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Patricia HealMartin Bourne + Patricia Heal Collaboration2024
2024
$2,250
£1,696.51
€1,954.99
CA$3,121.36
A$3,497.47
CHF 1,820.56
MX$42,786.11
NOK 23,108.69
SEK 21,825.88
DKK 14,594.41
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About the Item
Edition # 1/5
The listed price is the framed price; this editioned photograph is also available in 2 other paper sizes listed.
Heal says, "Martin and I have worked together professionally for many years. Both being avid garden lovers, we decided to embark on a collaborative and creative project that has become a body of multi-disciplinary pieces, a passion project that is an anthology of flower and plant imagery, including photography, textiles, and ceramics. The new work hopes to blur the lines between photography and paint and offers a group of new images that reveal a perspective on nature when not constrained, trimmed or orderly…a little chaos." Martin is a prop stylist and set designer.
Floral, Flowers, Color, Fabric, Still Life, Portrait, Stripes, Ceramics, Ceramic, Planter, Pot
- Creator:
- Creation Year:2024
- Dimensions:Height: 25.6 in (65.03 cm)Width: 19 in (48.26 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:20 x 16Price: $1,50040 x 30Price: $3,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU1116422542

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A Study of Flowers
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
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If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
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ABOUT:
In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook.
Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations.
The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden.
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