Early 2000s Photography

'Camille's Catching' (Beachshoot) The Original Polaroid - Unique Piece 1/1 - 2005 10.8x8.8cm including white Polaroid frame Artist inventory 21384.00 signed on verso Stefanie Schne...

Girl at Fence III (The Last Picture Show) - 2005, 58x56cm. Edition 2/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. Arti...

Bombay Beach Pirates II (Ensign Broderick record Shoot 'Blood Crush') - Bombay Beach, CA - 2019 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid...

Untitled (Oilfields) - 2004 60x60cm, Edition of 10, Analog C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1223. Not mounted. Stefanie Schn...

Thunderbird Motel (The Last Picture Show) - 2005 58x56cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface. Based on an original...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

Wildflower (Wastelands), 2003 Edition 2/5, 58 x 57cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Signat...

Emser - Mindscreen 6 (Stranger than Paradise) - 1999 58x57cm, Edition 5/10. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Sign...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 489...

Impact - it all began quite simply I was very happy (Wastelands) - 2003 Edition of 5, 100x100cm. Archival C-Print, based on the Polaroid. Artist inventory Number 1189.08. Mounted...

The Argument (The Princess and her Lover), 2007 Edition of 10, 20x24cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory #7011. Not moun...

Untitled (Traintracks) - The last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist...

Memories of Green II, triptych, Edition 1/5 , 2003 each 58x56cm, installed with gaps 58x178cm, 3 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

Untitled (Cathy and Shannon) - 2004 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 487...

Put Your Feet Up - Signed limited edition archival pigment print - Edition of 5 Brighton, UK year : 2000 This image was captured on film. The negative was scanned creating a ...

The Fog (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Nu...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

North Shore Motel, photography by Richard Heeps captured in the Salton Sea, California. A classic American faded roadside Motel, the mid-century architecture stands against with blue...

Exxon (Stranger than Paradise) - 1999 58x57cm, Edition of 10 (last Edition), plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based ...

Above the Clouds (29 Palms, CA) - 2008 40x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #...

A Cowboy silhouette, captured in Kanab, the home of many Western Movies. This artwork is typical of one of Richard's signatures, a surreal twist using composition to play with realit...

Paree #02, 2011, Edition printed 2018, Edition 1/7 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm -...

Don't give up on us, Baby (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature...

Water Tower (The Last Picture Show) - 2005 Edition 2/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artist...

Oldsmobile and Sinful Barbie's, from Richard Heeps' 'Man's Ruin' Series. This artwork is part of a sequence capturing Wendy at the Rockabilly Weekender, Viva Las Vegas, these Barbie'...

"David Bowie Heathen" by Markus Klinko David Bowie Heathens album cover, 2002, framed in an orange wood frame with anti glare Perspex. (photo by Markus Klinko) Heathen (stylised as uǝɥʇɐǝɥ) is the 23rd studio album by English musician David Bowie. It was originally released in Europe on 10 June 2002, and the following day in America. After departing EMI/Virgin, it was his first release through his newly-formed ISO Records label, in conjunction with Columbia Records. It reunited Bowie with producer Tony Visconti, marking the two's first full-album collaboration since 1980's Scary Monsters. Recording mostly took place at New York studios from August 2001 to January 2002 and featured overdubs from several guest musicians, including Dave Grohl and Pete Townshend. Two tracks, including "Afraid" and "Slip Away" evolved from Bowie's shelved Toy album, while three were covers by Pixies, Neil Young and the Legendary Stardust Cowboy. Framed Orange Framed Size: 33" x 24" (Inches) Image Size: 28" x 19'' (inches) Vintage C Type Poster...

Every Single Incident Weighs Tons (The Girl Behind the White Picket Fence) - 2013 90x89cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificat...

Love Scene against the Wall - part 3 (Sidewinder) - 2007, 40x39cm, Edition 3/10. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist Inven...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Rapscallion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invento...

Formalist sepia toned still life photograph of white lily flowers and brown plantains on a tabletop Lilies and Plantains, by David Halliday, printed in 2003 Sepia toned silver gelati...

Suspicion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

Alice (Stranger than Paradise) - 2004 38x37cm each, installed with gaps 38x210cm, Edition of 2/7, 5 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, base...

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...

Joy (Stage of Consciousness) - 2007 part of the 29 Palms, CA project - featuring Radha Mitchell 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polar...

Palm Springs Pool Side, photograph by Richard Heeps taken at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs architecture set against saturated b...

Devotion (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory # 7947. Not mounted. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres...

Lone Pine Dreaming (The Last Picture Show) - diptych - 2005 Edition 1/5, 58x57cm each, 58x119 installed. 2 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Pap...

Feathers (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory ...

Ecstasy (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inventory #...

Day Worker (American Depression) - 1999 58x57cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature Label and Cert...

Setting the Stage (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist I...

Wisbech St Mary's Wash Looking North, British landscape photograph from Richard Heeps series, 36 Minutes in Cambridgeshire. Richard Heeps was awarded a Millennium Year of the Artist...

Transformation (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Inve...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artis...

'Glamour Cabs', photography by Richard Heeps, taken at the glamorous retro event Goodwood Revival. It perfectly captures elegant feminine sophistication with a vintage vibe, a nod to...

The Cook Bank Building, in Rhyolite, Nevada, is a metaphor for the ghost town in which it sits. Once booming in the gold rush, these historic relics are ...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN051, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

Limited Edition of 15 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

Kate #13, is from the Kate series, 2002 by American photographer Leonard Freed is a signed, 8" x 10" (small format) black and white photograph (gelatin silver), stamped "vintage" on ...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Diary), 2002 Fibre-based silver gelatin print, hand proofed by the artist. Image 40 x 60 cm (15 3/4 x 23 5/8 in.) Sheet 50 x 70 cm (19 5/8 x ...

Hallway I (Suburbia) 2004, 40x40cm, Edition of 2/5, analog C-Print based, hand-printed by the artist on Fuji Crystal Archive paper, Based on a Polaroid. Signature label with Certif...

Play among the Stars (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

The Letter (Till Death Do Us Part) - 2005 100x100cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroids. Certificate and...

Stefanie Schneider's Mini Renée's Dream XI (Days of Heaven) - 2006 signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999-20...

The Letter (Till Death Do Us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

Limited Edition of 10 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...