Early 2000s Photography

Photographed at El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to th...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreg...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Thom Yorke of Radiohead - Signed Limited Edition Print Thom Yorke of RADIOHEAD MAY 11 2006 AMSTERDAM, MOJO COVER (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed and numbered by the artist. Edition limited to 25 only this size Printed 2020 This size image: 24 x 20" / 60 x 50 cm About the image: Thomas Edward Yorke is an English musician and the main vocalist and songwriter of the rock band Radiohead. A multi-instrumentalist, he mainly plays guitar and keyboards, and is known for his falsetto. Yorke was born in Northamptonshire. Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band consists of Thom Yorke, brothers Jonny Greenwood and Colin Greenwood, Ed O'Brien and Philip Selway. They have worked with producer Nigel Godrich and cover artist Stanley Donwood...

Diane Arbus is an original artwork realized by the Italian artist and photographer Angelo Cricchi in 2010. Original Digital Photograph on paper. Hand-signed, dated and numbered on the back. The original mark of the photographer is also present. Edition of 5 unique specimens. The artwork is one of the photographs of the series "Gloomy Sunday" realized by the artist in the 2000s. The artwork represents a female nude figure in the foreground lying on the grass, near her body there is an old camera...

Stefanie Schneider's Minis 'Lila' (Stay), 2006 signed and signature brand on verso Lambda digital Color Photographs based on a Polaroid from the movie 'Stay' by Marc Forster, featur...

Monument Valley #73 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOO...

This series takes its title from Neil Young's song 'After the Gold Rush'. It captures former American Mining Towns he visited on his journey from Las Vegas to Bonneville. Stopping in...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

This series takes its title from Neil Young's song 'After the Gold Rush'. It captures former American Mining Towns he visited on his journey from Las Vegas to Bonneville. Stopping in...

This piece captures the classic American Truck in combination with the classic American Lifestyle with the cool Bowl Sign. The colours and subject create perfect Americana Pop Art Ph...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Black and white still life photograph of a white shell on a simple white background "Shell", photographed by David Halliday in 2003 Sepia toned silv...

"Hand & Foot" is a black & white framed silver gelatin print (photograph) studio still life with glove, leopard print fur, and tree bark textures from artist Jenny Lynn...

Part of Richard Heeps 'Man's Ruin' Series, on an American road trip he captured this customised classic American Car, the Plymouth Coupe in Pismo Beach, California. The sunlight is s...

'Pink Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of soph...

'White Handbag (detail)' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a...

'Roy's Motel Route 66', from Richard Heeps Dream in Color series. This view of Roy's Motel emphasises the space age Googie style of both the building and the iconic Motel sign. Take...

Poppy Realm #01 [From the series Wild Things] 2006, 40x40cm Digital color print based on original expired Polaroid mounted on Dibond 2mm - finished with a matte coating Hand signed &...

'Telephone VII' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography featuring a vintage red telephone on...

Palm Springs Poolside, photography by Richard Heeps at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs architecture set against saturated blue sk...

Untitled (Sparrow) from the series Animals is a black and white Silver Gelatin print by Giacomo Brunelli, in this size of 9" x 12" in a limited edition of 10. The 8" x 10" edition i...

Stefanie Schneider's Mini Making out in Car (Till Death do us Part) signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999...

Still life photograph of purple and white clam shells on pale grey and beige background archival pigment print, made in 2007 by David Halliday 10 X 15 inches unframed Edition of 25 In this series, Halliday captures the beauty of 'the ordinary' in still lifes of various objects and vegetation arranged against simple backgrounds. This nautical themed still life of deep purple and white clam shells beside a piece of drift wood is set on a light grey table top against a cream colored wood wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects. About the artist: American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior view. Halliday was one of the first artists Carrie Haddad began representing when she opened the gallery 27 years ago. Since then he has exhibited nationally and in Europe. He now lives and works in Schodack Landing by way of New Orleans and Nantucket. Resume Born 1958, Glen Cove, New York Lives in Upstate New York EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2019 Still Life Like, Carrie Haddad Gallery, Hudson, NY 2018 Group Photography Exhibit, Carrie Haddad Gallery, Hudson, NY 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

Archival pigment print Signed and numbered, verso 24 x 30 inches (Edition of 6) 30 x 40 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

From the series, 'A Different Light' a book commissioned by Thurrock Arts Generate, part of a regional initiative funded by Arts Council England, East Richard Heeps provides an alter...

Julius #02, 2018 [From the series 9th of April] 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 1...

Edition 41 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains hig...

Royal Mansion at Dawn, from Richard Heeps Dream in Colour series. Photographed in Arizona this artwork has the classic Americana road trip feel, the pastel colours and the aluminium ...

Whisky Dance VIII (Sidewinder) - 2005 3 pieces installed including gaps 38x148cm, each artwork is 38x46cm. Edition of 10. 3 Archival C-Prints, based on 3 Polaroids. Mounted on D...

Stranger than Paradise I (Last Picture Show) - 2005 128 x 125 cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, sign...

'Dot's Diner' part of Richard Heeps 'Dream in Colour' Series, featuring a classic American Diner has gorgeous colours of the glowing neon lights in the twilight and a cool vibe remin...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Touching (Till Death do us Part) - 2005 48x58cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print print, based on the original Polaroid. Certificate and Signature label artist...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Oxana's 30th Birthday (29 Palms, CA) - 2007 Edition of 5, 78x76cm, analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archival Paper with a matte surface, based o...

Richard Heeps' work takes you on a journey, the road is a reoccurring theme, often the location is ambiguous allowing you to see your own road trip. Despite the abstract nature of th...

Lone Pine Motel II (The last Picture Show) 2005, Edition 1/5, 40x40cm each, installed with gaps 40x125cm, Edition of 1/5, analog C-Print, hand-printed by the artist on Fuji Crystal A...

Juan Carlos Alom (Cuba, 1964) 'Estudio anatotécnico para abandonar una isla', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a soft pink color palette and a vintage style with a hint of flamingo kitsc...

You don't love me! (Till Death do us Part) - 2008 - 20x24cm, Edition of 10, digital C-Print print, based on a Polaroid. Certificate and Signature label, artist Inventory No. 859...

Palm Springs Pool Side, photography by Richard Heeps at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs arc...

A Palm Tree in the mist somewhere up Victoria Peak in Hong Kong. Part of a sequence of palm trees, all subtly different once your eyes adjust to the mist. This artwork is a limited...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

'Wendy and Dolls', from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vega...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “The Black Eye” continues Michal Chelbin’s exploration of the world of athletes and perfor...

Untitled (Badger) from the series Animals is a black and white Silver Gelatin print by Giacomo Brunelli, in this size of 10" x 8" in a limited edition of 10. This is a limited editi...

Death Valley Junction #114, 2007 [From the series US Road Trip Diary] 21x55x0,5cm, Edition of 7. Photo compilation based on the 3 expired Polaroids, printed on Plexiglass Diasec...

Michael & Delilah, part of Richard Heeps 'Burlesque' Series, this contemporary portrait photography is so cool and cinematic. Richard became well-known for his Burlesque Photography ...

This authentic classic American Sign has been beautifully weathered. The bold graphic style makes it have a great Pop Art appeal. This artwork is a limited edition of 25, gloss phot...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Venice ‘ who was captured on film in 2...

Zoë (Paris) - 1995 Edition of 5, 60x50cm including white borders. Analog C-Print, hand-printed by the artist and based on a Polaroid, Signature label and Certificate. Artist In...

LSR Streamliner II, captured in the iconic home of speed, Bonneville Salt Flats. Just as the mountains contrast with the flatness, Richard Heeps captured this racing car at high spee...

Stefanie Schneider's Minis - Through the looking Glass (California Badlands), 2010 Signed and signature brand on verso. Lambda digital Color Photographs based on a Polaroid. Sandwi...

Edition of 5 more sizes on request A mountain Gorilla in the rainforest in the Volcanoe National Park, Rwanda. ​For years, Joachim Schmeisser has been photographing the last giants...

Towards Rock Hill, photographed by Richard Heeps in Bombay Beach, Salton Sea, California. The combination of the suns rays intersecting the horizon, and the silhouette of the tree un...

Marina from Richard Heeps Salton Sea series. This authentic classic American Sign photography has been beautifully weathered. The bold graphic style makes it have a great Pop Art app...

2007 Signed, titled, dated, and numbered, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $3500.00 17 x 11 inches, sheet (Edition of 15) $1200.00 Please no...