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Medium: Ink
Chrysler Building Looking Up on a Sharp Pristine New York City Day
Located in Miami, FL
The selection of a perfect day with crisp light and a deep cobalt blue sky provides the ideal setting for Photographer Mitchell Funk to create a precisely designed photograph of East...
Category

Early 2000s Abstract Geometric Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

American Contemporary Photo by M.K. Yamaoka - Midsummer Clouds-Cumulonimbus
Located in Paris, IDF
Digital Photograph, ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yamaoka honed his eye as an award-winning advertising and editorial photographer of the Fortune 500 before devoting himself to fine art. Traveling worldwide, he seeks majesty and beauty in both nature and man’s creations, often incorporating a Goddess figure in a modern interpretation of mythology. In addition to exhibitions in Germany, Japan, the United States and Great Britain, he was honored in 2017 with a solo exhibition at the United Nations in New York. His work is included in corporate and private collections worldwide, including the personal collection of I.M. Pei. He is presently a member of the prestigious Salmagundi Club in NY, where he has been honored with numerous awards for photography. All images are printed on archival quality paper, either HP Premium Satin Photo Paper, or Kodak Professional Endura Premier Lustre paper, with archival inks. The photographer’s Japanese seal...
Category

Late 20th Century Contemporary Ink Landscape Photography

Materials

Photographic Paper, Digital, Ink

American Contemporary Photo by M.K.Y. - Reflection of the Empire State Building
Located in Paris, IDF
Digital Photograph from Film Original ed. 4 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...
Category

Late 20th Century Contemporary Ink Landscape Photography

Materials

Photographic Paper, Ink, Digital

Wherever You Look You See The Chrysler Building: Central Park Reservoir
Located in Miami, FL
The Chrysler Building is not only ever-present, but its uniquely shaped spire attracts the eye unlike any other structure. "Wherever You Look, You See The Chrysler Building: Central...
Category

2010s Post-Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Wherever You Look You See The Chrysler Building: Lower Broadway
Located in Miami, FL
Funk's highly stylized composition exaggerates the one-point perspective of the Manhattan street grid. It pushes the viewer's eye towards the horizon, where one's focus is on the flo...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

#7, 'Tree Huggers...' Red Blue Trees and Sky; Abstract Landscape Art Print
Located in London, GB
George McLeod Untitled #7, Tree Huggers from the Future, 2021 Archival Pigment Print, Mounted Dibond in custom frame; with Black Stained Oak and antire...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Pigment, Glass, Wood, Archival Ink, Archival Paper, Photographi...

Wherever You Look You See The Chrysler Building: Long Island City Industrial
Located in Miami, FL
A simple yet complex structure always characterizes Mitchell Funk's work. In present work, the first concept is that old New York City icons emerge above new construction. The secon...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Beadnell, 'Ice Cream Van', England - Black and White Print, Photogravure
Located in London, GB
Beadnell, England, "Ice Cream Van", from the 'East of Eden' series, 2020 Photogravure; Charbonnel Ink on Archival Somerset Satin Paper Photogravure, 14.85 x 21 cm, Edition of 2/5 + 2APs, Signed and numbered. Sold unframed but framing available if requested - please enquire or purchase unframed print David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Black and White, Photo...

Wherever You Look You See The Chrysler Building: Tribeca
Located in Miami, FL
"Wherever You Look You See the Chrysler Building: Tribeca" is captured by Photographer Mitchell and is part of his exhibition, Mitchell Funk Photographs The Chrysler Building for 50 ...
Category

2010s Post-Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Grotta Segreta
Located in Brooklyn, NY
This grandiose work is a beautiful depiction of an 18th-century Italian grotto, a secret haven adorned with lush foliage and cascading waterfalls. The scene encapsulates the historic...
Category

21st Century and Contemporary Renaissance Ink Landscape Photography

Materials

Plexiglass, Archival Ink

Color Photography Abstraction of Park Bench in Central Park - Brooklyn Museum
Located in Miami, FL
A simple park bench acts as inspiration for an early example of semi-abstraction in color photography. Pioneering Color Photographer Mitchell Funk waits for "magic hour" light to ill...
Category

1970s American Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Wherever You Look You See The Chrysler Building: United Nations 2
Located in Miami, FL
Taken from Long Island City, this tightly cropped composition emphasizes bold silhouettes while revealing the interplay of two of New York City's most iconic buildings. The horizonta...
Category

Early 2000s Abstract Geometric Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Alamo Square Victorian Houses, San Francisco - Architecture
Located in Miami, FL
Alamo Square Painted Ladies with modern skyscrapers in background, San Francisco. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later. ...
Category

2010s Post-Modern Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet, Archival Pigment

Ocean Drive In Miami Beach, by Mitchell Funk, Landscape Photography
Located in Miami, FL
Art Deco buildings in the South Beach area of Miami Beach. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto...
Category

2010s Abstract Geometric Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Color, Inkjet, Archival Pigment

Manhattanhenge 2021 with Mystical Object - Street Photography by Mitchell Funk
Located in Miami, FL
Late afternoon light from Manhattanhenge skims across the asphalt of East 72nd Street. The circular shape of a manhole cover in the foreground echos the ...
Category

2010s Modern Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet, Archival Pigment

Wherever You Look You See The Chrysler Building: United Nations
Located in Miami, FL
Wherever You Look You See The Chrysler Building: United Nations. The present work is part of an exhibition that spans 51 year and is epic in its scope and inventiveness. The work is ...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Cycloptic Technology Japan Neon - A Modern Architecture Noir Photograph
Located in Brooklyn, NY
"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...
Category

2010s Modern Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Color, Archival Pigment

Classic Art Deco Marlin Hotel Miami Beach, South Beach, Fine Art Photography
Located in Miami, FL
Puffy clouds over Marlin Hotel on Collins Avenue in South Beach, Miami Beach. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/1...
Category

2010s Abstract Geometric Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet

Wherever You Look You See The Chrysler Building: The High Line
Located in Miami, FL
"Wherever You Look You See The Chrysler Building: The High Line" - It may take a moment, but its presence always seems to be in the picture. At least, that was the case in the past. ...
Category

Early 2000s American Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

The Blue Cloud
Located in New York, NY
Elevation 41 x 59" Ed. of 10, Framed Framed in a white wood shadow box. A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...
Category

2010s Naturalistic Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...

"St. Louis Sunset Donuts" photographic arrangement of Donuts on Rag paper
Located in Southampton, NY
You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work and feature this new creation "St. Louis Sunset Donuts". This one of a kind photo arrangement titled "St. Louis Sunset Donuts" is printed on 100% rag paper by Candice CMC and features a donut created image of the iconic St. Louis Arch set against a sunset skyline of the city of St Louis...
Category

2010s Pop Art Ink Landscape Photography

Materials

Archival Ink, Rag Paper

Cluster - 16
Located in Kolkata, West Bengal
(a) (b) (c) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 16 x 14 inches ; 2009 (d) (e) (f) Mohan Lal Mazumder Unt...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Cluster - 14
Located in Kolkata, West Bengal
Top Row Mohan Lal Mazumder Landscape Photography Archival Photo Paper 11 x 11 inches ; 2006 & 2008 310 gsm (each) Middle Row Mohan Lal Mazumder Archiva...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Cluster - 12
Located in Kolkata, West Bengal
(a) (b) & (c) Mohan Lal Mazumder Untitled Archival Print on Hahnemuhles Photo Rag Bright White, Museum Quality Paper 310 GSM ; 20 x 30 inches ; 2009 (each)
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Cluster - 15
Located in Kolkata, West Bengal
Top Left Mohan Lal Mazumder Landscape Photography Archival Photo Paper 16 x 14 inches 310 gsm (each) (2 pcs) Bottom Right Mohan Lal Mazumder Landscape Photography Archival Photo Pa...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Cluster - 8
Located in Kolkata, West Bengal
Mohan Lal Mazumder Landscape, Archival Print on Paper 7 x 7 inches, 2009 (without frame) Landscape, Archival Print on Paper 7 x 7 inches, 2009 (without frame) Landscape, Archival P...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Simplicity
Located in New York, NY
Simplicity 28" X 40" Ed. of 10, Unframed (Image is 24 x 36 and 2 " margin around) We can frame it in a white wood shadow box. The frame price is 400$. total size is then 30 x 42" Al...
Category

2010s Naturalistic Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Digi...

Urban Graffiti Art Wall Painting American Flag Onlooker, New York Street Art
Located in Miami, FL
Urban Graffiti Art Wall Painting photograph on New York Street has an onlooker who looks like the art he's looking at. The image is a synthesis of art and viewer. The yellow abstract pattern on the viewer's shirt echos the yellow patterns on the buildings. The photograph celebrates the Graffiti Artists of New York. Late golden light enhances all-over abstract patterns and integrates the old architecture with the new street art...
Category

2010s Street Art Ink Landscape Photography

Materials

Inkjet, Archival Ink, Archival Paper, Archival Pigment

Wherever You Look You See The Chrysler Building: Weehawken 2
Located in Miami, FL
Wherever you look, you see The Chrysler Building. Through the lens of Photographer Mitchell Funk, The 1991 Mid-Town Manhattan skyline is seen at sunset from Weehawken, New Jersey. ...
Category

1990s Surrealist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Beautiful Waterfalls, Colour Photography, Blue, Green by Indian Artist"In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 30 x 20 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is th...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Waterfalls, Color Photography, Blue, Red by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 20 x 30 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is th...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Beautiful Waterfalls, Colored Photograph, Blue White Color "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder 'Waterfalls' 30 x 20 in (unframed size) Mohan's works are original shots and DONOT undergo any photoshop process. Mohan has captured the leaves and the water fro...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

A Village Path, Black & White Photography by Indian Artist “In Stock”
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 14 x 16 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is th...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Urban Lamp Shades, Black & White Photography by Indian Artist “In Stock”
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 14 x 16 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White, museum quality paper - 310 gsm Edition of 4 + 1 AP This work is t...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Clark's Nutcracker"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Blue-winged Warbler"
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"White-throated Sparrow"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Pine Siskin"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Wave 2 - Signed limited edition fine art print, Black white photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Wave 2 - Signed limited edition archival pigment print, Edition of 5 Breaking wave on the Spanish coast Can be paired with " Wave" by Ian Sanderson. This print that is being offered...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Black and White, Giclée, Pigment, Archival...

Rural, Farming Fields, Black & White Photography by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 12 x 16 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Rural Scenery, Black & White Photography by Contemporary Indian Artist"In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 16 x 24 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Rural Scenery, Boat, River, Black & White Photography by Indian Artist"In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

River Side Photography, Kans Grass, Boat, Black, White by Indian Artist"In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Rural Photography, Kans Grass, Shantiniketan, Black, White, Indian Art"In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Landscape Scenery, Field, Black & White Photography by Indian Artist "In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 12 x 16 inches (unframed size). Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP Style : Mohan ...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Landscape Scene, Black & White Photography by Indian Artist " In Stock"
Located in Kolkata, West Bengal
Mohan L. Mazumder - Untitled - 24 x 36 inches (unframed size) Archival Print on Hahnemuhles Photo Rag Bright White museum quality paper - 310 gsm Edition of 4 + 1 AP. This work is t...
Category

Early 2000s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Art Deco Marlin Hotel On South Beach, Miami Beach with Hot Colors
Located in Miami, FL
Vintage pink Cadillac car in front of the classic art deco Marlin on Miami Beach. This archival color photograph by fine art photographer Mitchell Funk...
Category

2010s Abstract Geometric Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet

New York Fog with Statue of Liberty Orange Glow
Located in Miami, FL
Early morning light caresses a semi-silhouetted Staten Ferry Boat as it passes a fog-enshrouded Statute of Liberty in New York a sunset in golden-o...
Category

1970s Post-Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet, Archival Pigment

Manhattan Bridge, Empire State Building, Landscape Photography
Located in Miami, FL
A golden Empire State Building sits comfortably inside the center arch of the Manhattan bridge as if that space was designed for it. Precise composition combined with magical late...
Category

1970s Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

9/11 - Twin Towers in Angelic Light, Architecture
Located in Miami, FL
Since its construction, Mitchell Funk has been chronicling the Twin Towers, of the World Trade Center. More specifically, he has been recording how light affects and transforms the two giant monoliths. Like us all, Mitchell was inspired by the formidable presence of the two buildings. Living in Brooklyn Heights with great views of lower Manhattan gave him a special advantage and opportunity to assemble some of the most iconic Twin Tower images ever taken. To Mitchell Funk, the Twin Towers, of the World Trade Center were the perfect synthesis of commerce and art. Most modern architecture is simply functional. Minoru Yamasaki's Twin Towers were in fact something quite radical. They were a steel and glass expression of Minimalism on the grandest scale in human history. Everything in the towers was stripped down to its essential quality with nothing extraneous added ….. except light. The way the buildings reflected light made them unique and inspired Mitchell to record them in color for 32 years. Although, the exterior was actually made of a very reflective blue/grey stainless steel the warm light of daybreak and sunset could change their color and transform them from buildings into and mystical monumental sculptures. With the help of the sun as a key player, Mitchell’s images of the Twin Towers progress from the mystical to the spiritual as they reflect the sun’s intense golden energy. Under these conditions, one could argue, that the Twin Tower housed the same type of divine energy as the adjacent churches. In the wake of the 9/11 tragedy, one could interpret Twin Tower sunset images differently. A sunset can be a symbol for the end of the day or simply The End. The 1969 image “Dead End” is a visual prognostication. The North Tower is under construction in the background and in the foreground, Mitchell has framed it between two street signs that read Dead End. In Mitchell’s Twin Tower photographs, he is not taking a tourist picture that says “here I am on the Brooklyn Heights Promenade...
Category

1970s American Modern Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Flatiron Building Snow Storm Couple Umbrella in Monochromatic Blue and Gray
Located in Miami, FL
Flatiron Building is diffused in a misty snowstorm while a couple shields themselves with an umbrella. This classic view takes on the moody character of Edward Steichen's iconic im...
Category

Early 2000s Post-Impressionist Ink Landscape Photography

Materials

Inkjet, Archival Ink, Archival Paper, Archival Pigment

Wherever You Look You See The Chrysler Building: Twin Towers
Located in Miami, FL
On an assignment from the Port Authority of New York in 1975, Photographer Mitchell Funk was given access to the roof of Tower II of the World Trade Center. From that high vantage p...
Category

1970s Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Wherever You Look You See The Chrysler Building: Park Avenue
Located in Miami, FL
A giant moon is unexpectedly pictured resting between two skyscrapers on Park Avenue. This image was done as an assignment for a Business Week cover. The editors wanted a high-drama ...
Category

1970s Modern Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

New York is Smoking Photograph
Located in Miami, FL
New York is Smoking Documentary Travel Photographers / Color Photography / Abstract Photography Signed , dated lower right and numbered verso 2 /15, Unframed, printed latinerOther ...
Category

2010s Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Wherever You Look You See The Chrysler Building: 30 Rock Observation Deck
Located in Miami, FL
An unobstructed view of lower Manhattan from the observation deck of 30 Rock is obstructed by a figure in a solid red hooded jacket. The figure becomes a dominant abstract shape in ...
Category

2010s Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

New York Skyline at Night with River Reflection
Located in Miami, FL
New York Skyline at Night with River Reflection with vibrant and intense color by Photographer Mitchell Funk. Signature: Signed and dated on lower right, numbered on verso, 3/15, ...
Category

2010s Abstract Geometric Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet, Archival Pigment

Ocean Drive Miami Beach Hotels South Beach, Color Photography, Mitchell Funk
Located in Miami, FL
Quintessential South Beach's Ocean Drive image where neon lights of the street merge with nature's lights in the sky. The resulting image of moody magentas and radiant blues is an ...
Category

2010s Street Art Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Inkjet

New York City Snowstorm Abstraction Toddler in Red Snow Suit - Monochromatic
Located in Miami, FL
A New York City snowstorm changes the superficial look of the city and, for photographers, yields creative possibilities. Veteran Street Photographer Mitchell Funk captures a toddler...
Category

2010s Abstract Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Wherever You Look, You See The Chrysler Building: Gramercy park
Located in Miami, FL
Wherever you look, you see The Chrysler Building, which is particularly true from Gramercy Park looking uptown. In this tightly cropped view, Photographer Mitchell Funk composes the ...
Category

1990s Post-Impressionist Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Manhattanhenge and the Illuminated Crown of the Chrysler Building
Located in Miami, FL
East 42nd Street glows with a deep red from the afterglow of Manhattanhenge. One-point perspective adds drama with converging lines culminating at a vanishing point at the Hudson Ri...
Category

2010s Contemporary Ink Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Ink landscape photography for sale on 1stDibs.

Find a wide variety of authentic Ink landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, purple, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Gerald Berghammer, Tyler Shields, David Burdeny, and Jimmy Nelson. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ink landscape photography, so small editions measuring 0.4 inches across are also available

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