Road Figurative Photography

Pan-American Highway - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series on American life in the 20th Cent...

Vintage photo representing Arch of Janus, located nearby S. Giorgio al Velabro church. The arch is thought to have been a boundary marker rather than a triumphal arch, or it was buil...

Photograph of a Painting by Beppe Guzzi is a black and white vintage photo realized by an anonymous artist in the 20th Century. Good conditions except for some minor fixings. The a...

Vintage Photo from the Fascist period in Italy. Photo by Gherlone, Torino 1934. Photo dimensions 23 x 17 cm. Includes passepartout 50x30 cm. Good condition.

Views of Venice and Veneto is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditions except for being aged. The a...

Vintage black and white photo representing a piazza (square) close to Via delle Botteghe Oscure. The square no longer exists in Rome, probably because it has ...

Mount Vernon, An American Shrine - Vintage Photograph is an original black and white photograph realized in the U.S in the 20th century in series of American life by an anonymous pho...

Ancient views of Aden is a set of three original vintage Albumen prints on single cardboard: 34 x 26 cm. Two Images 15 x 21, on the front and on the rear 19.5 x 27 cm. They were r...

This photograph Tre Archi_09_2021 was taken by the Italian photographer Serena Zeppilli. It is part of the series "Tre Archi 2021". Ink Jet fine art print o...

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions.

View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. With the hand-note in pencil on the rear. Go...

Photograph of a Painting by Luis Guglielmi is a black and white vintage photo realized by an anonymous artist in the mid-20th Century. Good conditions except for some minor foxings....

Modern newspaper Plant - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Ce...

' Police Patrol ' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, A...

Porto Ricans to Full Local Self-Government- Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a s...

Toscanini Walking in Williamsburg - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. It depicts the great Orchestra conductor...

'Piccadilly Lights' by Alain Le Garsmeur Limited Edition Archival Pigment Print Neon advertisements shining behind the Eros Statue in Piccadilly, London, England, 1972. Paper ...

' Cola Café ' Limited Edition Archival Pigment Print Children wait outside a cafe with Pepsi Cola sign in Tegucigalpa, Honduras, Central America, 1981. Note all prints are limit...

Vintage black and white photo representing Rome city centre, in particular the Arch of Janus seen from a square previously called Piazza Montanara, nearby th...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by Sl...

Ancient views of Tokyo is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized between the 1880s and the early 1890s. Four images on th...

Ancient view of Kyoto, Sosui river is an original vintage albumen print on single cardboard: 26 x 34 cm. Realized between the 1880s and the early 1890s. The image on the front 21.5...

Vintage photo representing San Paolo house, on via degli Strengari, an famous street in the historical centre of Rome. Photos of Alinari editions.

Ancient Views of Panama city is a set of of 2 original albumen prints made in 1880s. Prints in excellent condition, applied on a single cardboard. Caption in Italian ink hand-written on hardcover under each print. Prints 17.5 x 23 cm, 16.5 x 21.5 cm, cardboard 26 x 33.5 cm In the photographs two different views of Panama City, Central Park and Cathedral Square...

Ancient View of Santiago, Chile, is a set of two original albumen prints made by unknown photographer. Prints in excellent condition, applied on a single cardboard. Caption in Ital...

'Checkered Flag' The checkered flag signals the end of the race during the 1963 Nassau Speed Week. 30x40 inches / 76 x 102 cm paper size Estate S...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Paper size 50 x 50 / 127 x 127 cm Estate Stamped Collection Edition to 150 Photo by Sl...

'Saint-Tropez Boucherie' A boucherie or butcher's shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Paper Size 24x20 inches / 60 x 50 cm Estate...

'Bikers Bar' 1979 by Alain Le Garsmeur Limited Edition Archival Pigment Print Motorbikes outside a bar in Downtown Las Vegas, New Mexico, USA-1979. Paper size : 40x30 inches / 10...

'Police Patrol' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, Apr...

'Beverly Hills Hotel' 1957 Slim Aarons Limited Estate Edition Beautiful 1950's cars parked outside the iconic Beverly Hills Hotel on Sunset Boulevard in California, 1957. Typicall...

' Police Patrol ' Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, April 1978. Note all prints ...

"Ejection Reflex" is part of international artist, Natalie Lennard's series Birth Undisturbed. “Attending births is like growing roses. You have to marvel at the ones that just ope...

'Police Patrol' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, Apr...

Sports Car Couple John Bryant with his AC sports car in Kinnerton Place, London SW1. His passenger is Margaret McAulay. Circa 1955. Paper size 50 ...

'Police Patrol' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, Apr...

'All Lit Up' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Aerial view of Blackpool’s Golden Mile illuminations at night, Blackpool, British seaside town, Lanca...

'Police Patrol' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, Apr...

'Kingston Studios' by Alain Le Garsmeur Limited Edition Archival Pigment Print Channel One Recording Studios, Kingston, Jamaica 1983. Paper size : 40x30 inches / 101 x 76 cm Lim...

Angie Jennings Mystery Woods - Mailbox Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standa...

'Golden Mile' 1981 by Alain Le Garsmeur Limited Edition Archival Pigment Print Aerial view of Blackpool’s Golden Mile illuminations at night, Blackpool, British seaside town, Lanc...

'Police Patrol' 1978 by Alain Le Garsmeur Limited Edition Archival Pigment Print A 28th Precinct policeman reads notes in his police patrol car in Harlem, New York City, USA, Apr...

'Harlem Buildings' 1978 by Alaine Le Garsmeur Limited Edition Archival Pigment Print Building façade on the streets of Harlem, New York City, USA 1978. Paper size : 40x30 inche...

'Isletas Street' by Alain Le Grasmeur Limited Edition Archival Pigment Print Street in Isletas, a small town in Isletas banana plantation. Honduras, Central America, 1981. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1980s 1980 80 USA old colourful street walk side walk town village dirt track run down vintage weird...

'Dancing Partners' 1979 by Alain Le Garsmeur Limited Edition Archival Pigment Print People dance under stringed lights outside the Chicago Board of Trade during a Dinner and Dance evening, Chicago, Illinois, USA, 1979. Paper size : 40x30 inches / 101 x 76 cm Limited edition Edition Size 5 only this paper size Printed 2021 certificate of authenticity provided All prints are on archival photographic papers and limited edition per paper size offered. Total editions per image 100 only. 10x12 inches edition size 25 12x16 inches edition size 20 20x16 inches edition size 20 20x24 inches edition size 15 30x20 inches edition size 8 40x30 inches edition size 5 60x40 inches edition size 5 72x48 inches edition size 2 Alain Le Garsmeur was born in France in 1943 and after assisting the likes of Helmut Newton, Guy Bourdin and Donald Silverstein became a prolific editorial documentary photographer for publications which included Fiagaro Magazine, The Independent, Newsweek and the The Observer as well as The Sunday Times. See photo Bio for more details. 1970s 1970 70s Lights...

Kabul by Justin Creedy Smith Street scenes, Kabul Afghanistan, during a pre-christmas visit by French foreign minister, Michèle Alliot-Marie, to the French soldiers based in Afgh...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

A Rainy Day (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

1955: John Bryant with his AC sports car in Kinnerton Place, London SW1, Printed Later. His passenger is Margaret McAulay. 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is pleased to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate). Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles. Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic. * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Slide show includes a close-up of the Slim Aarons estate's stamp. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons Vintage Sport, Vintage Car photography, Sports Car Photography

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. An edition of 10 and an edition of 20, smaller in size, are also available. This photograph is part of J. L. Fievet’s CV series, shot during the early months of 2020, during which New York City was in total lock down because of the Covid-19 emergency. Fievet spent day in and day out roaming the streets, documenting the breathtaking change that transformed the city. Fievet’s iconic photographs tried to seize the stark contrast between the surreal aspect of NYC empty streets with the resiliance of New Yorkers who kept pursuing normalcy within a unique situation. This photograph shows a deserted West Broadway...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

This early 1950s urban landscape photograph, captured by society photographer Slim Aarons, features Christmas trees and red and white automobile light trails on Park Avenue, New York...

'Hutong' photographed in China in 2013. Richard is well known for capturing places on the brink of change before they disappear and this is a classic example, the modernisation of Be...

Palazzo dei Diamanti, Ferrara-  Vintage Photo is a black and white photograph of the early 20th century realized by Alinari. Good conditions, aged with foxing.

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

The Baptistery of Parma -  Vintage Photo is a black and white photograph of the early 20th century by Alinari. Information is written on the lower in Italian. Good conditions, aged...

Ferrara Cathedral- Vintage Photo is a black and white photograph realized in the early 20th century. Good conditions with foxing.

'±ÍÃ' - 2010 - 21.5 cm x 27cm, Edition of 10 plus 2 Artist Proofs, Archival Print, based on a Polaroid 809, Signed, embossed stamp and artist certificate. Not mounted. Xulong Zhang Short Bio: He has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography...

The Klosters, Switzerland, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers pass by the Hotel Chesa Grischuna...