Archival Paper Photography

Persephone VIII by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & nu...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Père Lachaise - 1995 Edition of 5, plus 2 Artist Proofs. 60x50cm including white borders. Analog C-Print, hand-printed by the artist and based on the original Polaroid, Signatu...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

'Renée's Dream' no. 5 (Days of Heaven) - 2005 part of the 29 Palms, CA project 26 x 32cm, Edition 4/100. Archival C-Print based on the original Polaroid. Certificate and signatur...

Reflection (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventor...

Palm Trees Dive by (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. A...

Birds flying high (San Francisco) - 2023 40x40cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Certificate. Not mounted. The City San Francisco has always been a special place to me. I am overcome with romantic notions thinking about it. Some real, some imagined. Walking down to Market street feeling my heart skip a beat To see someone who looks like you, I guess that I'm not through Dreaming of the one I love, you know what I'm dreaming of San Francisco days, San Francisco nights San Francisco Days - Chris Isaak...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series The Whispering Dark Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Stratosphere' STRA...

Wastelands, 2003 Edition of 1/10, 38x37cm, digital C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No 864.01 Not mounted. Offered is a piece from th...

Stardust (Las Vegas) - 1999, 44x59cm, Edition 5/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory #553.0...

9-1-1 by Frank Schott 28 x 39 inches / 74cm x 102cm framed signed edition of 25 archival fine art pigment print artist signed + numbered certificate of authenticity framed "Moder...

'Shadow Play', diptych - 2016 'We painted the room deep blue sea over the mint green and opened the blinds, allowing the sun to flood in waves across the walls. We furnished it in l...

Soliciting (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventor...

Street Spirit (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv...

I remember something - 2006, 50 × 108 cm, Edition of 3 plus 2 Artist Proofs. printed on Canson Baryta Prestige mounted on Dibond. Signed on back with Certificate. About myself I w...

Headless (Stay) - 2006 featuring Ewan McGregor 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inventory #5084. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Schneider's art was the art both characters created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as paintings hanging in several scenes within the movie. East River View (Stay) - 2006 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label, artist Inventory No. 2598. Not mounted. Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...

A contemporary color photograph by Roberta Fineberg of a classical Greco-Roman statue in Ostia Antica, the old port of Ancient Rome. The neon landscape captures the spirit of the antiquities with Roman parasol pine trees and the Tiber River in the background. The photograph is in the photographer's Cities series. Demi-God(dess), Italy, 2019 by Roberta Fineberg is a 20" x 16" archival pigment print in an edition of 5. Signed, titled, and dated by the artist. Provenance: RF Studio *** Artist's Bio: Roberta Fineberg (RF) is a New York-based visual artist whose multidisciplinary practice explores serendipity, experimentation, and the evolution of ideas through color, material, and process. Working across photography, drawing, installation, video, and abstraction, she investigates themes of impermanence, play, memory, and transformation. Embracing chance as an essential creative force, her work invites viewers to reconsider the relationships between observation, experience, and the physical world. Fineberg’s exhibitions include Women of Spirit at Zurcher Gallery, New York (2025); Gallery128, New York (2025); Collecting: An Art Fair at Westbeth Gallery, New York (2024); Sojourner Gallery, New York (2022); Phyllis Harriman Gallery (2020, 2022); CADAF Online Art Fair (2020); Gallery122, New York (2018); Curate NY (2013); and Photos, Femmes, Féminisme at Paris Photo (2010). Her work is held in public and private collections, including portraits of women writers at the Bibliothèque nationale de France and the Bibliothèque Marguerite Durand in Paris. In 2022, her photograph Double Helix was featured in Sotheby’s Contemporary Discoveries preview exhibition in New York. Recent commissions include twenty pigment prints from her Roman God...

Plane tear - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4651. Not mounted. ...

Blue Bridge (Stranger than Paradise) - 1999 Edition 5/10, 67x59cm including the white 'Polaroid' frame. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,...

Play among the Stars (Till Death Do Us Part) - 2005 80x30cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certific...

New as of Jan. 1, 2025. This is a brand-new addition to the artist's ever-growing series of foggy woods in northern California near San Francisco. These tall eucalyptus trees are the...

Cherry Tree Blossoms (Till Death Do Us Part), 80x78cm, Edition 1/5, Analog C-Print, hand-printed by the artist based on the original Polaroid. Certificate and Signature label. ...

Pit Stop - 2017, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2017-122. Not...

from a series of works observing the intricate details of the iconic star's stage wardrobe, an epic scale photograph of mesmerizing texture details Liberace III by Christian Stoll ...

'Radha Leopard Dress III' (29 Palms, CA) Edition 3/10, 20x20cm, 1999, digital C-Print, based on a Polaroid. Signature label and Certificate. Artist inventory 18258.03. Not mounted. Featuring Australian actress Radha Mitchell. Living and working in Los Angeles and Berlin, Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Selected Exhibitions 2019 Participating and curating the newly founded Polaroid Museum at the Bombay Beach Biennale 2019 (G) invited project at Saatchi's The Other Art Fair, LA - Polaroid Curation Instant Dreams USA film release March/April NYC, L.A. 2018 participating and curating Bombay Beach Biennale 2018 (G) Rough Play Project, Available for all, Joshua, Tree, USA (G) 2017 BLICKFELD] Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog) Kunstverein Bad Homburg Artlantis, Bad Homburg (G)

 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth, Philip-Lorca diCorcia, Charles and Ray Eames, Robert Mapplethorpe, Lisa Oppenheim, Andy Warhol and others, (catalog)
 Road Atlas - Straßenfotografie, DZ Bank Collection: Kunsthalle Erfurt (Spring), Art Foyer DZ Bank, Frankfurt/Main, (G) with Helen Levitt, Pieter Hugo, Nobuyoshi Araki, Pietro Donzelli, and others (catalog)  
2012
 Stranger Than Paradise, Christian Hohmenn Fine Art, Palms Desert, (S)
 Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, CA, (S)
 Bienale Art Auction 2012, Museum of Contemporary Art San Diego, (G), with Ai Weiwei, John Baldessari, Christo, Ed Ruscha, Christopher Russell... MUSES, Galerie Catherine et André Hug, Paris, France (G) 
Polaroid (IM)POSSIBLE - THE WESTLICHT COLLECTION, NRW Forum Kultur und Wirtschaft, Düsseldorf (G), (catalog)
 Road Atlas - Straßenfotografie, DZ Bank Collection: Kunstmuseum Dieselkraftwerk, Cottbus, (G), (catalog), 
Studio Scholorship, Centro Cultural Andratx, Mallorca, May 2012
 Selling Sex, ShowStudio Gallery, London (G) with Cortney Andrews, Una Burke, Liz Cohen, Inge Jacobsen, and others
 Stranger Than Paradise, Scott White Contemporary, San Diego, (S) 

2011 
Kunst zu verlosen !  // Art to raffle off !, KW Institute for Contemporary Art, (G) with Monica Bonvicini, Tim Eitel...

Mirage - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4636. Not mounted. The...

Mirage (Stranger than Paradise) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #...

The Morning After (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

Gasstation (Stranger than Paradise) - 2000 Edition of 9/10. 3 x 58 x 56 x 0.3 cm, 58 x 188 cm installed. 3 Analog C-Prints, hand-printed by the artist based on 3 original Polaroids....

Lady Bird (Chicks and Chicks and sometimes Cocks) - 2019 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. A...

El Pulpo Mechanico (Black Rock City), Edition 1/10, 20x30cm, 2010, digital Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Two burners heading to Temple, one of the massive temporary structures in Black Rock City The burning of the Temple which happens every year the night after the man burns. Keith Spencer...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

large format photograph capturing iconic elements of modernist midcentury architecture in California desert Palm Springs ( White ) by Frank Schott 40 x 32 inches ( 132 x 81cm ) ed...

I've got this sinking feeling (Bombay Beach) - 2020 35x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate....

Palm Springs ( Cactus ) by Frank Schott 60 x 48 inches ( 152 x 122 cm ) signed edition of 7 40 x 32 inches ( 132 x 81cm ) signed edition of 25 72.5 x 58 inches ( 184 x 147 cm ) ...

from a series of photographic works capturing the sea blue color palette of the ocean Seascape III by Frank Schott 30 x 40 inches / 76cm x 102cm signed edition of 25 48 x 64 inche...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

The Games we played (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label, art...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006 50x50cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on the Polaroid. Signatur...

large-scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea CLOUD Study III...

The Letter (Till Death Do Us Part) - 2005 100x100cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroids. Certificate and...

Palm Trees in the Rain (Stranger than Paradise) - 2000 Edition 2/10, 44x59cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. ...

Pray for the Rain (Till Death do us Part) - 2005, 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. ...

Steve Wilson Logan (Portrait, Soft, Sepia) Archival Pigment Print on Archival Paper Year: 2016 Visible Size: 18 x 13 inches (45.72 x 33.02 cm) Framed Size: 26 x 21 x 0.75 inches (66....

mesmerizing large scale capture of a strikingly abstract water surface WAVE II by Christian Stoll 48 x 48 inches (122 x 122cm) signed edition of 7 5...

Lalala (Till Death do us Part) - 2005 including SX-70 Polaroid camera signed 20x20cm, Edition 2/10. Archival C-Print, based on the Polaroid. Certificate and Signature label. A...

Backyard (2014) 40x40 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on the Fuji Instant Film. Signed on back with Certificate. Not mou...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow' Flow I by Ch...

Pink Flower Carpet (Zuma Beach) - 1999 43x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signed on back and Certificate. Artist Inventory #2...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signatur...

A Strange Occurrence at the Dingle (shot 2018 on SX70 film) Influenced mostly by Old Hammer, Twin Peaks, the Supernatural and Pulp Horror a young bride appears mysteriously nobody ...

Sunscreen (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1389. N...

Concorde - Limited edition pigment print - Limited Editions of 5 Paris under the snow, France, 2005 Signed + numbered by artist with certificate of authenticity. Archival pigme...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

Vanilla Sky by Frank Schott a series of images capturing the epique infinety of White Sands 27 x 40 inches / 66cm x 102cm edition of 25 signed 48 x ...

Tripping (Stranger than Paradise) - featuring Marc Forster and Greg Lauren - 1997 - 29 Palms, CA Edition 3/5, 44x59cm. Analog C-Print, printed by the artist, based on the Polaroi...

Matilda (Chicks and Chicks and sometimes Cocks) - 2019 50x49cm, Edition of 10. plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory 22234. Sign...