Archival Paper Photography

Breathing III (Deconstructivism) - 2015 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid, Artist Inventory 15808. Signature label and Certificate. Not mounted. T...

Self Portrait (Paris) - 1995 50x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #25087. N...

When we were friends (Suburbia) - 2004 28x37cm, Edition of 10, digital C-Print based on the Polaroid. Signature label with Certificate, unmounted. The project "Suburbia" was shot...

Radha doing her Nails by the Pool (29 Palms, CA) - 1999 126x125cm, Edition of 5, analog C-Print, hand-printed by the artist, based on a Polaroid, Certificate and Signature label,...

Looking Back (Till Death Do Us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Stefanie Schneider Polaroid sized unlimited Mini 'Dust Bowl Blues (Heavenly Falls)' - 2016 - signed in front, not mounted. 1 Archival Color Photograph based on the original Polaro...

See image of all offered pieces. Only Edition of 3 each. This edition: 'Kati Heck' (The Eyes Of The Fox), 2018, Edition of 3, 24x20cm Description book: T...

Sam (Stay) featuring Ewan McGregor - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 5040b Not mounted...

Randy and I (Wastelands) - 2003 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1170. Signature label and Cer...

Girl down the Road (The Last Picture Show) - 2006 Edition of 10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist...

mesmerizing large scale photographic capture of strikingly abstract water surface shimmering in soothing tones of cobalt, admiral, azur and lapis blue Wave I (Abstract) by Christian...

'Amalfi horizon' Taken in Amalfi, Italy 2020 40x25cm from a limited edition of 10. The Amalfi coastline slowly recedes into the distance, as if being softly erased by the currents...

Eden (Haley and the Birds) - 2013 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1722...

Ola KOLEHMAINEN (*1964, Finland) Suprematism Nr. 103 Pantheon, 2020 Archive photo (1933) ink print in Artist Frame Sheet 68 x 48 cm (26 3/4 x 18 7/8 in.) Edition of 6, plus 2 AP; Ed....

'Towards Your Heart' Limited edition archival photographic triptych. Unframed, hand signed and numbered (Edition number 3 of 25) _________________ It is not the size Nor power from which you fly But towards your heart The wild Atlantic explodes in raw abandon, given scale in this daring dance by the graceful flight of the sea bird. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the awareness that everything in existence is temporary, they speak of the ephemeral nature of all things. Moments, feelings, experiences cherished and appreciated in their impermanence, for that is where the beauty comes from. 'I work in a balancing act of control and freedom; of discipline and guidance, whilst simultaneously relinquishing all authority and throwing the odds to the winds, to chance encounters and the unexpected'. Photographic triptych: each of three parts measuring 30 x 20 inches. Each printing is bespoke to order and can be printed on a single paper 30 x 60 inches. Please contact me for further information, or send a message with your order. Limited edition of 25 Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Other sizes available * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. ________________________________ About The Artist Sophia Milligan...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 8. All Gerald Berghammer prints are made to orde...

"Modernismo M110" Pop Art Photography 24"x24" in Edition of 24 by Giuliano Bekor Title of artwork: M110 Year: 2012 Printed on a high-quality museum-grade archival photo paper. Not f...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Planes VII - 2008 50x50cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4650. Not mounted. ...

Power Plant Drive By (Vegas) - 2000 Edition 4/10 44x59cm Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid Certificate and Signature label Artist Invent...

Hand in the Sky (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 664.04. Mounted on Aluminum with...

The Girl V (The Girl behind the White Picket Fence) - 2013 125x125cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Archive Crystal Paper, matte surface, based ...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy 50 x 44 inches /...

Homo Naturalis, 2019 Edition 1/7 plus 2 Artist Proofs Digital C-print, based on Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-770 Kirste...

Star Wars (San Francisco) - 2023 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on back with Certificate. Not mounted. The City ...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

The Field (Musica Poetica) - 2016 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #186 N...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 481...

High angle view of women with umbrella on New York City street. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right...

Untitled 08 (Oxana's 30th Birthday) - 2007 40x48cm, Edition of 10. Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 4745. Not ...

April is the Cruelest Month - The Getaway (The Last Picture Show) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Artist inventory N...

Long Way Home (Stranger than Paradise) - 1999, 3 x 58x56cm, installed 58x180cm, (sold out Edition of 10), this is THE last Artist Proof 3/3. 3 Analog C-Prints, hand-printed by th...

Iconic futuristic architectural design of midcentury prefab "Futuro" in Great Tetons Yellowstone landscape, designed by Finnish architect Matti Suuronen...

Untitled (Venice Beach) - 1998 Edition 2/5, 48x56cm Analog C-Print, enlarged and hand-printed by the artist mounted on Aluminum with matte UV-Protection, Based on the Polaroid Art...

A large decal of an American Flag is pasted on the interior of a New York City bus. Street Photographer Mitchell Funk captures a close-up of the bus as it passes by on the street. Th...

Suburbia (Suburbia) - 2004 Edition of 5, 60x80cm each, 200x170cm installed. 6 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on 6 o...

Black and white studio capture of Marlene Dietrich posed in a long fur coat. In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola Lola in Jo...

Artificial Flowers II (Suburbia) - 1999 50x60cm, Edition of 1/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid, ...

Breathing IV (Deconstructivism) - 2015 - about the narrative potential of images. 20x20cm, Edition of 10, Archival C-Print, based on a Polaroid, Artist Inventory 15834. Signatur...

Quintessential view of the Palace of Fine Arts with the picturesque San Francisco Bay and an armada of sailboats. Signed dated and numbered 2/15...

Narween (Saigon) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory Number 22722. Not mou...

Delirium - 2019, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL219-656 Kirs...

Beautiful black and white capture of actor Rock Hudson spinning a lasso on the set of "Giant", 1955. Rock Hudson was an American actor. One of the most popular movie stars of his ti...

Magic Hour (Musica Poetica) - 1999 Edition 3/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificat...

large format beach photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

In Bloom - 2021 Archival C-Print based on a mixed-media collage of an original Polaroid on Hahnemuhle photo rag paper. Edition of 10 plus 2 Artist Proofs. Signature label and cer...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Brooklyn Bridge (Strange Love) - 2005 20x25cm, Edition of 10. Digital C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory No. 18350. Not mounted. ...

Untitled (Paradise) - 1999, 20x20cm. 2/10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 20459. Not mounted...

Desert Crossing (2023) by Frank Schott, from a series of black and white photographs capturing the Golden State's vast desert landscapes 26 x 40 inches / 66cm x 102cm signed editio...

Salton Sea Palm Tree (California Badlands) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #19400 Not ...

Noise - 2022 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2008. Not mo...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

Gilded vintage payphone against pale pink architectural wall, from a series of photographic observances capturing found conceptual objects in urban c...

Palm Springs Palm Trees (Californication) - 2021 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

The Shaman (The Girl behind the White Picket Fence) - 2015 80x80cm, Edition of 5, Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on a Polaroid, ...

Self-Portrait II - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 20x20cm. Digital C-Print based on the Polaroid. Signed on back with Certificate. Not...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Stefanie Schneider Polaroid sized unlimited Mini 'Calliope' - 2013 - signed in front, not mounted. 1 Digital Color Photographs based on a Polaroid. Polaroid sized open Editions ...