Polaroid Landscape Photography
to
95
830
298
41
25
70
Overall Width
to
Overall Height
to
159
1,105
1
156
1,236
6
1
577
394
289
322
293
260
164
164
118
117
106
103
97
76
65
63
58
54
51
46
46
42
42
4,688
7,627
6,751
6,686
4,866
932
163
20
20
13
78
248
1,155
96
Medium: Polaroid
Hudson (Stay) - Polaroid
Located in Morongo Valley, CA
Hudson (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 1575.
Not mounted.
Stefanie Schne...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Blue Sky Palm Trees (Sidewinder) - including the book 'A Half Forgotten Dream'
Located in Morongo Valley, CA
Blue Sky Palm Trees (Sidewinder) - 2005
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024.
20x...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Brooklyn Bridge 09 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 09 (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 1571.
Not mounted.
St...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Brooklyn Bridge 06 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 06 (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 1568.
Not mounted.
St...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Brooklyn Bridge 05 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 05 (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 1567.
Not mounted.
St...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Brooklyn Bridge 04 (Stay) - Polaroid
Located in Morongo Valley, CA
Brooklyn Bridge 04 (Stay) - 2006
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 1566.
Not mounted.
St...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
Xtreme (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Xtreme (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid photograph.
Artist inventory Number 909.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Time Traveller (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Time Traveller (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory N...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Without You (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Without You (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 934.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Into Eternity (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Into Eternity (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 893.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sudden Urge (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Sudden Urge (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 809.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Brilliant Shadow (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Brilliant Shadow (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22720.
Signature labe...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23475.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's Going to Be OK (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
It's Going to Be OK (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23890.
Signature l...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
After (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
After (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 18799.
Signature label and Certi...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Minis - Airstream (29 Palms, CA) - signed on back, mounted
Located in Morongo Valley, CA
Stefanie Schneider's Minis
'Airstream' (29 Palms, CA) - 1999
signed and signature brand on verso
Lambda digital Color Photographs based on a Polaroid
Polaroid sized open Editions 1...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Blooded (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Blooded (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22991.
Signature label and Cer...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
On The Run (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
On The Run (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23024.
Signature label and ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Chance (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Last Chance (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 24104.
Signature label and...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
House up in the Mountains (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
House up in the Mountains (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 1235.
Signat...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hidden Valley (Wastelands)
Located in Morongo Valley, CA
Hidden Valley (Wastelands) - 2003
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 1992.
Signature label a...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Day (Wastelands)
Located in Morongo Valley, CA
Blue Day (Wastelands) - 2003
38x37cm,
Edition 2/5.
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Artist inventory Number 837.
Signature label and c...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Garden Way (Zuma Beach)
Located in Morongo Valley, CA
Garden Way (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory #211.
Not mo...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Secret Garden (Zuma Beach)
Located in Morongo Valley, CA
Secret Garden (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory #212.
Not...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lifeguard (Zuma Beach)
Located in Morongo Valley, CA
Lifeguard (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory #499.
Not mou...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sunset (Zuma Beach)
Located in Morongo Valley, CA
Sunset (Zuma Beach) - 1999
20x25cm,
Edition of 10 plus 2 Artists Proofs.
Archival C-Print, based on the Polaroid.
Signature Label and Certificate.
Artist Inventory # 119.
Not mount...
Category
1990s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Denny's (29 Palms, CA) - 21st Century, Polaroid, Contemporary, Landscape
Located in Morongo Valley, CA
Denny's (29 Palms, CA) - 1997
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Inventory 9847.
Not ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Carwash (29 Palms, CA) - 21st Century, Polaroid, Contemporary, Landscape
Located in Morongo Valley, CA
Carwash (29 Palms, CA) - 1997
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Inventory 9848.
Not ...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Last Chance (The Last Picture Show)
Located in Morongo Valley, CA
Last Chance (The Last Picture Show) - 2005,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sun Down (The Last Picture Show)
Located in Morongo Valley, CA
Sun Down (The Last Picture Show) - 2005,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Walking around an Oak Tree - Contemporary, Photograph
Located in Morongo Valley, CA
Walking around an Oak Tree - 2021
Edition of 5.
50 x 62 cm each, 50 x 124 cm diptich.
Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not
moun...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid
Stefanie Schneider Minis - Long Way Home - based on the Polaroid
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Long Way Home II, 2005
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in between Plexiglass (thic...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Sedition (The Last Picture Show)
Located in Morongo Valley, CA
Sedition (The Last Picture Show) - 1999,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Astro Burger (The Last Picture Show)
Located in Morongo Valley, CA
Astro Burger (The Last Picture Show) - 1999,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Ar...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Skyway (The Last Picture Show)
Located in Morongo Valley, CA
Skyway (The Last Picture Show) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist I...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stefanie Schneider Minis - Coney Island (Stay) - based on the Polaroid
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Coney Island (Stay), 2006
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in between Plexiglass (t...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Cyclone (Stay) - based on the Polaroid, Contemporary
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Cyclone (Stay), 2006
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in between Plexiglass (thickn...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Available - based on the Polaroid, mounted
Located in Morongo Valley, CA
Stefanie Schneider's Minis
Available (Oxana's 30th Birthday), 2008
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in between...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Stefanie Schneider Minis - Desert Shores - based on the Polaroid
Located in Morongo Valley, CA
Stefanie Schneider's Minis -
Desert Shores (California Badlands), 2010
Signed and signature brand on verso.
Lambda digital Color Photographs based on the Polaroid.
Sandwiched in be...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Plexiglass, Archival Paper, Color, Lambda, Polaroid
Second Thoughts (The Last Picture Show) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Second Thoughts (The Last Picture Show) - 2000
20x20m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inve...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
White Picket Fence (The Last Picture Show)
Located in Morongo Valley, CA
White Picket Fence (The Last Picture Show) - 2006,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature labe...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wildflower (The Last Picture Show)
Located in Morongo Valley, CA
Wildflower (The Last Picture Show) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Halfway Point (The Last Picture Show)
Located in Morongo Valley, CA
Halfway Point (The Last Picture Show) - 2005,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
A...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
From Now On (The Last Picture Show)
Located in Morongo Valley, CA
From Now On (The Last Picture Show) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Art...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hereafter (The Last Picture Show)
Located in Morongo Valley, CA
Hereafter (The Last Picture Show) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artis...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Back Alley (The Last Picture Show)
Located in Morongo Valley, CA
Back Alley (The Last Picture Show) - 2005,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Arti...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ramifications (The Last Picture Show) - diptych, Contemporary, Polaroid
Located in Morongo Valley, CA
Ramifications (The Last Picture Show) - 2000
40x80m including white border, diptych.
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the 2 original Polaroids.
Cer...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Ocotillo (The Last Picture Show)
Located in Morongo Valley, CA
Ocotillo (The Last Picture Show) - 1999,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
Artist...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dodger Stadium (The Last Picture Show)
Located in Morongo Valley, CA
Dodger Stadium (The Last Picture Show) - 2000,
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. Certificate and Signature label.
...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Small Town (The Last Picture Show) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Small Town (The Last Picture Show) - 2000
20x20m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Chariot (Till Death do us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
Chariot (Till Death do us Part) - 2005
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artist In...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Getaway (Till Death do us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
The Getaway (Till Death do us Part) - 2005
40x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artis...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hacienda Trailer Park (29 Palms, CA) - 21st Century, Polaroid, Contemporary
Located in Morongo Valley, CA
Hacienda Trailer Park (29 Palms, CA) - 2007
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Invento...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Hollywood (Instantdreams) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
Hollywood (Instantdreams) - 1998
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artist inventory...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Downtown LA (Instantdreams) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
Downtown LA (Instantdreams) - 1998
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the original Polaroid.
Certificate and signature label.
Artist invento...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Nowhere to Run (The Last Picture Show) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Nowhere to Run (The Last Picture Show) - 2000
20x20m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inven...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
There is No Tomorrow (The Last Picture Show) - Contemporary, Polaroid
Located in Morongo Valley, CA
There is No Tomorrow (The Last Picture Show) - 2000
20x20m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Phone Call (The Last Picture Show) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Phone Call (The Last Picture Show) - 2000
20x20m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Getaway (Bombay Beach)
Located in Morongo Valley, CA
The Getaway (Bombay Beach) - 2024
40x50cm,
Edition 7 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist inventory PL2024-003...
Category
2010s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Frond (Life on Mars) - 21st Century, Polaroid, Contemporary, Landscape
Located in Morongo Valley, CA
Palm Frond (Life on Mars) - 2023
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and certificate.
Artist Inventory 22308.
...
Category
Early 2000s Contemporary Polaroid Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Polaroid landscape photography for sale on 1stDibs.
Find a wide variety of authentic Polaroid landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, Kirsten Thys van den Audenaerde, Carmen de Vos, and Pia Clodi. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Polaroid landscape photography, so small editions measuring 0.4 inches across are also available
Read More
This Photo of the Salton Sea Captures a Serene Moment Amid an Environmental Disaster
Addison Jones shares how she got this gorgeous minimalist shot while immersed in the stink of dead fish.
This Photo of Big Sur Reveals the Awesomeness and Intimacy of Nature
When a beachcomber accidentally stepped in front of Jeffrey Conley’s camera, a perfect moment was captured.
Savor Ansel Adams’s Landscapes and Those of His Ambitious Successors
A new exhibition examines images by the master photographer alongside works by photographers who influenced him and contemporary creators.
These Artists Are Changing the Nature of Landscape Photography
Developing images using contaminated water or printing them on expired photo paper are just a couple of ways today's talents are putting their own spin on tradition.
Recently Viewed
View AllMore Ways To Browse
Gretchen Dow Simpson
Grey Crawford
Gudrun Sibbons Oil Paintings
Gudrun Sibbons
Gustave De Jonghe
Guy Boudro
Hagia Sophia
Hardy Boys Nancy Drew
Harlequin Jester Painting
Henri Biva Paintings
Henri Schaeffer
Henry Robinson Hall
Herve Di Rosa
Highwaymen Art
Hopkinson Smith
Hugh Bolton Jones
Hugo Guinness
Hugo Velazquez