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Medium: Archival Paper
Tree- Signed limited edition fine art print, Black White Nature Photo, Still
Located in Sant Cugat del Vallès, Barcelona
Tree by Ian Sanderson
Signed limited edition archival pigment print, 2006 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
Train-Signed limited edition fine art print, Color photo, Oversize, Contemporary
Located in Sant Cugat del Vallès, Barcelona
' Train ' by Ian Sanderson - Talgo, Spain
Signed limited edition archival pigment print, 2013 - Edition 1/5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Ph...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment, Archival Pigment, Color, Giclée, Photographic P...
Arum Lilies - Signed limited edition still life print, Black white photo, Nature
Located in Sant Cugat del Vallès, Barcelona
Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5
This image was captured on film.
This print that is being offered is ...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
Oscar - Signed limited edition Contemporary art print, nature photo, Large scale
Located in Sant Cugat del Vallès, Barcelona
Oscar - Signed limited edition archival pigment print, Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Named Oscar the time to photograph it, this lobster returned to live in the sea...
No animals were mistreated during the photoshoot.
Signed + numbered by artist with certificate of authenticity, unframed
Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested
Available sizes ( Image size , the white margin is not counted):
39 x 35 cm / 15,35" x 13,77" - Edition of 5
60 x 67 cm / 23,62" x 26,38" - Edition of 5 ( 4 available )
102 x 91 cm / 40,15" x 35,82" - Edition of 5
Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer.
He produced images over a 35 year career, and in recent years used archival techniques to produce his prints.
For most of his career he worked as both a Commercial and Fine Art photographer, and during his last years concentrated on his personal imagery.
Towards the end of his life journey, Ian was reviving with his partner two 19th century printing techniques in their studio, Platinum Palladium and Gum Bichromate ( one-of-a-kind pieces). This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation.
The Platinum and Palladium prints are particularly interesting as they printed them onto vellum paper therefore transparent and bonded pure gold or silver to the back of the prints ( every print is therefore a unique and timeless piece of art).
They have created rare and personalized pieces with an artisanal technique.
Ian Sanderson was one of only a handful of artists worldwide producing this type of work.
Nowadays, Ian’s partner continues their work, she’s still creating Platinum Palladium prints but also silver gelatin photographs.
Styles:
Colour photography, 21st century, Archival print, Long room, kitchen decorative...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper, Color, Giclée, Pigment, Archival Pig...
Flowers - Limited signed contemporary print, Nature photo, Yellow, Romantic
Located in Sant Cugat del Vallès, Barcelona
Flowers - Signed limited edition archival pigment print, 2015 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Film, Photographic Paper, Color, Pigment, A...
$3,330 Sale Price
20% Off
Flower- Signed limited edition art print, Black white nature photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Flower - Signed limited edition archival pigment print, 1989 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then prin...
Category
1980s Modern Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...
Horse 4 - Signed limited edition horse pigment print, still life square, Animal
By Peter Ridge
Located in Sant Cugat del Vallès, Barcelona
Horse 4 - Signed limited edition archival pigment print, Edition of 5
Horse photographed on location using studio lighting.
This is an Archiva...
Category
2010s Modern Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Photographic P...
Table Top - Signed limited edition still life print, Black white, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Table top - Signed limited edition archival pigment print - Edition of 5
This image was captured on film in 1985.
The negative was scanned creating a digital file which was then...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper, Black and White, Giclée, Pigment, Ar...
Carrousel-Signed limited edition still life print, Black white, Paris France
Located in Sant Cugat del Vallès, Barcelona
Carrousel - Signed limited edition archival pigment print, 2009 - Edition of 10
Place de l'Hôtel de Ville in Paris
This is an Archival Pigment print on fiber based paper ( H...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...
Italia 2 - Signed limited edition pigment print, Sculpture, Greek god, Mythology
Located in Sant Cugat del Vallès, Barcelona
Italia 2 - Large scale photograph by Michael Banks
Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm )
Limited Editions of 5 , signed + numbered by...
Category
2010s Romantic Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper, Color, Pigment, Archival Pigment, Di...
London- Signed limited edition still life, Black White, Hat ball, Contemporary
Located in Sant Cugat del Vallès, Barcelona
London - Signed limited edition archival pigment print, 2002 - Edition of 5
This print that is being offered is a high-quality Archival Pigment print which has been printed on ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Photographic Film, Pi...
Life and death- Free delivery- Signed limited still life art print, Contemporary
By Peter Ridge
Located in Sant Cugat del Vallès, Barcelona
Life and Death Still Life - Strelitzia reginae - Birds of Paradise
Posed in a Moroccan hand made vase
Signed limited edition archival pigment print, Edition of 5
This is an Arc...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Giclée, Pigment, Archival Pigment, Color
Italia 2 - Signed limited edition pigment print, Sculpture, Greek god, Mythology
Located in Sant Cugat del Vallès, Barcelona
Italia 2- Large scale photograph by Michael Banks
Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm )
Limited Editions of 5 , signed + numbered by ...
Category
2010s Romantic Archival Paper Still-life Photography
Materials
Archival Paper, Color, Pigment, Archival Pigment, Digital Pigment, Photo...
London-Signed limited edition fine art print, Black white, Still life contemporary
Located in Sant Cugat del Vallès, Barcelona
London - Signed limited edition archival pigment print, 2002 - Edition of 5
This image was captured on film. The negative was scanned creating a digital file which was then pri...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
Animal signed limited edition bird contemporary fine art print, Blue- Macaw #8
By Tim Platt
Located in Sant Cugat del Vallès, Barcelona
" Macaw #8 ” - Signed limited edition archival pigment print - Edition of 10
The iconic Blue and Gold Macaw is a sociable and playful large parrot which is is mainly blue and yellow in colour. It’s beak is black and very powerful. The bird has white skin, with it’s face having nearly no feathers apart from a few black ones spaced apart from each other forming a striking striped patterns around the eyes. Other distinct details are a black ‘chin strap’ and lime-green feathers on the forehead.
Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is seldom more true than when capturing birds in flight. The human eye can’t process the speed at which birds fly. The only way we can fully appreciate the beauty of feathered flight is to watch it in slow motion or freeze it at several thousandths of a second.
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Please note that prices increase as editions sell.
Archival pigment print available sizes :
106 x 85 cm / 41.5 x 33.5” - Edition of 10
129 x 103.2 cm/ 51 x 40.55 in - Edition of 3
Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed.
Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth.
categories :
Color photography, 21st century, Archival pigment print, Animal, Portrait, Slow motion, Beauty, Fine Art , Parrot, Colourful, blue, yellow, bird in flight, animal photographer, animal photography, bird, bird photography...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Trout -Signed limited edition print, still life photo, Fish, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Trout - Signed limited edition archival pigment print - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and l...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Archival Pigment, Giclée, Pigment, Photographic P...
Orchids - Signed limited edition fine art print, nature photo, Oversize
Located in Sant Cugat del Vallès, Barcelona
Orchids - Signed limited edition archival pigment print, 1985 - Edition of 5
This image was captured on film. The negative was scanned creating a digital file which was then pr...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
Flower- Signed limited edition art print, Black white nature photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Flower - Signed limited edition archival pigment print, 1989 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then pr...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...
Fougère -Signed limited edition still life art print, Black white plant nature
Located in Sant Cugat del Vallès, Barcelona
Fougère - Signed limited edition archival pigment print, 2004 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
History Revisited 1/10 - detailed, interior, color, photography, giclée print
By Shani Mootoo
Located in Bloomfield, ON
Shani Mootoo grew up in this house in Trinidad. She returned as an adult and created a photographic memoir of its interior in her ‘History Revisited’ series. Her images of these room...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Giclée
Lovers - Signed limited edition fine art print, Color, Plant, Analog, Nature
Located in Sant Cugat del Vallès, Barcelona
Lovers - Signed limited edition archival pigment print, 1993 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then pr...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Pigment, Archival Pigment, Color, Pho...
Sharon's Sunroom 1/5 - A photograph of carefully curated collected items
By Shani Mootoo
Located in Bloomfield, ON
Known for her photographic portraits of interior spaces, Shani Mootoo reveals the curious and often emotive personal narratives of her subjects.
This giclee print by Shani Mootoo is editioned, 1/5. The work is matted, framed. Unframed size is 21 x 31.5 inches. It is also available in two other sizes, 12 x 28 (framed 21 x 27 inches, edition of 10, $2,000); and 16 x 24 inches (25 x 33 inches framed, edition of 8, $2,600.).
Mootoo describes how this image was created:
"I was at my printer's studio working on a body of photographs when we were interrupted by a customer who needed his attention for a few minutes. I agreed on a pause so that that customer could be accommodated, and my printer suggested I roam the garden, as there was a lot to see there. Just before the exit to the garden was a room crammed with pastel knick-knacks. A glass sliding door stood closed between me and this room, which seemed to be a combination of very special private space and a storage room. I immediately had the sense that I was seeing a photograph waiting to be taken and, as I had my Sony Rx100m7 camera around my neck, I ran back to my printer and asked if I could go into the room. He generously said, 'By all means, go wherever you'd like". On entering, there wasn't much room to negotiate, but I was struck by the carefully...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Giclée
Salmon - Signed limited edition still life print, Black white photo, Oversize
Located in Sant Cugat del Vallès, Barcelona
Salmon - Signed limited edition archival pigment print, 1985 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then print...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
Trout- Signed limited edition still life print, Contemporary, Food fish red blue
Located in Sant Cugat del Vallès, Barcelona
Trout - Signed limited edition archival pigment print - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and l...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Color, Giclée, Pigment, Photographic P...
Fougère-Signed limited edition still life print, Black white, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Fougère - Signed limited edition archival pigment print, 2004 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...
Tree- Signed limited edition art print, Black white nature photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Tree by Ian Sanderson
Signed limited edition archival pigment print, 2006 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 3...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Pigment, Archival Pigment, Photographic...
Trout - Signed limited edition fine art print, Color photography, Fish
Located in Sant Cugat del Vallès, Barcelona
Trout - Signed limited edition archival pigment print - Edition of 5
This print that is being offered is a high-quality Archival Pigment print which has been printed on fiber b...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Color, Archival Pigment, Giclée, Pigment, Photographic P...
Le Marais- Signed limited edition architecture print, Black white, Paris France
Located in Sant Cugat del Vallès, Barcelona
Le Marais - Signed limited edition archival pigment print, 2005 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
Le Marais- Signed limited edition still life, Black white, Paris kacher Bakery
Located in Sant Cugat del Vallès, Barcelona
Le Marais - Signed limited edition archival pigment print, 2005 - Edition of 5
Paris, France
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...
Cactus-Signed limited edition still life print, Black, Nature Plant close-up
Located in Sant Cugat del Vallès, Barcelona
Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5
This image was captured on film.
This print that is being offered is a high-quality Archival Pigment ...
Category
1980s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Photographic Film, Pi...
Café- Signed limited edition still life print, Black white photo, Architecture
Located in Sant Cugat del Vallès, Barcelona
Café - Signed limited edition archival pigment print, 2003 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...
No. 21 (Framed Still Life Photograph of a Pastel Orange Rose Flower on White)
Located in Hudson, NY
Framed still life photograph of a pastel orange and pink rose flower on a crisp white background
“Untitled 21” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” s...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper
Aliboo Bib: Still Life Photograph of White & Pink Child's Embroidered Clothing
Located in Hudson, NY
Contemporary scanograph still life photograph of a child's bib on a white background.
"Aliboo Bib", by Chad Kleitsch 2011
Archival pigment print on Hahnemuhle paper, edition of 6
30 ...
Category
2010s Modern Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper
Untitled Flower 147 (White): Still Life Photograph of Dandelion Flowers on White
Located in Hudson, NY
Contemporary still life photograph of dandelion flowers on a white background
Untitled- Flower 147 (White) by Chad Kleitsch
Archival pigment print on Hahnemuhle photo rag matte paper...
Category
2010s Modern Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper
Number 149 White (Still Life Photograph of Tulip Flower on White)
Located in Hudson, NY
Untitled - Number 149 (White), by Chad Kleitsch, 2010
Contemporary still life photograph of white tulip flower on white background
Archival pigment print on Hahnemuhle photo rag matt...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper
Ceremony Canes (Sepia Toned Still Life of 6 Canes from Tonga)
Located in Hudson, NY
Sepia Toned Silver Gelatin Photograph of Six Ceremonial Canes from Ancient Tonga
17 x 17 inches, edition of 8/25
signature on face
Tonga was once at the center of a vast trading empire stretching...
Category
1990s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Silver Gelatin
Side Table with Chain & Window Stay (Dadaist Diptych in Vintage Frame)
Located in Hudson, NY
Side Table with Chain and Window Stay (Diptych), 2017
Upper: 16 x 20 inches framed
Lower: 14 x 10.5 inches framed
toned silver gelatin prints in vintage fr...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Silver Gelatin, Archival Paper
Rope and Side Table (Contemporary Still Life Diptych in Custom Frame )
Located in Hudson, NY
Rope and Side Table, 2017
31 1/2" X 21" framed
sepia toned silver gelatin print, edition of 10
Top 17 x 21 inches, Bottom 14.5 x 11.75 inches
This sepia toned silver gelatin dip...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Silver Gelatin, Archival Paper
Grey
Located in Slovak Republic, SK
Fine art print. Signed, limited edition of 5.
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
$523 Sale Price
20% Off
"Ideal", 2007
By Ian Gittler
Located in Hudson, NY
“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Calla Lilies • # 3 of 9 • 42 cm x 29 cm
Located in Aramits, Nouvelle-Aquitaine
Calla Lilies • 2005 • Edition of 18 prints in 3 different sizes.
All prints are numbered and signed. Printed on Hahnemühle Archival Paper.
Three different sizes are available, the ...
Category
Early 2000s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment, Digital Pigment
Copiers All Washed Up
Located in Kansas City, MO
Nick Vedros
Copiers All Washed Up
Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm
Year: 1990s
Size: 11x12in
Edition: 10
Signed, dated and numbered ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
$790 Sale Price
39% Off
"Untitled #5", France, 2015
By Bill Phelps
Located in Hudson, NY
Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Ink, Archival Paper
"Mianus Motor Works", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor
Located in Culver City, CA
"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor
Print size 40x40 Inches
Artwork finished size 42x42 Inches
Limited edition of 20
Artist proof 2
Medium:
This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Metal
Spirit Away
Located in Kansas City, MO
Title: "Spirit Away"
Medium: Custom Archival Pigment Print on Archival Paper
Date: 2019
Dimensions: 10 x 8 in.
Signed, dated and inscribed on label
COA provided
Multiple Sizes Available (please inquire within)
Framing Available (please inquire within)
Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice.
One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries.
Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar.
It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further.
Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level.
Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...
Category
2010s Photorealist Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
"Navigate" - Southern, car, staged photography, abstract, red
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
Mara van Rüdipuss - Ernie, Portraits of a Studiodog
Located in Kansas City, MO
Monogrammed by hand
Publisher: Griffelkunst Hamburg
Condition: in mint condition
Size: 11.5 × 8.6 on 15.4 × 12.5 inches
Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015).
Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork.
A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Photographic Paper
"Women" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian
Located in Culver City, CA
"Women" Black & White Photography 31" x 31" in Edition of 7 by Olha Stepanian
Printed on Epson Professional Paper
Signed and numbered by the artist
Not framed. Ships in a tube. ...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Pigment
ATO>MIC #11, Unique Silver Luminogram Print, Two Spheres; Moon and Sun like...
Located in London, GB
ATO>MIC #11, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Suprematist Archival Paper Still-life Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
"Leftover" Southern, turtle, food, conceptual, still life photography, white
Located in Atlanta, GA
This listing is for an unframed print.
Born in Buffalo, NY, Atlanta-based photographer Shannon Davis has lived in the South longer than anywhere else. She’s asked locals, “How long ...
Category
2010s Contemporary Archival Paper Still-life Photography
Materials
Archival Paper, Archival Pigment
Archival Paper still-life photography for sale on 1stDibs.
Find a wide variety of authentic Archival Paper still-life photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, orange, blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chad Kleitsch, Tyler Shields, Ian Sanderson, and Stefanie Schneider. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper still-life photography, so small editions measuring 0.5 inches across are also available Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $48 and tops out at $185,000, while the average work can sell for $2,200.
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