Hand Nude Photography

Ed. 1/5, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

"W" Black & White Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Avai...

Floored - 2024 - 50x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-005. Not moun...

Cornerstone II - 2023, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2024-00...

"Pola Girls 11" Unique Polaroid Photography by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area Comes with A...

Flight Photograph, 30x48 cm

Figure No. 106 2008 Signed and numbered in pencil, verso Inquire for information on other sizes from 14 x 11 inches to 40 x 30 inches (Total edition of 12). Portfolios of 28 signed ...

Signed and numbered in pencil, verso Figure No. 50 2005 Inquire for information on other sizes from 14 x 11 inches to 40 x 30 inches (Total edition of 12). Portfolios of 28 signed a...

Her gaze Photograph, 33x33 cm

This artwork is offered in 3 sizes. The price of the artwork increases with the edition. Please contact us to inquire about the current edition number, availability, and price. This is a new image in the series, published November 2021. This edition is framed in a black float frame , Laminated and mounted to Aluminum. Size 1: 43 3/10 × 28 3/10 × 2 in (110 × 72 × 5 cm) - edition of 6 Size 2: 63 × 41 7/10 × 2 in (160 × 106 × 5 cm) - edition of 9 Size 3: 82 7/10 × 55 1/10 × 2 in (210 × 140 × 5 cm) - edition of 3 please inquire for a custom shipping quote - shipping worldwde The Painters Project by Eric Ceccarini is an ongoing collection of collaborations with painters and models that give birth to a number of distinctive photographs. Ceccarini offers the artists the opportunity to collaborate with some of the very best models he has worked with throughout his career to create an array of spectacular images. The Artist brings his own creative universe, techniques and palette, the Model their personality and body language. The model and artist interaction is key to the process. The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork. Eric sets himself apart from others by shunning technical artifice and working in natural light, outside the studio. This results in soft, velvety, almost painterly images that amaze. Eric is a Belgian artist born in 1965. He gained a degree in photography from infac, Brussels in 1987, and has since then been a fashion photographer working with many of the top houses. Chopard, Elle, Marie-Claire, L’Oréal, Levi’s, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are just some of Ceccarini’s high-profile clients. Keywords: Photography, painting, model, contemporary, collaboration, women, paint, writing, shapes, black, white, blue, nude, body, beauty, emotion, pride, belgium, colors, bright, silhouette, french art, portrait, nude, body, portrait, thick layers, material, lina redford...

Exposure, Kristen Pazik, Milan, 2000 55 x 43 inches - Edition of 10 Framed (black or white)

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Since 1995 I have used a great deal of my time to study the lines and curves of the female body. Long before that I already had the idea that the female body contains every line, ev...

"Restraint" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube Ben Cope is a Georgia native graduating from Colum...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

Cups II (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 2912. Not mounted. This pr...

Abstract view of the female body, shot amongst the cattails in Long Island, NY. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon r...

Making out in Car (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on a Polaroid, Certificate and Signature label artist...

Signed, dated, and editioned on the back of the print.

This 1980s portrait photograph, captured by society photographer Slim Aarons, features Catherine Wilke joining the topless sunbathers at the Hotel Punta Tragara on the island of Capr...

Gabriel Wickbold Better naked than yours #5, 2017 32 x 32 inches 80 x 80 cm Edition of 15 47 x 47 inches 120 x 120 cm Edition of 15

Digital Photograph from Film Original ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K...

Brigitte LUSTENBERGER (*1969, Switzerland) Not titled yet, from the series 'A Gaze of One's Own‘, 2021 Silver gelatin print on Baryta paper Sheet 70 x 70 cm (27 1/2 x 27 1/2 in.) Edition of 5, plus 2 AP; Edn. no. 1/5 print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...

"Thorned Heart" Nude Photography 24" x 32" inch Edition 1/7 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 18" x 24" inch Edition of 7 24" x 32" inch...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

An underwater black and white photograph of a young topless woman in a pool. Original gallery quality archival pigment print signed by the author. Limited edition of 24 Paper si...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Slim Aarons Catherine Wilke, 1980, Printed Later C print Estate stamped and numbered edition of 150 with Certificate of authenticity Catherine Wilke joins the topless sunbathers a...

Though each love is experienced as unique and though the subject rejects the notion of repeating it elsewhere later on, he sometimes discovers in himself a kind of diffusion of amoro...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

Johanna • Paris, 2006 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being "pointed at" or rather as self-pointing. T...

Archival Color Pigment Print Edition of 13 + 2AP Union: From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carry...

"In a few photographers like Mauricio Velez does aesthetic become ethic. Every portrait scene is seamless. Every composition is an impeccable piece: the light, gesture, even the pref...

In his new photographic art series, Erkaya revolts against individual and social de-sensitization. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. When we see ourselves in the eyes of the models in the mirrors...

All about narcissism. The series, which he started during the exhibition of the Don't Tell Mama photography series at the European Nu Photo Festival (Europeen de la Photo de NU) held...

Jeff Robb Aria ix, 2018 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, ple...

Barbara Luisi, photographer and violinist, born in 1964 in Munich is living now between Vienna and Venice. Her works on paper and silk present a unique and moving look at nature and ...

"Human Nature Pt. 3" Photography 30" x 24" inch Edition 2/7 by Brendan North not framed ships rolled in a tube ABOUT: Brendan North is a fine art photographer based in Los Angeles....

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

The unique angle in this photograph emphasizes the tension in the arms as the subject ascends the ladder. Dark and light contrast beautifully to create the architectural scene. The photograph is matted and framed in and antiqued silver painted frame with non-reflective glass. Dimensions shown are framed size. Doug Birkenheuer...

Unmade Beds, East Village, New York, 1976 by Fernando Natalici: Cooler than cool, "Unmade Beds" was photographed on the set of the Amos Poe directed film of the same title - a seminal work which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. This swanky, historic photo...

Unmade Beds, East Village, New York, 1976 by Fernando Natalici: Cooler than cool, "Unmade Beds" was photographed on the set of the Amos Poe directed film of...

Exposure, Tyra Banks II, Milan

ALAIN DAUSSIN Signed by the artist on the back and certificate Format 40X50 cm Baryta paper Numbered /30 ex Selling price : 1980 euros

Reinhard Görner’s Venus and Amor I presents an exquisite close-up of Lucas Cranach the Elder’s 1530 masterpiece, capturing the delicate interplay of sensuality and symbolism characte...

This large photograph is printed with archival pigmented inks on 100% rag paper. The paper size measures 34 x 50", framed size is 38 x 54". The art is signed on the lower right and...

'Marilyn Monroe, 1962' by American photographer, Lawrence Schiller. Digital pigment, Ed. of 35. Image: 13 x 18.5 in. / Paper: 16 x 20 in. From the set of the film 'Something's Got to Give', this colored photograph features Marilyn Monroe in a pool with her leg resting over the edge. In 1962, Schiller received an assignment from Paris Match...

Black and white original photography by Cyrille Druart. Edition: I/VIII Dimensions: 90 x 60 cm Signed and numbered Cyrille Druart is a French photograph and architect, a book abo...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

"Suffocate" (FRAMED) Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships rolled in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait a...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

D Flowers is a painter and photographer at the forefront of this particular style of photography. He has been working in this style for many years and is a master of his technique. I...

Ed. 2/5, includes white frame with white mat. A Long Island native, von Hohenberg has always been a world traveler and took an interest in photography at the young age of fourteen. ...

"Aperture 12", 3D lenticular print, white wooden frame, photography by Jeff Robb. Lenticular printing is a technology in which lenticular lenses are used to produce printed images ...