Tree Landscape Photography

Wonderful color photograph of the gnarled trunk of a Coast Live Oak tree by California artist Deborah Eddy (American, b. 1943). Titled "Tree I" on the ma...

This early albumen silver print from an imperial plate was printed prior to 1876, when it was included in an album compiled at the Centennial Expositio...

Beautiful tonality to this particular piece. Not in an edition. Gifted by artist. This negative is retired and the current value is over $15,000. 16x20 is signed and numbered (framed)

Abaco Islander Author Chester Thompson at work in his coconut grove on the Abaco Islands of the Bahamas, March 1986. His ancester Wyannie Malone settled on the islands in 1783, foun...

This is an original, hand-printed contact photograph using the antique cyanotype process. These Monterey pine trees obscured by fog are in the woods across the bay from San Francisco...

This photography series corresponds to the artist's "restless being" paintings. After completing the painting series, which depicts rocks covered with various lichen varieties, Williams took the painted rocks...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, unframed Edition : 1/5 Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape Art...

Darren Almond 69th Parallel 2 2005 Gelatin silver print mounted on aluminum in artist's frame 37 x 47 inches; 94 x 120 cm Edition of 5 Signed in ink (verso) Available from Matthe...

Kate's Dream is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green co...

Cannes Watersports Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. Slim Aarons Chromogenic C print Printed Later Slim Aarons Esta...

Slim Aarons - Neo-Classical Pool - Estate Stamped Edition Limited to 150 only Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents in Palm Beach, Florida, 1985 (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C Type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 40 x 60" inches / ca 101 x 152.4 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords fashion 80s 1980s late 80s summer life family life hot summer beach holiday house blue light dark blue blue blue sky Neo-Classical house neo-Classical architecture palm trees white...

Hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints made. This is a hand-printed contact photograph using the antique cyanotype process...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Archival pigment print available sizes : 40 x 53 cm / 15,75 x 20,87 in. - Edition of 5 56 x 75 cm / 22,05 x 29,53 in. - Edition of 5 75 x 100 cm / 29,53 x 39,37 in. - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Over the course of a 35-year career, Ian crafted captivating images and in recent years used archival techniques to produce his prints. For much of his professional journey, he thrived as both a Commercial and Fine Art photographer eventually focusing on his personal artistic work during his final years. Towards the conclusion of his life's path, Ian and his partner revived two 19th-century printing methods in their studio - Platinum Palladium and Gum Bichromate - culminating in a significant retrospective exhibition in Barcelona sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints were particularly noteworthy as they were printed on transparent vellum paper with pure gold or silver bonded to the back, rendering each piece a unique and timeless work of art. Through their artisanal techniques, they created rare and personalized works. Ian Sanderson was one of the few artists worldwide specializing in this type of production. Now, Ian's partner continues their shared legacy, still creating Platinum Palladium prints as well as silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white photography, 20th. century, Archival pigment print, Hospitality, Forest, Monochromatic Landscape art...

Slim Aarons Estate Print - Cannon Drive Cars driving along Cannon Drive, Beverly Hills, California. (Photo by Slim Aarons) silver gelatin print paper size 16 x 16" inches / 40 x...

3 Trees - Signed limited edition archival pigment print, France, 1996 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was ...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

3 Trees - Signed limited edition archival pigment print, France - Edition of 5 This image was captured on film in 1996. The negative was scanned creating a digital file which wa...

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured ...

Topolino is a photograph taken by Amanda Ludovisi in 2018. It represents the car Fiat Topolino in an elegant boulevard. This is a giclée print on Cans...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Landscapes of Seto Islands is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 Yokohama School print (Yokohama Shashin), realized during the Meiji dinasty (1868-1912). From a collection printed in the Shin-E-Do studio, as evidenced by the ink stamp on some copies. These prints does not show visible stamps on the front. On the lower margin of the prints some hand-written captions in black ink Italian on the cardboard. In the lot, four landscapes...

Slim Aarons Estate Print - John Rawlings - Oversize 1950, Fashion photographer John Rawlings (1912 – 1970) on the beach at Montego Bay, Jamaica. (Photo by Slim Aarons) Chromoge...

Wood - Signed limited edition archival pigment print, 1981 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity , unframed Edition : 1/5 Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 53 cm / 15,75 x 20,87" - Edition of 5 56 x 75 cm / 22,05 x 29,53" - Edition of 5 75 x 100 cm / 29,53 x 39,37" - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. He produced images over a 35 year career, and in recent years used archival techniques to produce his prints. For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery. Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art). They have created rare and personalized pieces with an artisanal technique. Ian Sanderson was one of only a handful of artists worldwide producing this type of work. Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs. Please note that prices increase as editions sell. categories : Black and white Photography, 20th. Century, Archival Pigment Print, Hospitality, Forest, Monochromatic Landscape Art...

Angie Jennings Mystery Woods - Flowers Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standa...

Angie Jennings Mystery Woods - Leaves Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standar...

Angie Jennings Mystery Woods - Mailbox Archival Pigment Print Year: 2024 Visible Size: 7 x 9 inches Framed: 12 x 15 x 1 inches Signed: On Label COA provided *Black frame with standa...

Slim Aarons Estate Print - Palm Beach Street - Oversize Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. (Photo by Slim Aarons) Chromogenic print paper size...

La Coquille Club, Florida Car Park by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available please enquire) Limited Signature...

"Road to Davenport 2", a serene color photograph on Fujicolor professional paper by Richard F. Singer (American, 20th Century). Signed "Richard Singer" and dated "16" lower right. Ti...

Vicki McKenna's color photograph 'Windswept, Mono Lake' is an intimate landscape of an aspen grove along the top of a hill in late autumn, shot in California's spectacular Eastern Si...

Palm Beach Street Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilis...

Ancient Views of Puerto La Unión (El Salvador) is a set of two original albumen prints made by unknown photographer. Prints in excellent condition, applie...

The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...

North Shore Mirage (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #18078 Not mo...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Salton Sea Palm Tree (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #19400 Not ...

Beverly Hills Hotel Slim Aarons Limited Edition Estate Print Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Paper size 20 x 20 inches / 51 x...

Indian Summer VII (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

Indian Summer VI (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artis...

Views of Colombo -Sri Lanka- is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 Very good conditions. Caption in Italian, ...

"Huntington Gardens XLVII," is part of Edward Alfano's "Huntington Gardens," series that he has formed over a number of years. This work is framed and ...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – oft...

Bathers by a pool on the shore of Lake Tahoe, California, 1959. Fashionable bathers relax underneath parasols and on sun loungers beside the swimming pool, overlooking Lake Tahoe o...

Rock Panorama: Pioneer Construction of a Boulder Fence, Located on the Niagara Escarpment - Photographic Print "Early settlers arrived on the Niagara Escarpment in the 1780s. Thes...

Indian Summer V (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Artist...

Rebecca Skinner’s “Nesting” is a 18 x 12 inch metal print and is part of her “Awakening” series. An antique Voltswagen Bug car rests in a foggy landscape in ru...

Unframed. 2022. Signed on the back. This photograph was taken just weeks after the artist's husband died, thus the title, "The Journey's End." Paths that disappear into the mist, p...

Stowe Ski Slope 1955 Cars parked at the foot of a ski slope at the Stowe Mountain resort, Vermont, USA, 1955. by Toni Frissell Very large 60 x 40" inche...

Steve Waters Glen Park, 1995 Black and white photo print Sight: 11.75 x 7.75 in. Framed: 19 5/8 x 16 x 1 1/2 in. Provenance: The Artist

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

"Kansas" is one of a set of four digital prints whose titles were inspired by the iconic film The Wizard of Oz starring Judy Garland. The other three are titled: The Land of OZ, The ...

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Palm Blue House A tall palm tree stretches above the shell of a blue coloured house near Galle, Sri Lanka, 2013. by Stuart Möller Born in Kabul, part German and Anglo-Indian and ...

After (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 18799. Signature label and Certi...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...