Street Art Photography

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy graffiti with as much accuracy as possible, including the texture of the walls where the stencils were on and the windows on the buildings here in Los Angeles. Most were recreated “in situation”, without any photo shop. Only two works “The Maid” and “The Lovers” required minimal photoshop. Nick is English as is Banksy but based in Los Angeles so finding brick walls or a sash window was fun to find for the shoots. All photographs are printed to order and signed, with a certificate of authenticity signed by Wallspace. They are printed on 20”x16”paper with a border included - be aware that images may not all be exactly the same size as the imagery has different layouts. The paper size will be framed to the same size. The paper is a heavy weight fine art paper Entrada. fine art print...

Jack Hayhow Title: West Bottoms Door Medium: Print on Paper Year: 2017 Size: 24x16 inches Description: Available in multiple sizes - please inquiry within Edition: 10 Signed by hand...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Jack Hayhow Title: Blue Swallow Photographic Print on fine Paper Year: 2020 Size: 24x30 inches Description: Available in multiple sizes - please inquiry within Edition: 25 Signed b...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Lord Fauntleroy Ahmedabad 151213-84 High Gloss Metal Print with Float Mount Hanger Year: 2015 Size: 12 inches diameter Signed: On Label Edition: 7 COA provided Lord Fauntleroy is a ...

Michael Ray Nott is a Nashville-based photographer impassioned by the unexpected, haphazard multitude of things that can pop up in a picture—neon signs, buildings, random people—all ...

Michael Ray Nott is a Nashville-based photographer impassioned by the unexpected, haphazard multitude of things that can pop up in a picture—neon signs, buildings, random people—all ...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Bavarian-born and raised Eva Mueller, made New York her home in 1990. Her previous studies and experience in graphic design and visual fine art, evolved into her career in photogr...

This 2018 image of a Technicolor Stairway, shot in Miami, Florida, was captured by New York photographer Christopher Petsos and features a bright colored graffiti covered staircase. ...

Bavarian-born and raised Eva Mueller, made New York her home in 1990. Her previous studies and experience in graphic design and visual fine art, evolved into her career in photograp...

Supreme collaboration with Richard Prince. The tee — titled “18 & Stormy” — features a composite of Stormy Daniels and the other 18 women who have accused President Donald Trump of s...

Genre: Photographic Subject: Cityscape Medium: Silkscreen of Photograph Surface: Paper Country: United States Dimensions: 19" x 28" Street Art, Urban Jon Naar is a British-American...

K-narf, French (b. 1970) Collage photo artwork (Graffiti Vans) (2011) Tape-o-graph photography Signed lower right, numbered 1/5 16 x 12 7/8 inches K-NARF was born in 1970 in Saint-Etienne, France and now lives in Tokyo. K-NARF invented PHOTOGRAFFITI a contemporary way of making street photography that lead him to develop his singular Tape-o-Graphy technique. It involves the application of adhesive tape strips on developed photographs in order to manually process the photographs giving them a unique surface texture and extraordinary appearance. Open to influences from street art and video, he uses the medium of photography as a toy to create and play. Both conceptual and experimental, definitely non-conventional, his work documents, recycles and collects the visual anachronisms of a world in a perpetual mutation. Through the years, K-narf often got support from key figures of the art world such as Teruo Kurosaki (Idee, Tokyo), Rotraut and Daniel Klein-Moquay (Yves Klein Estate), Joel Meyerowitz (pioneer of contemporary color photography), Jacques Attali (French writer), Olivier Gay (Architect & Art collector) and Yoichi Nakamuta (curator & Art producer). He collaborates on regular basic with...

K-narf, French (b. 1970) Collage photo artwork (Graffiti Vans) (2011) Tape-o-graph photography Signed lower right, (this one is not editioned and might be unique. the other 2 I have were from an edition of 5) 16 x 12 7/8 inches K-NARF was born in 1970 in Saint-Etienne, France and now lives in Tokyo. K-NARF invented PHOTOGRAFFITI a contemporary way of making street photography that lead him to develop his singular Tape-o-Graphy technique. It involves the application of adhesive tape strips on developed photographs in order to manually process the photographs giving them a unique surface texture and extraordinary appearance. Open to influences from street art and video, he uses the medium of photography as a toy to create and play. Both conceptual and experimental, definitely non-conventional, his work documents, recycles and collects the visual anachronisms of a world in a perpetual mutation. Through the years, K-narf often got support from key figures of the art world such as Teruo Kurosaki (Idee, Tokyo), Rotraut and Daniel Klein-Moquay (Yves Klein Estate), Joel Meyerowitz (pioneer of contemporary color photography), Jacques Attali (French writer), Olivier Gay (Architect & Art collector) and Yoichi Nakamuta (curator & Art producer). He collaborates on regular basic with...

Vintage Judaic piece by Jewish American-Israeli artist. A figure of a lion found as a sculptural detail on a building in Jerusalem Israel, the city of all three major western religio...

Nan Goldin Supreme Skateboard Decks, 2018 (set of 2): – Misty and Jimmy Paulette in a taxi, (NYC 1991) – Nan as a Dominatrix (Cambridge MA 1978) Set of 2 limited edition Nan Goldin ...

K-narf, French (b. 1970) Collage photo artwork (Graffiti Vans) (2011) Tape-o-graph photography Signed lower right, numbered 1/5 16 x 12 7/8 inches K-NARF was born in 1970 in Saint-Etienne, France and now lives in Tokyo. K-NARF invented PHOTOGRAFFITI a contemporary way of making street photography that lead him to develop his singular Tape-o-Graphy technique. It involves the application of adhesive tape strips on developed photographs in order to manually process the photographs giving them a unique surface texture and extraordinary appearance. Open to influences from street art and video, he uses the medium of photography as a toy to create and play. Both conceptual and experimental, definitely non-conventional, his work documents, recycles and collects the visual anachronisms of a world in a perpetual mutation. Through the years, K-narf often got support from key figures of the art world such as Teruo Kurosaki (Idee, Tokyo), Rotraut and Daniel Klein-Moquay (Yves Klein Estate), Joel Meyerowitz (pioneer of contemporary color photography), Jacques Attali (French writer), Olivier Gay (Architect & Art collector) and Yoichi Nakamuta (curator & Art producer). He collaborates on regular basic with...

Artist: Drew Doggett Title: Shoeshine Medium: Archival Pigment Print, signed on the matting Size: 20 x 23 inches Framed Size: 29 x 32 inches

Gillian was born in India in 1933. Her British parents were part of the twilight of the British Raj. Gillian completed her secondary education and entered The University of Reading, England to study Fine art and painting, a five year study. She worked in Dallas, Texas making paintings, creating embroidered wall hangings...

Photograph (Framed in white frame) 11 x 17 with 1-inch border Signed by photographer, Matthew Eller & Ron English

Original Stencil of Sarah's Camera Comes with a signed photograph as well so the collector can choose which one to use in the frame or frame both! 8.5 x 12 inches Framed Stencil...

SoHo Fire Escapes, New York, 1984 by Fernando Natalici: The simplicity & grace of iconic New York architecture rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the hidden poetry of urban architecture... Archival Inkjet Print. Approximately 12 x 18 inches (image size: approx 12 x 17in.). Hand signed from an edition of 20. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Soho Building Architecture, A Brief History The SoHo-Cast Iron Historic District comprises about 500 buildings, many of which are characterized by their cast-iron facades. Development of the district began in the late 18th century. The population surged after the War of 1812, and some homes from this era still remain. The latter half of the 19th century saw the district evolve into a center of commerce and entertainment, and the majority of the cast-iron buildings the district is known for were constructed during this period. The use of cast-iron allowed for ornate facades that were a much cheaper alternative to granite and marble. However, an increase of industrial production along with rising crime and “immorality” steadily drove residents out of the area. The district began to decline in the early 20th century, leaving many spaces vacant for decades and leading some to refer to the area as Hell’s Hundred Acres. 

It was not until the late 1960s that artists became attracted to the area because the large, unoccupied loft spaces made affordable studios. Many of those who moved into the area lived in their workspaces, even though it was illegal to do so, and the area was not sufficiently equipped for residential life, lacking basic necessities. At the same time, the entire landscape of SoHo was threatened by plans to build the Lower Manhattan Expressway (LOMEX) - a proposed ten-lane elevated highway that would require the demolition of much of SoHo and Little Italy. Artists in the area collaborated with other preservation advocates in the first, unsuccessful attempt to designate SoHo as a historic district for its architectural significance. Although that failed, they also formed Artists Against the Expressway and ultimately helped defeat the plans for LOMEX, which saved the architecture in the area. The “SoHo Effect” has become a model for repurposing an industrial district for mixed use, both commercial and residential, while preserving much of the existing structural integrity. Today SoHo is known for its unique cast-iron architecture, desirable loft living...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

Archival pigment print Size 18 x 24 inches Hahnemuhle Photo Rag Metallic 340 gsm Limited Edition out of 12 Signed and numbered Certificate of Authenticity included

Jack Hayhow Title: Tower Station and U Drop Inn Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes -...

The Girl In Union Square by Fernando Natalici Manhattan, 1984. The simplicity & grace of the anonymous passer-by rendered timeless by the snap of the camera. A window into a street photographer's decisive moment. A window into, not only the New York of 'then', but the beauty & chaos of everyday city life... Archival Inkjet Print on 310gsm Paper 13 x 19 inches (image: 12 x 18 inches) Hand signed from an edition of 20 Obtained directly from artist Excellent condition New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Related Categories William Klein. Henri Cartier Bresson. Saul Leiter...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Best known for his porcelain sculpture, Charles Birnbaum has recently begun showing his photography . Charles Birnbaum's photography points to the possibility of going beyond object...

Jello Biafra, New York, 1986 by celebrated downtown photographer Fernando Natalici. Jello Biafra – Dead Kennedy’s – Leader of the semianl early punk group The Dead Kenendys. Shot in...

In 1969, weekends at Bethesda Fountain were a gathering place for the radical, glamorous, and hip people of the time. Abbie Hoffman and Jerry Rubin were regular speakers there. Po...

1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglass with a wood frame on back to hang floated on wall. Born in Tallahasee Fl, William started...

An urban youth shrouds his head in a blue sweater as he coils up against a blue Soho wall marked with Graffiti. Reminiscent of Picasso's Blue Period, the photograph is characteriz...

Bavarian-born and raised Eva Mueller, made New York her home in 1990. Her previous studies and experience in graphic design and visual fine art, evolved into her career in photogr...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Overall dimensions (incl borders): 13 x 19 inches (33 x 48...

CBGB, The Birthplace of Punk - captured by heralded New York underground photographer Fernando Natalici: Manhattan, c.1982 Archival Inkjet Print. Dimensions: 11 x 14 inches (full fr...

Signed and dated on the lower right, numbered on verso, 2/15 Printed later, other size available, unframed, Printed later, Printed on Hahnemühle Fine Art paper. Mitchell Funk is a p...

1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglas with a wood frame on back to hang floated on wall. Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York. Gallery Representation DTR Modern Galleries 440 S. County, Palm Beach FL 33480 DTR Modern Galleries Boston, MA NoSo Fine Art, 3716 S. Dixie Hwy West Palm Beach, FL 33405 Gary Rubinstein...

Urban Graffiti Art Wall Painting photograph on New York Street has an onlooker who looks like the art he's looking at. The image is a synthesis of art and viewer. The yellow abstract pattern on the viewer's shirt echos the yellow patterns on the buildings. The photograph celebrates the Graffiti Artists of New York. Late golden light enhances all-over abstract patterns and integrates the old architecture with the new street art...