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Michael MassaiaCasino Pier Remnants2012
2012
About the Item
Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board
Signed and numbered, recto
25 x 30 inches, overall mat size
20 x 24 inches, paper size
(Edition of 20)
39 x 48 inches, overall mat size
30 x 40 inches, paper size
(Edition of 10)
This artwork is offered by ClampArt, located in New York City.
Michael Massaia is a fine art photographer and printmaker who has spent the past ten years documenting areas and objects that never extend too far from his front door. Isolation, disconnection, and an attempt to put a spotlight on the ordinary are the constants in all of his work. He focuses primarily on large format black-and-white film, utilizing a variety of highly modified proprietary analog and digital printing techniques. Massaia works alone and is the sole craftsman from the instant the negative is exposed to the moment the final print is made.
In 2008, Michael Massaia started to document the amusement piers that skirt the New Jersey coastline during their most vacant moments (usually between the hours of 4:00 and 6:00 a.m.). These images were predominantly shot on the Funtown and Casino Piers in Seaside Park and Seaside Heights, New Jersey. In 2012, Hurricane Sandy rolled in and completely destroyed both piers. The landscape was forever altered. These images chronicle the final days of these piers, as well as what remained of the piers after the hurricane.
- Creator:Michael Massaia (American)
- Creation Year:2012
- Dimensions:Height: 25 in (63.5 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232898041
Michael Massaia
Michael Massaia is a fine art photographer and printmaker who has spent the past 10 years documenting areas and objects that never extend too far from his front door. Isolation, disconnection and an attempt to put a spotlight on the ordinary are the constants in all of his work. Massaia focuses primarily on large format black-and-white film, utilizing a variety of highly modified proprietary analog and digital printing techniques. Massaia works alone and is the sole craftsman from the instant the negative is exposed to the moment the final print is made.
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