Giclée Still-life Photography

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

" Macaw #2 ” - Signed limited edition archival pigment print - Edition of 10 Green Winged Macaws are monogamous and pair for life. They become inseparable, so wherever they go t...

Life and Death Still Life - Strelitzia reginae - Birds of Paradise Posed in a Moroccan hand made vase Signed limited edition archival pigment print, Edition of 5 This is an Arc...

Macaw #3 - Signed limited edition archival pigment print - Edition of 10 The Green-Winged Macaw can be mistaken for a Scarlet Macaw as from the front it is almost entirely red. It is distinguished by a greenish band of feathers below the shoulders and wings. The green band transitions to dark blue on the wings, and there is light blue on the rump and on the tail feathers. Animal photography is about being ready for the split-second moment when it happens. This takes a certain amount of production. The studio set-up, the lighting and the camera settings can all be planned but the magic moment is seldom planned. It just happens naturally and you need to be prepared. Whether you capture it will depend on patience, concentration and reflex. This is seldom more true than when capturing birds in flight. The human eye can’t process the speed at which birds fly. The only way we can fully appreciate the beauty of feathered flight is to watch it in slow motion or freeze it at several thousandths of a second. This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and lignin-free, Museum quality for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Please note that prices increase as editions sell. Archival pigment print available sizes ( Image size , the white margin is not counted): 106 x 69 cm / 41.5 x 27” - Edition of 10 152.4 cm x 101.63 cm / 60 x 39,76 in - Edition of 3 Tim Platt specialises in creating minimal stylised studio portraits of birds and animals, which he describes as beauty shots. A frozen moment in time allows us to observe the world in suspension and will often reveal a graphic beauty that might otherwise flash by in the blink of an eye and remain unnoticed. Whether observing the magnified eye of a bullfrog, or an eagle captured at several thousandths of a second in mid-flight, he is fascinated by the level of detail that can be revealed in a large format print. It is the stillness of a photograph that gives us time to pause and marvel at the myriad levels of detail in Nature’s grand design and allows us to reflect on the wonderful diversity of life on Earth. categories : Color photography, 21st century, Archival pigment print, Animal, Portrait, Slow motion, Beauty, Fine Art , Parrot, Colourful, Red, Blue, Green, Black, bird in flight, animal photographer, animal photography, bird, bird photography...

" Macaw #1 ” - Signed limited edition archival pigment print - Edition of 10 This sequence of a Green Winged Macaw in flight is captured in a sin...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

Trout - Signed limited edition archival pigment print - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid- and l...

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

La Défense 2 - Signed limited edition archival pigment print, 2004 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gs...

La Défense 1 - Signed limited edition archival pigment print, 2004 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gs...

Sardines - Limited edition archival pigment print , 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed ...

Fougère - Signed limited edition archival pigment print, 2004 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...

Edition of 40. Hugh Turvey is a British artist and photographer who uses x-ray technology to create what he calls Xograms, a fusion of visible light and x-ray imagery. Hugh trained as a designer / art director but on discovering photography he retrained under iconic photographer Gered Mankowitz. During 1996/1997 he started experimenting with x-ray/shadow photography...

Audrey Hepburn Washes Car, c15_29 -- Audrey Hepburn on the set of Sabrina. Out take from the photo essay shot for the December 7, 1953 issue of LIFE. Image size is 10" x 15" (for 11"...

Dior Hats photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 13.75" x 20" (f...

Dior hats photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 22" x 32" (for ...

"Starburst" Photography 30" x 45" inch Edition 1/7 by Larsen Sotelo Not framed. Ships in tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Shot wit...

"This abandoned manor must have been occupied by a creative and curious mind, as it contained 3 pianos, all sorts of recording equipment and old radios, scul...

Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Humorous subject matter. Face mounted Plexi. Aluminum Braced. Archival Print. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Aluminum mounted giclee archival print. Sits about an inch off the wall. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

A model wearing Dior photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a pile of Dior hats...