Horizontal Still-life Photography

HANS WITHOOS (Rotterdam, The Netherlands) STILL LIFE IN DELFTWARE, 2018 40 x 60 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond Mounted and Framed Han...

"Steve Miller 'Gretsch Guitar'" framed color photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." Image size: 18 x 23 1/4 inches. T...

"Steve Miller 'Gretsch Guitar'" framed color photograph by Lisa S. Preston taken for her book "108 Rock Star Guitars." "Photo by Lisa S. Johnson" printe...

HANS WITHOOS (Rotterdam, The Netherlands) NOCTURNAL DELIGHTS, VENICE FALLS, 2018 Available sizes: 32 x 48 inches - Edition of 9 40 x 60 inches - Edition of 9 48 x 72 inches - Editio...

HANS WITHOOS (Rotterdam, The Netherlands) STILL LIFE IN WHITE 40 x 60 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond Mounted and Framed Hans Withoos ...

"Coffee" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 29" x 40" inch E...

This listing is for the unframed photograph. Inquire within for framing from the exhibition. A NEW COLLABORATION Tina West + Tucker Robbins 2020 The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice. Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind. Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...

From the series Blow Up

"Untitled 2.22" Photography 24' x 35' inch Edition of 10 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A dor...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Photo from Detroit Auto Show. Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: The beauty of Tina West’s latest show lies in the maturity and wonder of her still lives. For every photo, West stages her scene with unique treasures from her vast collection. Allowing them to speak to her, rather than the opposite, each object is chosen not because of an image West is trying to recreate from her mind, but because of each object’s sheer attraction. The sharp subconscious connection West feels to her still life objects comes across strongly. This produces a magical end product that has both transformed and repurposed the photographed objects entirely. Though still lives are considered a classic image, West exemplifies a charming, experimental take that pushes the boundaries of the historical still life. The invitational image, entitled “Constraint Inspires Creativity,” embodies the breadth of her work in capturing a warm rich okra-gold “Do Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is pr...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...

As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...

Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. Price ...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual A...

Parrot Tulips X-Ray Photography on Dibond Lambda Print Still Life Flowers Nature Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific backgr...

Eel X-Ray Photography on Dibond Lambda Print Fish Nature Still Life Color - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background,...

Needlefish X-Ray Photography Nature Lambda Print on Dibond Black and White Color - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific backg...

Toads Euphorbia X-Ray Photography Lambda Print on Dibond Still Life Nature Color - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

"Lillian" 2015 Dorothy Jean Series 18" x 27" archival pigment print Moab Entrada Rag fine art paper #8/25 edition signed and dated This Photo Selected Finalist: Camera USA® 2016 National Photography Exhibition, Naples Art Association, Naples, FL 54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art, Huntsville Museum of Art, Huntsville, AL I proudly exhibited Les Schmidt's award-winning photography at my New Orleans gallery for years. His work is in notable collections around the world and his exhibitions are always well received by collectors and the press alike. Over the coming months, I will be listing limited edition prints from his diverse portfolio. (PLEASE NOTE: As with many photographic editions, prices rise as prints sell in each edition) This is from a series of photographs of flower arrangements that are gorgeous in their fading; they look almost like watercolors in person, just amazing pictures. Proudly presented by Guy Lyman Fine Art, New Orleans, with our firm guarantee of satisfaction. BIO Les Schmidt (b. 1960 New Brunswick, NJ) attended the New Orleans Academy of Fine Arts from 2003-2004. He has exhibited extensively in the US including Atlanta, GA; Los Angeles, CA; Naples, FL; New Orleans, LA and Cooperstown, NY and internationally in Budapest, Hungary and Crete, Greece. He’s been a twice selected finalist for Naples Art Association's Camera USA® National Photography Award (2016, 2017) as well as being curated into recent national exhibits held at the Huntsville Museum of Art, Masur Museum of Art and Attleboro Arts Museum Les Schmidt works and resides in New Orleans, LA. EXHIBITIONS 2019 Choice 2019 Atlanta Photography Group Gallery, Atlanta, GA 2018 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA Chania International Photo Festival Grand Arsenali, Crete, Greece St Tammany Art Association: 53rd National Juried Exhibition Miriam Baranger Gallery, Covington, LA Monochrome: Juried International Photography Exhibition PH21 Gallery, Budapest, Hungary Urban Landscapes 1650 Gallery, Los Angeles, CA Still Life A Smith Gallery, Johnson City, TX 2017 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA I'll Be Your Mirror: The Portrait 1650 Gallery, Los Angeles, CA STORM Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Atlanta Celebrates Photography: Photo Buckhead Buckhead Library, Atlanta, GA Someone/Someplace: Figures, Portraits & Landscapes Western Bureau Arts, San Jose, CA Street Photography: Juried International Photography Exhibition PH 21 Gallery, Budapest, Hungary Cooperstown Art Association: 82nd Annual National Exhibition CAA Village Building, Cooperstown, NY The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art Huntsville Museum of Art, Huntsville, AL St Tammany Art Association: 52nd National Juried Exhibition STAA Art House, Covington, LA RECOLLECTIONS: A Community Photography Project New Orleans Photo Alliance, New Orleans, LA It's a Sign: The Medium is the Message 1650 Gallery, Los Angeles, CA Camera USA® 2017: National Photography Exhibition The von Liebig Art Center, Naples, FL Line - 2017 National Juried Exhibition Attleboro Arts Museum, Attleboro, MA Masur Museum of Art: 54th Annual Juried Competition Masur Museum of Art, Monroe, LA 2016 New Beginnings: Insight Photography Show Rail Yard Studios, Nashville, TN Highway 90: Beyond the Rigolets Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Abstracted Mpls Photo Center, Minneapolis, MN Portraiture: Photography Now Black Box Gallery, Portland, OR THINGS: a still life show 5 Press Gallery, New Orleans, LA ARTifact Darkroom Gallery, Essex Junction, VT Fishing for Iconography 2 A Smith Gallery, Johnson City, TX Camera USA® USA 2016: National Photography Exhibition The von Liebig Art Center, Naples, FL 2015 Dorothy Jean Guy Lyman Fine Art, New Orleans, LA Solo Exhibition 2012 A New Landscape: The 10th Annual Grand Isle Juried Exhibition Grand Isle Community Center, Grand Isle, LA 2011 The Windsor Court Art Showcase Series Windsor Court Hotel, New Orleans, LA Solo Exhibition Embleme Eustis Studios, Cape Girardeau, MO Solo Exhibition 2009 PhotoNOLA 2009 Soren Christensen Gallery, New Orleans, LA Salon d'Automne Arthur Silverman Studio, New Orleans, LA 2006 New Works Soren Christensen Gallery, New Orleans, LA Souvenir Grand Contemporary, Lafayette, LA 2005 Souvenir Soren Christensen Gallery, New Orleans, LA 2004 Leaf Shadows Soren Christensen Gallery, New Orleans, LA 2003 Jack Swanson...

Signed and dated verso 1961 Matted with archival board. Not framed The Art Institute of Chicago, Gift of Richard L. Menschel

C Print Photograph, signed and editioned on reverse, edition of 5 available unframed 40"x60" please inquire about additional print sizes The photographer has captured the detail...

Biblioteca Palatina, Parma, 2011 Chromogenic lambda print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 Born in Florence in 1953, ev...

40"x 60" unframed photograph, edition of 5 (signature and edition on reverse) This is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty withi...

24" x30" edition 2 of 5 available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book "Wardy Forty" which he wrote in 2013 about the last days of Woody Guthrie.

Edition 9/25

Untitled (Nude Body Images and Books), (2007) by artist Mark Golderman, featured in Hal Bromm Gallery

A witty and whimsical chromogenic print in diptych format from the Minimiam Series by Akiko Ida and Pierre Javelle. This small scale scene depicts astronauts exploring the Mars-like...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This is a unique work. Dated 'Jan 24 1983' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The A...

"Drift 32" Landscape Photography 20" x 30" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of...

Measures 8 x 10 inches and is Unframed. Also available: 5 x 7 inches.

"Scissors" Photography 29" x 40" inch Edition of 5 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 29" x 40" inch ...

LA-852HZ (Green) Archival pigment print on Aluminum 24 x 36 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color or...

This listing is for an unframed print. Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

This listing is for an unframed print. Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...

This listing is for an unframed print. Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...

They're doing the "Swirl." The roses are stationary, but their circular structure gives the illusion that they are rotating or dancing. This is straight photography without digital m...

Afar #5, 2015 Digital photography printed on Hahnemuhle paper 17h x 45w in Edition of 5 + A.P. Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as p...

This is a unique photographic work taken by Andy Warhol. Banal subjects such as tables and dining carts following a meal were common subjects of Warhol's.. Image dimensions: 8 x 10 ...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

Afar #13, 2016 Digital photography printed on Hahnemuhle paper 17.50h x 68w in Edition of 5 Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as pain...

Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...

BIO Christopher Pulitzer Leidy In this fast moving world photographer Chris Leidy has found his inspiration within the depths of global oceans. Under water, Chris captures a vision...

Created as an archival pigment print by Vaughn Sills in 2017, Coral Peonies Northumberland Strait is hand-signed by the artist, dated and numbered, measuri...

This image of empty broken chairs in a deserted alley is reminiscent of the work of Eugene Atget, who was capturing the streets of Paris over a 30 year pe...

Archival Ink. Photograph. Seascape. Produced by Dye Sublimation - which means archival inks infused into aluminum. Ltd Ed of 10. The art can be inside or outside with no visible ...