Savannah Spirit

'Topaz' Black and White Nude Classical Silver Gelatin

2021

Savannah Spirit Reach 24 x 24 inches Archival pigment print on Hahnemühle Photo Rag. Edition 1 of 5 Signed by artist Latest press ARTSY: May 28, 2019: The Photographers Fighting In...

In this rich self portrait, Savannah Spirit takes the tradition of black and white female nude photography, and turns the gaze back on itself. In this series, the muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Through her artwork and curation, Spirit takes on technology and social media censors who operate on the assumption that any unclothed body is pornography. Archival pigment print on Hahnemühle Photo Rag. Savannah Spirit Listening to Debussy Edition 2/3 Edition of 3 "We are unique beauty, we are strong, we are equal, we are body-positive, we are elegant, we are powerful, we are vulnerable. We are our own muses." Exhibition History: Woman March 31st – May 1st, 2018 Undercurrent Projects Also featuring works by: Lillian Bassman, Elinor Carucci, Louise Dahl-Wolfe, Nona Faustine...

In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Through her artistic, social and curatorial projects, Spirit also takes on technology and social media censors, who assume that the unclothed body of a human, especially of those who identify as female, is pornography that must be controlled. Her artwork asserts that a woman is her own muse. Archival pigment print on Hahnemühle Photo Rag. Press FORBES: Savannah Spirit Wants to Trigger Your Trump VICE: Erotic Art Fights Trump with Scenes of Female Pleasure BULLETT: The Art Show Fighting Fascism with Erotica HUFFINGTON POST: Artists Are Resisting Trump's Misogyny with Erotic Art DAZED: The Erotic Show Taking on Donald Trump Archival pigment print on Hahnemühle Photo Rag. Published: City Journal Huffington Post The Color Theory Expert Snap The Nation Global Yodel THE magazine Live Mag! The Villager Ravelin D/Railed Magazine Open Letr Style: This photograph combines a feminist eye and modern feminism with classic vintage pinup...

Savannah Spirit We The Nipple 30 x 30 inches Archival pigment print on Hahnemühle Photo Rag. Edition of 5 Signed by artist Erotica to save our souls. Latest press ARTSY: May 28, 2019: The Photographers Fighting Instagram’s Censorship of Nude Bodies, by Kelsey Ables. First artist featured: Savannah Spirit. In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Her artwork asserts that a woman is her own muse. Through her artistic, social and curatorial projects, Spirit also takes on technology and social media censors, who assume that the unclothed body of a human—especially a female human—is by definition, pornography, in need of control. Press FORBES: Savannah Spirit Wants to Trigger Your Trump VICE: Erotic Art Fights Trump with Scenes of Female Pleasure BULLETT: The Art Show Fighting Fascism with Erotica HUFFINGTON POST: Artists Are Resisting Trump's Misogyny with Erotic Art DAZED: The Erotic Show Taking on Donald Trump Internal: Savannah Spirit, Black and White Photography, Black and White Nude...

"WH2" Photography 48" x 84" inch Edition 1/6 by Giuliano Bekor From WILD HORSES series Archival exhibition Giclee Baryta print Not framed. Ships in tube. WILD HORSES series A man, it is said, never forgets a great horse, nor the horse a great man. Put the thoroughbred, the draft horse, the Lipizzaner stallion, and the wild Mustang, into the same coral, and they act as equals – no blinders, no misery, no slavery. Man, though, must harness and lash the horse. In becoming the horse – wearing his mane, strapping on his saddle, chomping on his bit – his civilized skin peels away. A terrible beast is let loose. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...

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