cm + 5 cm white margin The photo is signed and stamped on the front ...

Pete Townshend Soho Pete Townshend in a Soho backstreet London, 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 in...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

"Hotel Las Vegas" - Cervia - Ravenna is a black and white vintage photo, realized in 1970s. The photo depicts n. 32 SMI-SOL copper tubes on the roofs, for heating the hotel. Good c...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Edition of 5 in format 64,5x42,5 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 64,5x42,5 cm + 5 cm white margin The photo is signed and stamped on t...

Children Playing In Paris from the Paris In Colour Series 1956-61 By Peter Cornelius 12 x 16 inches / 31 x 41 cm paper size Printed 2022 Archival pigment print Framing and size op...

Portico D'Ottavia, Rome is a black and white vintage photo, realized in 1950s., by Gastone Proietti . The photo depicts the picturesque square behind the "Portico D'Ottavia" in Rome...

Paris Street Market from the Paris In Colour Series 1956-61 By Peter Cornelius 20 x 30 inches / 50 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...