21st Century and Contemporary Still-life Photography

Archival digital scanograph 15.25 x 11 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...

Taken at the Galleria Borghese, Rome Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.

This pastel color abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the ...

There's a river in my head #1 Digital C-Print 39.3' x 39.3", edition of 3 + AP This floral photography has a dramatic sense of composition which recalls the careful arrangements of ...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Castelloland works with objects whose uniqueness is fundamental to the narrative of each story, as each image reacts and develops through the interaction between the word and the obj...

Noritake Hertford with Tomato, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of frien...

Fine art print, limited edition of 15, signed by the author.

Framed still life photograph of a pink and yellow flower on a crisp white background “Untitled 80” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” series began ...

"Ranunculus Perfect Pink", from the Ranunculus series. Limited edition flex chromogenic photograph, printed in 2016. Signed, titled, dated, and inscribed "From the Ranunculus series / Edition 2" on verso. Dimensions: (Frame) H 31.5" x W 31.5" x D 2" ; (Photograph) H 30" x W 30" Condition: Very good. Presents beautifully overall. After studying photography at the renowned Rhode Island School of Design, Christopher Beane moved to NYC, where he currently resides. In the mid-1990s, Beane stumbled across and became seduced by the early morning alchemy of the 28th street flower market - he found his unforeseen muse. Imports of both local and foreign became the artist's subject matter for the next several decades. He began by first documenting. Then he slowly started to formulate his own unique fingerprint in the fine art world. Noted curator and art historian, Anthony F. Janson proclaims Beane to be "the love child...

The past year afforded more time than normal for stillness and observation. I am thrilled to be alive and sentient. I love making things, whether it be building a guitar, cooking a m...

' Incidental Sculpture II ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Wire is washed up on a beach, sunken into the sa...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

Wedgwood Wild Strawberry with Strawberry, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social...

11 x 14 inch image is an edition of 45. Four other sizes are available. Story of "Loved": Sometimes there is a transformation and it feels so painful. It's the process of losing som...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

' Istan Petal ' Oversize Archival Pigment print Framed in white A Bougenvillia petal floats on the surface of a swimming pool. (photo Stuart Möller) Archival Pigment Print sign...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright red tomato skins are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting. About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

sepia toned silver gelatin print, edition 1 of 25 10 x 15.5 inches, 22.5 x 26.5 inches framed still life photography, food still life, milk and egg still life, modern still life, sepia still life, formalism, formalist still life, modern, simple, kitchen photography...

The subject is the conflation of woman and home. In the previous “Anonymous Women: Draped” photographic series, a lone woman is hidden in a vignette within the drapery, where she per...

Archival pigment print Signed, titled, dated, and numbered on label, verso 11 x 11 inches (Edition of 7) 15 x 15 inches (Edition of 5) This photograph is offered by ClampArt, locat...

Royal Albert Gratitude with Cherry, limited edition photograph, signed and numbered Eating is a physical need, but meals are a social ritual. Utilizing the passed down heirlooms of ...

Archival pigment print Signed and numbered, verso 20 x 24 inches (Edition of 5) $2,900 30 x 40 inches (Edition of 3) $4,880 including mounting/framing 40 x 50 inches (Edition of 2)...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Artist: Matthew Pillsbury Title: Hordes, La Galerie d'Anatomie Comparée, Musée d'Histoire Naturelle Medium: Pigment Ink Print, signed, titled, and d...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, starting at $1,600 Each successive print in both editions increases by ...

Bunny Lambert Mellon’s trompe l'oeil potting shed in Upperville, Virginia, 31 May 2010 Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival ...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

This photograph by Doris Mitsch is offered by CLAMP in New York City.

Archival pigment print Signed and numbered, verso 30 x 49 inches 40 x 65.5 inches 48 x 78.5 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York Ci...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Panel with Snakes, Turtles, and Dove, 2010 94 x 36 inches, edition of 15 archival digital print, unframed This contemporary, archival digital print was made by fine art photographer...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Stage Stills “With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...

Photography has been my medium for the past twenty years. However, early in my career, I studied painting and worked as a scenic artist for the theater. The skills and sensibilities ...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

This abstract floral landscape photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

This abstract floral landscape photography has pastel soft dominant color of grey, pink and white. Belgian photographer Isabelle Menin creates portraits of flowers that are not on...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

SUSANNAH HAYS approaches her photographic practice as a philosopher experiences poetic material renderings of our phenomenological world. Investigating tangible objects, each of her ...

Contemporary food still life photograph of bread with assorted vegetables on a wood table Archival pigment print, ed. of 25 Image size: 11 x 14 inches ...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 Burdeny’s Russia images, particularly in his photographs of the Moscow...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

John Grant White Peony, 2010 60x60 inches -Ed.10 Archival Pigment Print - Plexiglas Signed

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

Rebecca Skinner’s “Spools” was photographed at an abandoned mill and is part of a series documenting the loss of industry in America. The color photograph is of vintage wooden spools...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poeti...

Trumpet Plant is from Beth Moon's series The Savage Garden. Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carni...

Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature of carnivorous plants. "The poeti...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Anonymous Women: Demise The subject is the conflation of woman and home. The woman is camouflaged among her domestic objects, activities, and obsessions. The still-life narratives co...

Stage Stills “With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...

' Pink ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Gorgeous C print measuring a large 30 x 20" inches / ca 76 x 51 cm's paper size Produced by the artist. We ship regularly using Fedex Express and other international services. Stuart Möller, German, was born in Kabul Afghanistan and lives and works in London England. With his background in fine art, his works are observations often characterized by a contemplative, meditative quality. keywords : delicate delicateness fragile fragility feminine femininity flower abstract fine art photography plant organic light...

In the tondo photograph, Los Insectos Eternos, Fidel Santos conjures a fragile world of beauty and disintegration. At the heart of the composition lies a delicate web of fine thread,...