Tree Landscape Photography

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

Veronica Vicente (Pontevedra, 1988) presents "In free verse", a series of nine color photographs, in which she delves into the nature of identity and the layers that hide the true se...

"Kansas" is one of a set of four digital prints whose titles were inspired by the iconic film The Wizard of Oz starring Judy Garland. The other three are titled: The Land of OZ, The ...

Steve Waters Glen Park, 1995 Black and white photo print Sight: 11.75 x 7.75 in. Framed: 19 5/8 x 16 x 1 1/2 in. Provenance: The Artist

Into Eternity (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 893. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

After (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 18799. Signature label and Certi...

Palm Blue House A tall palm tree stretches above the shell of a blue coloured house near Galle, Sri Lanka, 2013. by Stuart Möller Born in Kabul, part German and Anglo-Indian and ...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

Blue Day (Wastelands) - 2003 38x37cm, Edition 2/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Artist inventory Number 837. Signature label and c...

Blue Day (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 837. Signature label and cer...

Brand-new addition to the Foggy Woods Collection of forests in northern California near San Francisco. New as of May 14, 2024. This is a hand-printed contact photograph using the ant...

C-print on Endura metallic paper (Edition of 3 + 1 AP) Signed and numbered on label, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series ...

Inspiring possibilities Edition of 25 signed and numbered by the artist The text could not have been better placed in front of the block of flats in hong kong. Luxury advertising in...

Balloon Tree 2018 Signed and numbered, verso Archival pigment print This photograph by Adam Ekberg is offered by CLAMP in New York City. Adam Ekberg (b. 1975, Boston, MA) is an a...

Ceylon Kalawewa - 11 Janner 1893 - It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne of the Austro-Hungarian Emp...

Unframed. 2023. Signed on the back. Narrower than "The Journey's End." This photograph was taken a year after the artist's husband died, revisiting the same path but photographing ...

Kentucky Thoroughbred by Alain Le Garsmeur A thoroughbred horse on the Calumet horse farm, Blue grass country, Lexington, Kentucky, USA, 1984. Paper size 30 x 40 inches / 76 x 101 c...

Australia - Wallendelly River - 23 Mai 1893 - is a vintage photo, part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne o...

Vatican Square Garden, is a photographic print on Agfa Brovira paper, realized by Giuseppe Felici in 1931. On the bach, a black ink stamp "Città del Vaticano/ Nuova Pinacoteca/ 10 OT...

"Line of Trees in Snowy Field" is a black & white landscape photograph measuring 24x36" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 11x17" and 6.5x10". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Trips north of Toronto are required to get large expansive fields of fresh, untrodden snow. This image was taken at a hillside intersection near the town of Caledon, Ontario. What attracted Rick to this view was the curved lines at the base of the trees and the snowy field. Rick Bogacz...

Walking around an Oak Tree - 2021 Edition of 5. 50 x 62 cm each, 50 x 124 cm diptich. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Peel Apart Instant Film (not moun...

"Windswept Pine" is a black & white landscape photograph measuring 27x36" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 12.75x17" and 7.5x10". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. During a visit to Parry Sound, Ontario. Rick made a side trip to Killbear Provincial Park and photographed this windswept white pine. Growing out of a large granite outcrop, it is known as the most photographed tree in Ontario. This photograph was featured in the Horizons group show at Toronto’s Twist Gallery in January, 2023. Rick Bogacz...

Signed and numbered on label, verso 11 x 17 inches // (Edition of 25 + 5 APs) 22 x 34 inches // (Edition of 20 + 4 APs) This work is offered by CLAMP in New York City.

View Of Rome is a vintage black and white photograph realized in the early 20th Century. Good conditions. A historical testimonial of the cityscape thr...

Moving the Flock Through Frattura Vecchia is a beautiful photograph on Pearl photographic paper realized by the artist Cindi Emond in 2020. Edition of 10 prints. Hand-signed on the ...

Kaleidoscope (Till Death do us Part) - 2005 40x40cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Arti...

"Impressions of the High Sierras", a Lithobrome Photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Impressions of the High Sierras" and signed "Sigismund Blumann" on verso. Unframed. Image size, 10.25"H x 13.25"W. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

"A Dance in the Moonlight" a Lithobrome photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. The blue color is the artist's own invention using a copper sulphate toning process. Unframed. Titled "A Dance in the Moonlight" on verso. Image size, 13.25"H x 10.5"W. Sigismund Blumann (1872–1956) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Phone Call (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Palm Frond (Life on Mars) - 2023 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 22308. ...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Somerset (29 Palms, CA) - 2007 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 4506. Not...

Ancient Views of Colombo is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 Very good conditions. Caption in Italian, in i...

Canada - Cascada Mountains - September 10th 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by prince Franz Ferdinand...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features guests at a party at the home of Sebastiano Bergese in Marbella, Spain. This is an estate...

Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. C print 12 x 10 inches Framed Estate stamped and hand numbered edition of 150 with certificate of authenticit...

'John Rawlings' 1950 Slim Aarons Limited Estate Edition 1950, Fashion photographer John Rawlings (1912 – 1970) on the beach at Montego Bay, Jamaica. Slim Aarons Chromogenic C print...

Frozen XVI (Stranger than Paradise) - 2001 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

"Snow Covered Trees" is a black & white landscape photograph measuring 25x36" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-base...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

A group of people relaxing by a pool near Lake Tahoe, California, 1959 (printed later). Relaxing at Lake Tahoe Slim Aarons Estate Edition 40x40 inches Slim Aarons Estate Edition N...

Daily Life in Seto Island is a lot of four hand-inked Albumen print with aniline applied on a single cardboard. Very good conditions. Cardboard cm 26 x 34; Print cm 9 x 13.5 Yokoha...

Untitled (Fairytales) - 2006, 49x48cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

Neo-Classical Pool Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman’s parents in Palm Beach, Florida, 1985. Sli...

A Rainy Day (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

A Rainy Day (The Last Picture Show) - 2006, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Fall (The Last Picture Show) - 2006, 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inv...

Beverly Hills Hotel (1957) Slim Aarons Limited Edition Estate Print Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. (Photo by Slim Aarons) Slim...

Palm Beach Stree Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. Photo by Slim Aarons Chromogenic print Paper size 40 x 40" inches / 101 x 101 cm Please ...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later from the original negative, now retired and housed at the Center for Creative Photography...