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Plexiglass Photography

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Medium: Plexiglass
CALICES TRIPTYCH - Large scale ( 58 x 67.5 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This a large scale Triptych : 58 x 67.5 " / 147 x 170 cm Limited Edition of 7 signed by the artist, numbered, with a certificate of authenticit...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment

Clouds 17
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Clouds 16
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Honey Perfume Rose Wall Flower
Located in Brooklyn, NY
"Honey Perfume" by James Chadwick from his Wall Flower series is inspired by the deeply saturated images of Bertram Park from the 1930's and 40's. Includi...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass

Clouds 15
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Stefanie Schneider Minis - Memories of Love III (The Girl behind the White ... )
Located in Morongo Valley, CA
Stefanie Schneider's Minis 'Memories of Love' (The Girl behind the White Picket Fence) - 2013 signed and signature brand on verso Lambda digital Color Photographs based on a Polaroid...
Category

Early 2000s Contemporary Plexiglass Photography

Materials

Color, Lambda, Polaroid, Plexiglass, Archival Paper, Photographic Paper

First of May, Limited Edition Photograph, Plexifacemount, Trees, Blue, Green
Located in Riverdale, NY
First of May is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 24". It is filled with Blues and Green colors. It is $1,850. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Paper, Archival Pigment

CHERRY BLOSSOM TRIPTYCH, large scale (66 x 59 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych of 3 x (66 x 19 "), total 66 x 59 " / 167 x 150 cm Limited Edition of 7, signed by the artist, numbered, with a cer...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment

Clouds 12
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Picturesque
Located in Milano, IT
PICTURESQUE 2014 From “Caravaggio-Lux et Filum” project Print run 7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 60X80 Print run 7+2PA (plexiglass on alluminium dbond 3mm) CM 30X40 Print run 10+2PA (unframed, in design folder) The reinterpretation of Caravaggio’s works is probably Monica Silva...
Category

2010s Pop Art Plexiglass Photography

Materials

Plexiglass, Digital, Digital Pigment

RED DOT SOL II TRIPTYCH- Large scale ( 66 x 56 ") on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych 3 x (66 x 18 ") Limited Edition of 7, signed by the artist, numbered, with a Certificate of Authenticity Printed on Kodak Pro Endura, Mounted on alumi...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment, Photographic Paper, Digital Pigment

Bleed # 202305 (Abstract Photography)
Located in London, GB
Bleed # 202305 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...
Category

2010s Abstract Plexiglass Photography

Materials

Plexiglass, C Print

CLEMATITES I - ( on Dibond under Acrylic glass )
Located in East Patchogue, NY
Limited Edition of 7 Printed on Kodak Pro Endura, Mounted on aluminium Dibond, under acrylic glass Slim case framing, Aluminium braces at the back. From the Series "Designed by Nat...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment

Gathering, Limited Edition Photograph, Plexifacemount, Trees, Blue, Green
Located in Riverdale, NY
Gathering is a limited edition photograph by Nancy C. Woodward. This is a limited edition photograph with a plexifacemount. It 24" x 20". It is filled with Blues and Green colors. It is $1,650. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Paper, Archival Pigment

Bleed # 202305 (Abstract Photography)
Located in London, GB
Bleed # 202305 (Abstract Photography) Chromogenic Print Face-mounted 3mm Matte Plexiglas - Unframed. Backed with Dibond and C-channel hanging system + keyhole option. Available on...
Category

2010s Abstract Plexiglass Photography

Materials

Plexiglass, C Print

Clouds 14
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Clouds 13
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

TULIP TRIPTYCH - Large scale ( 66 x 56 " ) on Dibond under Acrylic glass
Located in East Patchogue, NY
This is a large scale Triptych : 3 x (66 x 18 "), total : 66 x 56 " / 167 x 142 cm Limited Edition of 7, signed by the artist, numbered , with a Certificate of authenticity Printed o...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment

LOTUS (No 30) Photography Ed. of 25 32x32 inch by Yevgeniy Repiashenko
Located in Culver City, CA
LOTUS (No 30) Photography Ed. of 25 32x32 inch by Yevgeniy Repiashenko Year photo was taken: 2019 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

Archival Pigment, Plexiglass

Astroland (Stay) Mini - mounted - based on a Polaroid
Located in Morongo Valley, CA
Stefanie Schneider's Minis - The size of a Polaroid. Astroland (Stay), 2006. Lambda digital Color Photographs based on a Polaroid. Signed and signature brand on verso. Polaroid...
Category

Early 2000s Contemporary Plexiglass Photography

Materials

Archival Paper, Color, Lambda, Polaroid, Plexiglass

"M14" Photography (FRAMED) 40" x 40" inch Edition of 20 by Giuliano Bekor
Located in Culver City, CA
"M14" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor This Artwork is printed on a highest resolution fine art archival Kodak pearl pigment paper, Print mounted on dibon...
Category

21st Century and Contemporary Pop Art Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Hommage a Yves Klein - The Girl
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history ...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

C Print, Plexiglass

"No title (No 16)" Print Edition of 28 36" x 36" inch by Yevgeniy Repiashenko
Located in Culver City, CA
"No title (No 16)" Print Edition of 28 36" x 36" inch by Yevgeniy Repiashenko No title (No 16) Photography print Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

Archival Pigment, Plexiglass

Time Lapse Christopher Street, NYC - Last Piece
Located in East Patchogue, NY
!!! LAST EDITION OF "CHRISTOPHER STREET " AVAILABLE IN ALL SIZES !!! Printed on Kodak Endura Pro mounted on Dibond aluminium, under .24" acrylic glass, framed in a silver slim case...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

CHERRY BLOSSOM ( on Dibond under Acrylic glass )
Located in East Patchogue, NY
Limited Edition of 7, signed by the artist, numbered, with a certificate of authenticity Printed on Kodak Pro Endura, Mounted on aluminium Dibond, under acrylic glass Slim case fram...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Photographic Paper, Digital Pigment, Archival Pigment

"Butterfly 7" (FRAMED) Photography 16" x 16" inch Edition 1/20 by Giuliano Bekor
Located in Culver City, CA
"Butterfly 7" (FRAMED) Photography 16" x 16" inch Edition 1/20 by Giuliano Bekor Title: Butterfly B7 Year: 2018 Print size: 16" x 16" Inch Framed size: 20" x 20" Inch Edition: 1/20...
Category

21st Century and Contemporary Pop Art Plexiglass Photography

Materials

Photographic Film, Plexiglass, Archival Pigment

Clouds
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Paolo Sorrentino
Located in Milano, IT
PAOLO SORRENTINO 2011 From “Portraits” project Print run 11+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 60X80 11 +2PA (plexiglass on alluminium dbond 3mm) CM 30X40 8/11 +2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Digital

The Fish that new too much (Triptych)
Located in Milano, IT
THE FISH THAT NEW TOO MUCH (TRIPTYCH) 2013 From “The Transience of life” project CM 70X99 (Single piece size CM 70X33) Print run 10+2PA Digital Photography Fine Art Print on Ca...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Digital

Clouds 10
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

"Fireball II" Figurative Nude, Silver Gelatin Photographic Print
Located in New York, NY
Lynn Bianchi is a New York City-based, fine art photographer and multimedia artist. She has shown work in over thirty solo exhibitions and in museums worl...
Category

Early 2000s Contemporary Plexiglass Photography

Materials

Plexiglass, Black and White, Silver Gelatin

Clouds 2
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Clouds 11
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Clouds 3
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Whites 039
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

Plexiglass, C Print

Juicy vision
Located in Milano, IT
JUICY VISION 2019 From “Sexy pop fruits” project CM 120X90 Print run 2/7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (7 + 2PA), signed and certificated by the artist More sizes within the edition 7 + 2PA: CM 80x60 (plexiglass on alluminium dbond 3mm) CM 40X30 (unframed, in design folder) Sexy Golden Fruit celebrates the classic symbolism linked to food in a gold version and transforms the art of good food into pop art. The images of the Sexy Golden Fruit project are inspired by classic art with pop-style interpretations of fresh fruit and vegetables painted in gold. The classic iconography of the “natura morta” has always been a stratagem to deal with the sexual and sentimental sphere: in fact, since the Middle Ages, we have numerous examples in history of the erotic life through the use of food which, today as then, is an element of everyday life. Catullus also wrote innumerable poems on food as a metaphor for the sexual sphere. A perfect cultural liaison: elements of the artistic and culinary tradition, intrinsic to a latent and profoundly pulsating feeling in living within each one of us "."Sexy Golden Fruit Series", where "the iconographic references are a mere starting point for a desecration practised paradoxically by painting the fruits in gold, with an overbearing allusion to the sexual metaphor that belongs since antiquity to the painting genre. Once again, if photography often wearily insists on a pleonastic exercise of hyper-realism that is inherent to the medium, it applies a sort of hyper-anti-naturalism. These fruits are above all thought-provoking, bold icons”. “Monica Silva...
Category

2010s Pop Art Plexiglass Photography

Materials

Plexiglass, Digital, Digital Pigment

"Butterfly 22" Photography (FRAMED) 50" x 50" inch Edition 2/8 by Giuliano Bekor
Located in Culver City, CA
"Butterfly 22" Photography (FRAMED) 50" x 50" inch Edition 2/8 by Giuliano Bekor Title: Butterfly B22 Year: 2018 Print size: 50" x 50" Inch trim bleed Framed size: 52" x 52" Inch ...
Category

21st Century and Contemporary Pop Art Plexiglass Photography

Materials

Photographic Film, Plexiglass, Archival Pigment

Algas 45-IV. From the series Mareas. Cyanotype photograhs Mounted
Located in Miami Beach, FL
Algas 45-IV, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper The piece is mounted on a circular aluminum sheet, on a 47 cm diameter transparent acrylic ...
Category

2010s Abstract Plexiglass Photography

Materials

Archival Pigment, Plexiglass

Algas 45-XIX. From the series Mareas. Cyanotype photograhs Mounted
Located in Miami Beach, FL
Algas 45-XIX, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper The piece is mounted on a circular aluminum sheet, on a 47 cm diameter transparent acrylic...
Category

2010s Abstract Plexiglass Photography

Materials

Archival Pigment, Plexiglass

Unzippin' Gold
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

C Print, Plexiglass

Algas 45-V. From the series Mareas. Cyanotype photograhs Mounted
Located in Miami Beach, FL
Algas 45-V, 2022 by Paola Davila From the series Mareas Cyanotype on 300 gr cotton paper The piece is mounted on a circular aluminum sheet, on a 47 cm diameter transparent acrylic c...
Category

2010s Abstract Plexiglass Photography

Materials

Archival Pigment, Plexiglass

Glow Words no. 1, Cotton Candy, Fine Art Photography, Mounted in Plexiglass
Located in Armonk, NY
Glow Words no. 1, Cotton Candy is a fine art photograph mounted in plexiglass. Allyson sees the world through a unique lens, her work ranges from urban graffiti to capturing differen...
Category

2010s Other Art Style Plexiglass Photography

Materials

Plexiglass

Jelly Fish
Located in Milano, IT
JELLY FISH 2019 From “The Transience of life” project CM 120X90 Print run 9+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, ...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Digital, Digital Pigment

Dietrich Mood
Located in Milano, IT
DIETRICH MOOD 2011 From “Portraits” project Print run 7+2PA Digital Photography Fine Art Print on Canson Infinity Platine Photo Rag , Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition, signed and certificated by the artist More sizes: CM 80X60 Print run 7+2PA (plexiglass on alluminium dbond 3mm) CM 40X30 Print run 10+2PA (unframed, in design folder) “If you look me in the eyes, you find yourself reflected.” Portrait. The most powerful and profound media that exists. It talks about the subject being shot but mostly it talks about who is shooting. A double glance that investigates the other but in return allows ourselves to be questioned. Eastern cultures are well aware of the magical power of portraiture and are wise enough not to waste its inherent energies. Monica Silva...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Digital

The girl in the mirror
Located in Milano, IT
THE GIRL IN THE MIRROR 2022 From “Art Beyond Imagination” project Print run 9+2PA Digital Photography Fine art print on Fineart Hahnemule photo Luster 260GSM, Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (9 + 2PA), signed and certificated by the artist More sizes within the edition 9 + 2PA: CM 60X80 CM 30X40 Art Beyond Imagination is a project that creates a bridge, a dialectic between ancient and contemporary art by opening up to new visions and perspectives that expresses creativity that leaves nothing to chance and which at the same time manages to be free. It is a peculiar research by Monica Silva...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Digital, Digital Pigment

Do androids dream of electric sheep?
Located in Milano, IT
DO ANDROIDS DREAM OF ELECTRIC SHEEP? 2022 From “Art Beyond Imagination” project Print run 9+2PA Digital Photography Fine art print on Fineart Hahnemule photo Luster 260GSM, Epson UltraChrome K3 ink, plexiglass on alluminium dbond 3mm Each limited edition original photograph is printed in Italy under artist supervision in strictly limited edition (9 + 2PA), signed and certificated by the artist More sizes within the edition 9 + 2PA: CM 60X80 CM 30X40 Art Beyond Imagination is a project that creates a bridge, a dialectic between ancient and contemporary art by opening up to new visions and perspectives that expresses creativity that leaves nothing to chance and which at the same time manages to be free. It is a peculiar research by Monica Silva...
Category

2010s Pop Art Plexiglass Photography

Materials

Digital, Digital Pigment, Plexiglass

Clouds 6
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Clouds 7
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Archival Pigment, Plexiglass

"Palazzo Veneziano", photography by Dimitri Bourriau (39x59), 2023
Located in Paris, France
"Palazzo Veneziano", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French p...
Category

2010s Photorealist Plexiglass Photography

Materials

Plexiglass, Color

Beachscape 03 - landscape photography
Located in New York, NY
This art work is a photo of the Tel Aviv beach taken by Pardo and then manipulated to make it look as a surreal beach. The people were there, playing, surfing, lying down. Pardo just...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Renaissance - Revival 18
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Cowboy TV (framed) - large photograph of iconic western in American landscape
Located in San Francisco, CA
large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott 30 x 40...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

Photographic Paper, Archival Pigment, Plexiglass, Archival Ink, Archival...

"Face From The Past", Roaring Twenties-inspired Female Portrait, Flapper Girl
Located in Utrecht, NL
Jenny Boot started painting as a form of self-expression. After a while she chose to study photography. She graduated in Amsterdam in 2012 as a fashion photographer. In her graduatio...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass

"Skull SKRT-LED Transparent" Photography 50"D Edition 3/8 by Giuliano Bekor
Located in Culver City, CA
"SKGT-LED Transparent" Photography 50"D Edition 3/8 by Giuliano Bekor From the SKULL series Title: Skull SKRT-LED Transparent Year: 2018 Print size: 48 Inches diameter trim bleed ...
Category

21st Century and Contemporary Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Paper, Lenticular

"Flying Carousel, photography by Dimitri Bourriau (39x59), 2023
Located in Paris, France
"Flying Carousel", photography by Dimitri Bourriau. Print mounted on aluminum with plexiglas, framed. Edition of 15. Dimitri Bourriau is a French pho...
Category

2010s Photorealist Plexiglass Photography

Materials

Plexiglass, Color

"Easily Stills the Waves, " Contemporary Figural Photograph, 40" x 60"
Located in Westport, CT
This contemporary figural limited edition photograph by Alyssa Fortin captures a view from under water, looking at two women from behind wearing long, flowing dresses made of soft, light fabric. They face away, with heads above the water and out of view, embracing one another. The warm tones of the figures and fabrics contrasts with the cool blue and green of the water. An edition size of 10, this photograph is printed on Juniper Baryta Rag museum quality archival paper, and framed in a modern white Larson Juhl frame under high quality plexiglass. The print size itself is 40" x 60" with a frame face of 1 1/2". The work is framed flush with the edge of the print without a mat. Each print is individually signed, numbered, and accompanied by a Certificate of Authenticity. To purchase this limited edition print in a different size or unframed on paper, please contact us. Please allow 2-3 weeks for printing and production. Alyssa Fortin’s extensive scope includes portrait, travel and fine art photography. Known for her intimate black and white portraits and vibrant color travel photographs...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Paper

Renaissance - Revival 14
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Renaissance - Revival 15
Located in Miami, FL
Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category

2010s Contemporary Plexiglass Photography

Materials

Plexiglass, Archival Pigment

Plexiglass photography for sale on 1stDibs.

Find a wide variety of authentic Plexiglass photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Paul Snell, Paul-Émile Rioux, Stefanie Schneider, and Giuliano Bekor. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plexiglass photography, so small editions measuring 0.1 inches across are also available

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